Past Residents
Past Resident2019: The Pollock-Krasner Foundation, Inc.
Teresa Viana
In her practice, Teresa Viana materializes tactile thoughts into paintings, and introduces synesthetic elements in her works through the use of thick and heavy layers of encaustic. She does so by using a method she has developed over the years, with the goal of elevating the sculptural dimension of encaustic techniques.
Teresa Viana has exhibited at A.I.R Gallery, New York; Museum of Contemporary Art, University of São Paulo; and São Paulo Museum of Modern Art, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Teresa Viana, Detail, 2017, encaustic and oil on canvas.
Teresa Viana, Untitled 1, 2017, encaustic and oil on canvas, 981/2 × 19613/16 in. (250.19 × 499.87 cm).
Teresa Viana, 2015-16, encaustic and oil on canvas. Exhibition view at Centro Cultural São Paulo.
Teresa Viana, Series - 2017-PS2, 2017, encaustic and oil on canvas, 10 paintings, 11 x 7 in. each.
Teresa Viana, Series - 2017-FS2, 2017, sheep wool felting, 10 works, 20 x 14 inc. each.
Thiago Honório
Thiago Honório’s research starts from a interdisciplinary matrix. It is fueled by a transit between the ordinary and the extraordinary, by an encounter of different temporalities from the experience between the private and the public spheres, from different kinds of knowledge and exchanges, based on procedures such as displacements and assemblies.
Thiago Honório has exhibited work at Museu de Arte de São Paulo – MASP; Galeria Luisa Strina, São Paulo; and Museu de Arte da Pampulha, Belo Horizonte, among others.
Thiago Honório, Solo, 2017, roca head image from the 18th century, taipa and pau a pique, 1511/2 × 7013/16 in. (384.81 × 179.83 cm).
Thiago Honório, Trabalho [Work], 2016, tools used in the restoration of an electrical power substation, dimensions variable.
Thiago Honório, Boate azul, in collaboration with Pedro Vieira, 2016, remaining material of Boate azul’s dance floor, designed by Brazilian artist Mary Vieira for Palace Cassino building, in Poços de Caldas, Minas Gerais, Brazil, cataloged and relocated to the previous Cassino da Pampulha building, actual Museu de Arte da Pampulha, in Belo Horizonte, Minas Gerais, Brazil, 5511/8 × 25913/16 in. (1399.79 × 659.89 cm).
Thiago Honório, Pau-Brasil, 2014, facsimile of Oswald de Andrade’s book “Pau Brasil” (1925) and pau-brasil wood, 63/16 × 51/8 × 103/16 in. (15.75 × 12.95 × 25.91 cm).
Thiago Honório, Pintura de parede [Wall Painting], 2013-14, worn out sandpaper on wallpainting.
Residents from Brazil
Past Resident2019: Jane Farver Memorial Fund, Lambent Foundation Fund of Tides Foundation
Amanda Abi Khalil
Amanda Abi Khalil is an independent curator based in Beirut. She has been focusing her curatorial projects on socially engaged art practices. She is the founder of Temporary Art Platform, a curatorial platform that aims to shift artistic and curatorial discourse towards social and contextual concerns in Lebanon through residencies, research projects and commissions.
Amanda Abi Khalil has curated exhibitions at the National Museum of Beirut; Temporary Art Platform, Beirut; and Center of Contemporary Art Ujazdowski Castle, Warsaw, among others.
Annabel Daou, Mathaf Mathaf / Chou Hayda, 2018, audio participatory work.
Amanda Abi Khalil, ART at ACC, 2018, public art commission.
Mahmoud Safadi, BeMA Jezzine Residency, 2017, artist residency.
Hatem Imam, Threshold, 2018, exhibition view.
Amanda Abi Khalil, Kurz / Dust, 2015, exhibition view.
