Past Residents

List Grid

Past Resident
2021: The Pollock-Krasner Foundation, Inc.

Artist

Daniel Ramos

Daniel Ramos creates 3-dimensional sculptures, large-scale collages, and mixed media installations. Early on in his career, Ramos decided that the people in his life–family, friends, co-workers–would be the subjects of his work. He uses photography as a vehicle to amplify their presence in the world, and has recently began moving beyond the single image convention of picture making.

Daniel Ramos has exhibited work at Artpace San Antonio and Center for Photography at Woodstock, among others.

Events & Exhibitions

Artists at Work: Daniel Ramos in Conversation with Monica Espinel hosted by Culture Pass

May 27, 2021, 4-5pm

2021 Spring Open Studios

April 27–April 28, 2021

Daniel Ramos, The Land of Illustrious Men, 2020, installation view at Artspace, San Antonio

Daniel Ramos, How Many Generations Does It Take To Be Treated As A Human Being?, 2020, collage made with silver gelatin prints and inkjet prints on various Mohawk papers

Daniel Ramos, The Land of Illustrious Men, 2020, installation view at Artspace, San Antonio

Daniel Ramos, Pilo In Leaves, 2016, photography

Daniel Ramos, My Mother, My Father and Uncle Ramiro On The Way To Monterrey, 2000, photography

Residents from United States

Hellen Ascoli

This interactive sound table is an exploration of the relationship between text and textile, particularly through the oral tradition.

United States, Guatemala

The Pollock-Krasner Foundation, Inc.

Studio #302

Andrew Ross

Escher once asked, “Are you really sure that a floor can’t also be a ceiling?” The Dutch artist might have ignored the fundamentals of gravity, but Andrew Ross takes them head on, laying out a narrative where gravity is a character as real as the mole or ant. Ross’s exhibition—with its creatures, exotic garden, and reclining man admiring an apple —distorts what could otherwise be seen as a kind of pastoral. Using the language of display (plinths, pedestals, trusses), Ross teases out the purgatory between what we experience and what we know: the heavens, the earth, and the scafolding that connects them. The many faces of astrophysicist Neil deGrasse Tyson found in Ross’s flowers One suspects Tyson would admire the way that Ross’s universe, situated in the double helix of fact and ction, gives body to the forces we usually take for granted. His Untitled (Figure), a nod to the Newtonian myth, locates us in a moment of wonder when daydreams collide with reality. The ceiling and floor collapse and leave us with a divine sense of self- awareness. In the words of Tyson: “We are part of this Universe, we are in this Universe, but perhaps more important than both of those facts is that the Universe is in us.” — Kat Herriman, Artforum Critic's Pick

United States

Celebrate the Studio

2023

Meghana Karnik

Exhibition view of TITLE TBD, a group exhibition featuring work by ⚙️️Admin, Adult Kindergarten, Thomas Barger, Lukaza Branfman-Verissimo, GenderFail, Jeff Kasper, Ariane Loze, Natalia Nakazawa, Emily Mae Smith and presented at The Cleveland Institute of Art's Reinberger Gallery.

United States

Artis

2022

Austria

Past Resident
2021: Federal Ministry for Arts, Culture, the Civil Service and Sport of Austria

Artist

Veronika Eberhart

Veronika Eberhart is a visual artist and musician based in Vienna. In her research-based practice, she seeks formal translation to her work through her transdisciplinary approach to video, sound, performance, and sculptural installations. She uses media to negotiate conceptual issues with the sensitivity of feminist and art historical artistic practices.

Veronika Eberhart has exhibited work at The MAK Center, Los Angeles; Kunsthalle Wien, Vienna; and A-Gallery, Tokyo among others.

Events & Exhibitions

2021 Spring Open Studios

April 27–April 28, 2021

Veronika Eberhart, 9 is 1 and 10 is none, installation view at Kunsthalle Wien, Vienna, 2017

Veronika Eberhart, Various layers of glue petrified, 2017, colored glue, 7 × 13 × 4 in. (17.78 × 33.02 × 10.16 cm)

Veronika Eberhart, Untitled, 2018, archival pigment print, 33 × 38 in. (83.82 × 96.52 cm)

Veronika Eberhart, installation view at PARALLEL VIENNA in Raum 220, 2019

Veronika Eberhart, Implausible assumptions required to make sense of two pedals, 2020, brass with patina, 10 × 10 × 4 in. (25.4 × 25.4 × 10.16 cm)

Residents from Austria

Florian Mayr

Austria

Federal Ministry for Arts, Culture, the Civil Service and Sport of Austria

Studio #212

Evelyn Plaschg

Austria

Federal Ministry for Arts, Culture, the Civil Service and Sport of Austria

Studio #218

Anaïs Horn

Austria

Federal Ministry for Arts, Culture, the Civil Service and Sport of Austria

2021

Finland

Past Resident
2021: Uniarts Helsinki Academy of Fine Arts in partnership with Saastamoinen Foundation
2020: Uniarts Helsinki Academy of Fine Arts in partnership with Saastamoinen Foundation

Artist

Anna Estarriola

Anna Estarriola is interested in the exchanges and interactions between visual and media arts with other disciplines, including performing arts and technology. The themes of her work revolve around perception of reality, individual and communal behavior, and communication. She uses cross-disciplinary narrative structures that explore and question the union of content, medium and context. Over the last years, she has created media installation works combining sculptures and moving image with dramaturgy, mechanics and electronics.

Anna Estarriola has exhibited work at Galerie Anhava, Helsinki; Pori Art Museum, Finland; and Museum of Contemporary Art Kiasma, Helsinki, among others.