Current Resident: Sep 1, 2021–Oct 31, 2021
Danish Arts Foundation
Studio #
Artist
Vibe Overgaard
Vibe Overgaard works with installation, performance and video to explore ideas around the cultural normalization of capitalist ideology in Western society. Her practice is anchored in theory and research with a Marxist approach. Overgaard has been involved in several projects for self-organized education.
Vibe Overgaard has exhibited work at Hotel Maria Kapel, Hoorn, The Netherlands; Odenplan metro station, Stockholm; Floating Projects, Hong Kong, among others.
Past Residencies
2020–2021Danish Arts Foundation
Vibe Overgaard, Manuscript on Accumulation, 2019, performance-lecture and ceramics.
Vibe Overgaard, Manuscript on Accumulation, 2019, performance-lecture and ceramics.
Vibe Overgaard, Untitled Clay/Wood, 2018, wood and ceramics.
Vibe Overgaard, ExNature, 2020, video projection and wood.
Vibe Overgaard, ExNature, 2020, ceramics and framed print.
Residents from Denmark
Current Resident: Jul 1, 2021–Oct 31, 2021
Johnson Picture Framing & Galleries
Studio #202
Artist
Adjani Okpu-Egbe
Adjani Okpu-Egbe is a multidisciplinary artist who uses mixed media, including found objects, to make works that shed light on socio-political and economic issues affecting Africa, its diaspora and reflecting on global social justice. The artist explores autobiographical content, various themes; including family, love, loss, humour, mythology, and day to day life experiences to create metaphors throughout his practice.
Adjani Okpu-Egbe has exhibited work at Kunstverein Braunschweig Museum, Germany, SAVVY Contemporary, Berlin, Tel Aviv Museum of Art, Israel, Kunstpalast Museum, Düsseldorf, among others. In 2019, Adjani was the recipient of the inaugural Ritzau Art Prize via ISCP, 1:54 Contemporary African Art Fair, and the Tauc Ritzau Innovative Philantropy.
adjaniokpuegbe.comPast Residencies
Adjani Okpu-Egbe, Fabricated Anthropology, 2018, mixed media on four door panels (quadriptych).
Adjani Okpu-Egbe, Young Choreographers, 2019, mixed media on found wooden board.
Adjani Okpu-Egbe, Bearing Witness to Dystopia: Multigenerational Genocide, Fascism and Rumours of Civil War, 2020, wooden door panels, bookshelves, books, and variable objects.
Adjani Okpu-Egbe, The Foundation and Etymological Reinforcement of Erasure, 2020, variable.
Adjani Okpu-Egbe, Takumbeng’s Creed, Ambazonian Fortress, 2018, mixed on door panels (diptych).