Past Residents

Country
Year
Residency Program
Resident Type
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South Korea

Past Resident
2022: DOOSAN Art Center

Curator

Junghyun Kim

Junghyun Kim is a curator specialized in Asian contemporary art. She has interests in the relationship between the museum and the audience’s body. Through exhibitions, on/offline performances, community-engaged art and symposiums, Kim explores themes on ways to restore human senses in the digital environment.

Junghyun Kim has exhibited at Seoul Museum of Art, Buk-Seoul Museum of Art, and Songeun Art Cube, all South Korea, among others.

Events & Exhibitions

Artists at Work: Ying Chiun Lee with Junghyun Kim
July 28, 2022, 6–7pm
Junghyun Kim, Every Haetae, 2021, mixed media, installation view at Seoul Museum of Art, dimensions variable.
Junghyun Kim, Serpentine Twerk, 2021, mixed media on canvas, installation view at Seoul Museum of Art, 76 × 102 in. (193.04 × 259.08 cm).
Junghyun Kim and Taste House, Delivery Service 2020, 2020, performance.
Junghyun Kim, Your Garden, 2020, archive installation, dimensions variable.
Junghyun Kim, Creating Stories, 2019, book.

Residents from South Korea

Hannah Woo

South Korea
DOOSAN Art Center
Studio #304

Sinae Yoo

South Korea
DOOSAN Art Center
Studio #216

Ailyn Lee

United States, South Korea
Anonymous
Studio #210
Qatar

Past Resident
2022: Fire Station - Qatar Museums

Artist

Saida Alkhulaifi

Saida Alkhulaifi’s work explores the theme of time within the context of recent memory, emotions and objects’ connection to human behavior. She examines the notion of time through layering and added text, investigating different surfaces and mediums, experimental photography, and where all of these exist in time and space.

Saida Alkhulaifi has exhibited work at GlogauAIR, Berlin; Fire Station – Qatar Museums; and at Qatar-USA 2021 Year of Culture, among others.

This art work is by saida alkhulaifi. It is part of "tomorrow" series documenting recent memories of places and people while thinking of the future and what it could entail.
Saida Alkhulaifi, Freej ii, 2021, 35mm photo digital scan.
This art work is by saida alkhulaifi. It is part of "tomorrow" series documenting recent memories of places and people while thinking of the future and what it could entail. 35 mm film was used to capture the moment. the image was later printed on photo paper and fabric in which thread was used to write the word "bukra" meaning tomorrow. The artist uses layering to mimic the complexity of the human brain and how thoughts and memories are complex and overlapping.
Saida Alkhulaifi, Burka, 2021, 35mm photo print, fabric, and thread.
This art work is by saida Alkhulaifi. it is part of a series looking into classic arabic poetry and its metaphors.
Saida Alkhulaifi, Your Eyes Are a Palm Tree Forest, 2021, fabric, thread, and paint.
This art work is by saida alkhulaifi. It is part of the artist's continous project documenting recent memories.
Saida Alkhulaifi, She Bloomed on Water, 2021, 35mm photo and thread.

Residents from Qatar

Adriane de Souza

Qatar, Brazil
Fire Station - Qatar Museums
Studio #209

Dana Agal

United States, Qatar
Fire Station - Qatar Museums
2025

Fouz Saif

Qatar
Fire Station - Qatar Museums
2024
United States, China

Past Resident
2024: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha

Artist

Alchemyverse

Alchemyverse was founded in 2020 in New York City by artists Bicheng Liang (b. 1994, China) and Yixuan Shao (b. 1996, China/United States). As a duo, they construct visual and aural assemblages, working across disciplines of installation, print, sound, sculpture, and photography. Focusing on research and experimentation, their hybrid practice resonates with macro-environmental concerns and human dislocation of space, leading them to places such as Oahu and Moa Kea in Hawaii, the American Southwest, the Hudson Highlands, and the Chilean deserts.

Alchemyverse has exhibited work at Bishop Museum, Honolulu; The Catherine Fosnot Art Gallery and Center, New London; and Lenfest Center for the Arts, Columbia University, New York City, among others.

Events & Exhibitions

2024 Spring Open Studios
April 12–April 13, 2024
2023 Fall Open Studios
November 10–November 11, 2023
Messa in Luce Exhibition Talk with Alchemyverse and Jess Wilcox
November 1, 2023, 6–7pm
Alchemyverse: Messa in Luce
June 29–November 17, 2023
2023 Spring Open Studios
April 21–April 22, 2023
The work features collages of cyanotype photographs taken in the American Southwest, multichannel field recordings, and objects collected within the land on three suspended wooden panels.
Alchemyverse, Stir, Full of, Abounding In, 2021, cyanotypes collage, dead plant, pit-fired wild clay fragment, rocks, 8-channel specialized sound, transducers, and other mixed media, 120 × 84 × 3 in. (304.8 × 213.36 × 7.62 cm).
Left Without the Means to Move uses the ephemerality of sound and porousness of space to adapt to the viewers’ presence and creates an interactive soundscape as a constant search for balance. The materiality of the landscape slowly unfolds within and around the dome-shaped assemblage of sound recordings of making the ceramics in the wilderness, extracted soil, and pit-fired sandstone-molded sculptures.
Alchemyverse, Left Without The Means To Move, 2021, lava rocks, anodized aluminum, bone conductors, pit-fired wild clay and sound recorded within, desert soil, amplified microphones, speakers, subwoofers, and other mixed media, 204 × 204 × 180 in. (518.16 × 518.16 × 457.2 cm).
With the whole work's structure supported by salvaged rocks and plywood scraps, we explore how a construction of the fragmented brings the multitude of functionalities, identities, and meanings together, and us into proximity with such process.
Alchemyverse, Untitled, 2021-22, rocks, ceramics, bronze, dead plants, living moss, sand, films, cyanotypes, scores, 3D carved photo, turntable, trace light box, digital projectors, lamps, and other mixed media.
In 2021, a record number of snowstorms blanketed the northeast regions of the US, due to rising temperature in the atmosphere which fuels the storms. At the time, we were traveling along the Hudson Valley, hiking in knee-high snow and crouching over frozen riverbank to chase aluminum sheets into the shapes of the rocks. What we thought as a simple gesture of conforming to the land was met with great resistance from the environment.
Alchemyverse, 隙/ At Intervals, 2020-21, earth and fire on aluminum sheets, 72 × 96 × 36 in. (182.88 × 243.84 × 91.44 cm).
Consisting of thirty-one cyanotype photographs and twelve-channel spatialized recordings made using salvaged materials, Bleikr explores a poetic avenue toward a non-anthropocentric scale of time --- one that expresses itself no longer in terms of hours and minutes, but in the forms in the textures, shadows, and sounds of the environment.
Alchemyverse, Bleikr, 2020, mounted cyanotypes, sounds, and transducers, 108 × 120 in. (274.32 × 304.8 cm).

Ground Floor Residents

Hong Seon Jang

South Korea, United States
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Ground Floor

Sarah Zapata

United States
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Ground Floor

Sasha Wortzel

United States
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso
Ground Floor