Past Residents
Past Resident2022: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Lisa Rastl-Dorner
Lisa Rastl-Dorner’s artistic practice and photography work address questions of authorship and copyright, the role of photography as a medium of reproduction, and the relationship between original and copy.
Lisa Rastl-Dorner has exhibited work at Taikoo Place, Hong Kong; WIELS Center for Contemporary Art, Forest; and MAC/VAL, Vitry-sur-Seine, among others.
Lisa Rastl-Dorner, Hommage to a (yellow) square, after Josef Albers, 2021, fine art print on Baryta, 12 × 16 in. (30.48 × 40.64 cm) each.
Lisa Rastl-Dorner, Hommage to a (yellow) square, after Josef Albers, 2021, C-print, 19 × 27 in. (48.26 × 68.58 cm) each.
Lisa Rastl-Dorner, Failing the Original, 2018, fine art print on Bartya, 19 × 27 in. (48.26 × 68.58 cm).
Lisa Rastl-Dorner, Failing the Original, 2014, objects, photographs, dimensions variable.
Lisa Rastl-Dorner, Failing the Original, 2019, 7 × 9 in. (17.78 × 22.86 cm).
Residents from Austria
Past Resident2021: International Visegrad Fund
Tamás Páll
In his practice, Tamás Páll’s explores emergent world-systems, non-human technologies, performative spaces and experimental role-playing. Páll is interested in new forms of collective world-building and computational simulation as a prefigurative practice via the concept of “Xenorealit,” the emergent and temporary realities between fiction and primary reality.
Tamás Páll has exhibited work at panke.gallery, Berlin; MeetFactory, Prague; and Victoria and Albert Museum, London, among others.
Events & Exhibitions
2021 Fall Open Studios
November 13, 2021
Tamás Páll, OVO, 2021, film still, 16:00 min.
Tamás Páll, Reaction, 2016-2021, film still, 22:00 min.
Tamás Páll, Hollow: Summit, 2021, performance at Donaufestival, Krems, Austria 2021.
Tamás Páll, Hollow: Archive, 2020, performance, two channel video installation, sound, chains, 3D printed orb, and iPad. Photo by David Visnjic.
Tamás Páll, RitesNetwork: rromok, 2018, photo still captured during gameplay at panke.gallery Berlin. Photo by Dávid Biró.
Past Resident2022: Fire Station - Qatar Museums
Hana Al-Saadi
Hana Al-Saadi’s work explores the effects of her cultural society and the use of social media to generate discussions with anonymous identities and the space between privacy and the public. She works with archives, sound, and household items to create and assemble spontaneous installations.
Hana Al-Saadi has exhibited work at Cosmoscow, Moscow; The WaterFire Arts Center, Providence; and Fire Station – Qatar Museums, among others.
Hana Al-Saadi, Endless Work, Unless the Power is Out, 2015, sewing machine, canvas, wood, sneaker, and cement, dimensions variable.
Hana Al-Saadi, Endless Game, Unless the Power is Out, 2015, fans, woods, and plexiglass, dimensions variable.
Hana Al-Saadi, Untitled, 2929, resin, 11 × 11 in. (27.94 × 27.94 cm).
Hana Al-Saadi, If you need help, wear yellow, 2021, ink on newsprint, dimensions variable.
