Past Residents
Past Resident2021: Danish Arts Foundation
Vibe Overgaard
Vibe Overgaard works with installation, performance and video to explore ideas around the cultural normalization of capitalist ideology in Western society. Her practice is anchored in theory and research with a Marxist approach. Overgaard has been involved in several projects for self-organized education.
Vibe Overgaard has exhibited work at Hotel Maria Kapel, Hoorn, The Netherlands; Odenplan metro station, Stockholm; Floating Projects, Hong Kong, among others.
Vibe Overgaard, Manuscript on Accumulation, 2019, performance-lecture and ceramics.
Vibe Overgaard, Manuscript on Accumulation, 2019, performance-lecture and ceramics.
Vibe Overgaard, Untitled Clay/Wood, 2018, wood and ceramics.
Vibe Overgaard, ExNature, 2020, video projection and wood.
Vibe Overgaard, ExNature, 2020, ceramics and framed print.
Past Resident2021: Sobey Art Awards, National Gallery of Canada
Sara Cwynar
Sara Cwynar works with photography, video, and book-making. Her work involves a constant archiving and re-presentation of collected visual materials. She is interested in the way that images morph, accumulate, endure and change in meaning and value over time, and the effect this has on a collective worldview.
Sara Cwynar has exhibited work at The Approach, London; Milwaukee Art Museum; MoMA PS1, New York, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Sara Cwynar, Red Film, 2018, video, 13:01 min.
Sara Cwynar, Rose Gold, 2017, video, 8 min.
Sara Cwynar, Sahara from SSENSE.com (as young as you feel), 2020, archival pigment print, 38 × 30 in. (96.52 × 76.2 cm).
Sara Cwynar, Louis Vuitton Jeff Koons Rubens Bag, 2020, archival pigment print, 38 × 30 in. (96.52 × 76.2 cm).
Sara Cwynar, Ali from SSENSE.com (How to Marry a Millionaire), 2020, archival pigment print, 30 × 24 in. (76.2 × 60.96 cm).
Past Resident2021: Federal Ministry for Arts, Culture, the Civil Service and Sport of Austria
Anaïs Horn
Anaïs Horn lives and works in Paris and Vienna. In her practice she often interweaves literature/text and photography/video, exploring moments of intimacy with a special interest in topics such as liminality and coming-of-age. She observes people and their spaces, gently crossing borders, opening up the private and making intimacy a sensual experience. In the process, she investigates time, memories, transience, the body and its traces, the cautious intrusion of privacy, and the aesthetics of reality and fugacity. The artist book is an important medium for her work: her photo books Fading (DCV, Berlin), Je suis malheureuse et heureuse (Meta/Books, Amsterdam) and How do you feel about “Lou”? (in collaboration with Eilert Asmervik, Meta/Books) are published in 2020.
Anaïs Horn has exhibited work at MAK – Museum of Applied Arts, Vienna; Cité Internationale des Arts, Paris; and Neue Galerie Institution, Graz, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Anaïs Horn, IN BETWEEN, 2019, photography, video, and installation.
Anaïs Horn, Triptyque Parisien, 2017, photography, text, and installation.
Anaïs Horn, Je suis malheureuse et heureuse, 2017–20, photography.
Anaïs Horn, Fading, 2013–19, photography, photocopy, and book spread.
Anaïs Horn, The sun had not yet risen, 2020, video.
