Raja’a Khalid’s practice is concerned with contemporary narratives of class, luxury, and consumer and material cultures, especially those that connect her native Arabian Gulf region with the world at large. She is interested in how current day capitalist economies articulate ‘culture’ and seek out motifs of soft power that reflect on the Gulf’s streaming constructions of heritage, authenticity, wealth, masculinity, sport, game, athleticism, adornment, wellness and wilderness. Outcomes are often sculptural abstractions based on these investigations and mediums employed include industrial processes, systems or rhetoric e.g. patents, wholesale supplies or B2B goods, etc.
Raja’a Khalid (born 1984, Saudi Arabia) is a Dubai-based artist and writer. She received her MFA in Fine Art from Cornell University, where she was also the recipient of the Cornell Council for the Arts Grant in 2013. Recent awards and residencies include the NYU Abu Dhabi FIND Research Fellowship, 2014; the Künstlerhaus Büchsenhausen International Fellowship for Art and Theory, 2015, and the Rijksakademie van Beeldende Kunsten Guest Residency, 2015. Her work has been shown in New York, Dubai and Vienna.
Events & Exhibitions
Residents from United Arab Emirates
So Yoon Lym
So Yoon Lym (born 1967 in Seoul, Korea) moved to Uganda in 1967 until the age of 7. She came to live in Northern New Jersey in 1974, where she currently resides. Lym pursued her studies at the Rhode Island School of Design, where she received a BFA in Painting and then at Columbia University, where she received an MFA in Painting in 1991. Since then, she has exhibited her work at the United States Embassy in Djibouti, Centro Provincal de Artes Plastica y Disenos in Santiago, Cuba, Coreana Museum in Seoul, Korea, Studio Museum of Harlem, International Print Center New York, Paterson Museum and the Newark Museum, among many other places.
Residents from United States
Astrid Myntekær constantly tests, challenges and refines materials and technologies in new contexts and compositions. Light and sound merge and hit you in both body and head. Posh and high-tech materials establish sculptural and performative links to more low-key materials from the local DIY shop and low-key industrial producers. In a time when hackers are the new revolutionaries—and there are signs that we could perhaps move completely through the screen—Astrid Myntekær lets topics of biology, emotion and spirit resonate through her work.
Astrid Myntekær (1985, Denmark) graduated from the Royal Danish Academy of Fine Arts in 2012. Her recent solo shows include MANA, Black Sesame Space, Beijing and ORGONE at Overgaden – Institute of Contemporary Art, Copenhagen. Astrid Myntekær’s work has been exhibited at Museum of Contemporary Art, Roskilde; Kunsthal Charlottenborg; Kunstforeningen Gl Strand; and Gallery Jacob Bjørn. Astrid Myntekær is representing Denmark at the Jeune Creation Europeenne Biennale, 2015–17.