Past Residents
Anaïs Horn
Anaïs Horn’s work intertwines literature, text, photography, video, drawing and painting to explore intimate moments. With a focus on liminality and coming-of-age, Horn observes people and their spaces. In her artistic process, she investigates time, memories, the body and its traces, the cautious intrusion of privacy, the aesthetics of reality, and fugacity. Her images take shape by exploring surfaces and objects, and they frequently unfold into spatial installations.
Anaïs Horn has exhibited work at Camera Austria, Graz; Paris Photo, Curiosa Section, Paris; and MAK-Museum of Applied Arts, Vienna, among others.
Anaïs Horn, Longing Ghosts in Deep Blue Paranoia, 2022, photography, drawing and installation, dimensions variable.
Anaïs Horn, Les Fenêtres, 2022, photography and painting, dimensions variable.
Anaïs Horn, Die Hand voller Stunden, so kamst du zu mir, 2021, photography and installation, dimensions variable.
Anaïs Horn, You would wear it as pajamas and even to go out with it before breakfast, 2021, yukata object and several photo prints on crêpe de Chine, dimensions variable.
Anaïs Horn, How do you feel about "Lou"?, 2020, photography and installation.
Residents from Austria
Past Resident2022: Pola Art Foundation2021: Pola Art Foundation
Saya Irie
Saya Irie’s work is inspired from everyday life and its ties to the distant past. Irie modifies objects by means of reduction, working with books, photographs, banknotes, and soaps, amongst others objects. Her practice is based on the idea that life continues to exist in an imperceptible sphere even after its external form disappears.
Saya Irie has exhibited work at Hiroshima City Museum of Contemporary Art; Setouchi Triennale, Shōdoshima, Kagawa, Japan; and Shiseido Gallery, Tokyo, among others.
Saya Irie, Kannon Dust (Kukurihime), 2016, Japanese hanging scroll and eraser shavings, figure: 7 x 4.7 x 2.4 in.; hanging scroll: 24 x 71 in.
Saya Irie, Mau Dust, 2016, charm and eraser shavings, figure: 5 x 6 x 2.4 in., charm: 20 x 28 in.
Saya Irie, Mary Dust, 2020, Kapanese hanging scroll and eraser shavings, figure: 2.4 x 1.7 x1.5 in.; hanging scroll: 16 x 9.4 x0.6 in.
Saya Irie, Disny Dust, 2015, children's book and eraser shavings, figure: 5 x 3.5 x 2.3 in., book: 7.8 x 12 in.
Saya Irie, Jyashouten Dust, 2019, Japanese hanging scroll, cardboard boxes, and eraser shavings, 90 x 70 x 12 in.
Past Resident2021: Vision Fund
Devin N. Morris
Devin N. Morris collapses memory and space to envision delicate new realms of existence. Informed by his upbringing in Baltimore and his personal experiences as a queer man of color, his work often portrays semi-fictive characters who exchange acts of kindness and care within surreal domestic settings. Extending his practice of collage into physical assemblage and sculpture, Morris creates site-specific environments that refract the domestic interior and subvert traditional values and social boundaries.
Devin N. Morris has exhibited work at Baltimore Museum of Art; Bass Museum, Miami; and P.P.O.W. Gallery, New York, among others.
Devin N. Morris, Water not under the moonlight, water at moon’s eve. Saw it from behind and now the cold front is unveiled, guiltily picked and exposed, 2020, acrylic, painters tape, wall paper, plaster, wood veneer, wood moldings, house paint, oil pastel, pastel, collage, ink, door, vinyl, wool, daily vitamin, acidophilus, velvet, wood shutter, and footboard on panel, 98 × 70 in. (248.92 × 177.8 cm).
Devin N. Morris, Moving away from up there. Broken easily as brown skin does walking through brown stone. From Somewhere and Me at the base of stairs treading rows perfectly soiled for blossoming lunacy, 2020, entryway doors, chair, lampshade, and light, 129 × 95 × 27 in. (327.66 × 241.3 × 68.58 cm).
Devin N. Morris, Homeostatic, 2018, archival inkjet print, 36 × 24 in. (91.44 × 60.96 cm).
Devin N. Morris, Spot Clean with Daily Lavender Pill, 2018, acrylic, tempera, oil pastel, candle wax, inkjet print on silk, and charcoal on wood panel, 36 × 24 in. (91.44 × 60.96 cm).
Devin N. Morris, Birds Through A Window Chirp Frying Flying Chicken Grease Glittered Air, 2020, wood veneer, oil pastel, leather, cotton, acrylic, silk, charcoal, and suede on paper, 14 × 17 in. (35.56 × 43.18 cm).
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217