Past Residents
Fritjof Mangerich
Fritjof Mangerich is concerned with the relationship of the public realm of urban space, its sonic dimensions and the human body and its metabolisms. In his site responsive situations, he uses sound as a sculptural matter to fathom both the psychology of architecture and the physicality of perception.
Fritjof Mangerich has exhibited at Kunstmuseum Wolfsburg, Germany; Salian Art Space, Lembang, Jawa Barat, Indonesia; and Kuenstlerforum Bonn, Germany, among others.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, Neuroschuppen, 2018, petroleum jelly, paraffin wax, Zellan©, transducer, wire, amplifier, and computer; in situ in Berlin, Germany.
Fritjof Mangerich, Neuroschuppen, 2018, petroleum jelly, paraffin wax, Zellan©, transducer, wire, amplifier, and computer; in situ in Berlin, Germany.
Past Resident2019: Pollock-Krasner Foundation
Teresa Viana
In her practice, Teresa Viana materializes tactile thoughts into paintings, and introduces synesthetic elements in her works through the use of thick and heavy layers of encaustic. She does so by using a method she has developed over the years, with the goal of elevating the sculptural dimension of encaustic techniques.
Teresa Viana has exhibited at A.I.R Gallery, New York; Museum of Contemporary Art, University of São Paulo; and São Paulo Museum of Modern Art, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Teresa Viana, Detail, 2017, encaustic and oil on canvas.
Teresa Viana, Untitled 1, 2017, encaustic and oil on canvas, 981/2 × 19613/16 in. (250.19 × 499.87 cm).
Teresa Viana, 2015-16, encaustic and oil on canvas. Exhibition view at Centro Cultural São Paulo.
Teresa Viana, Series - 2017-PS2, 2017, encaustic and oil on canvas, 10 paintings, 11 x 7 in. each.
Teresa Viana, Series - 2017-FS2, 2017, sheep wool felting, 10 works, 20 x 14 inc. each.
Past Resident2019: Jane Farver Memorial Fund, Lambent Foundation Fund of Tides Foundation
Amanda Abi Khalil
Amanda Abi Khalil is an independent curator based in Beirut. She has been focusing her curatorial projects on socially engaged art practices. She is the founder of Temporary Art Platform, a curatorial platform that aims to shift artistic and curatorial discourse towards social and contextual concerns in Lebanon through residencies, research projects and commissions.
Amanda Abi Khalil has curated exhibitions at the National Museum of Beirut; Temporary Art Platform, Beirut; and Center of Contemporary Art Ujazdowski Castle, Warsaw, among others.
Annabel Daou, Mathaf Mathaf / Chou Hayda, 2018, audio participatory work.
Amanda Abi Khalil, ART at ACC, 2018, public art commission.
Mahmoud Safadi, BeMA Jezzine Residency, 2017, artist residency.
Hatem Imam, Threshold, 2018, exhibition view.
Amanda Abi Khalil, Kurz / Dust, 2015, exhibition view.
