Past Residents
Past Resident2021: Ministry of Culture, Taiwan
Yu-Ling Chou
Chou Yu-Ling’s research focuses on visual culture, moving images’ curation and curatorial methodology. She was a curator of the National Taiwan Museum of Fine Arts where she organized the 2018 Taiwan Biennial titled Wild Rhizome that looked at the cultural legacy of a theatre group who self-published Theatre Quarterly, an avant-garde magazine that circulated during 1960s in Taiwan.
Chou Yu-Ling has curated shows at Peltz Gallery, London; Soulangh Cultural Park, Tainan; and National Taiwan Museum of Fine Arts, Taichung, among others.
Kao Chung-li, The Man with the Moving Projector, 2015, mixed media, installation view at Peltz Gallery, London.
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan.
Kao Chung-li, Kao Chung-li and Experimental Film in Taiwan, 2015, mixed media, installation view at LUX Salon, London.
Wild Rhizome, The Glamorous Boys of Tang, 2018, mixed media, installation view at Taiwan Beinnale, 2018.
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan.
Past Resident2021: Ministry of Culture, Taiwan
Shih-yu Hsu
In her curatorial work, Shih-yu Hsu explores images making, the media, and feminism. She co-founded the bilingual online media art platform SCREEN in 2015 and was the executive assistant of Taiwan Pavilion in the 2017 Venice Biennale. Her writing has been published on several publications including Artforum, Artist Magazine, and Art Investment.
Shih-yu Hsu has presented exhibitions at 456 Gallery, New York City; Taipei Contemporary Art Center; and Selarsar Sunaryo Art Space, Bandung, among others. She is currently a curator at Taipei Contemporary Art Center.
Sound Route(Shen Sum-Sum, Wu Chi-Yu, Musquiqui Chihying), To Choose, 2019, audio tour, 43 min., from the exhibition Sensuous Tua-Tiu-Tiann, Taipei Contemporary Art Center.
Beatrice Glow, Rhunhattan: A Tale of Two Islands, 2019, mixed media, from the exhibition "Female Avatars' Futurist Statement #4 - Flowers and Forts".
Pei-Hsuan Wang, Dearly Beloved, 2019, video, work on paper, sculpture, installation, from the exhibition "Female Avatars' Futurist Statement #1 You Are My Sunshine".
Po-chieh Chang, Good Morning, Good Afternoon, Good Night, Good Bye, Harbor, Sailor, 2018, virtual reality, 8:45 min., from the exhibition "Video Lounge Series 3: Eyes, Bugs, Fishes and Birds".
Musquiqui Chihying, The Flash, 2017, flash light, Arduino, glowing paint, from the exhibition "Resistance is Futile".
Past Resident2021: OCA - Office for Contemporary Art Norway
Nora Joung
Nora Joung works with historical, statistical, and legal data. In her time-based installations, Joung creates moving images, performances and texts to examine how terminologies affect the ways in which information is perceived. She is a member of the artist group Rose Hammer.
Nora Joung has exhibited work at Kunstnernes Hus, Oslo; Volt, Bergen; and Kristiansand Art Hall, Norway, among others.
Nora Joung, Ding Dong, 2018, architectural installation, video, lights, musical composition, dimensions variable.
Nora Joung, golden ague, 2019, video performance installation.
Nora Joung, Rose Hammer: Grini and the future's of Norway, 2019, theatrical play, 45min..
Nora Joung, The Prospect Cabinet, 2019, installation, dimensions variable.
Nora Joung, Memorial: The Right to Work, 2019, installation with video and audio, dimensions variable.
