Past Residents

Country
Year
Residency Program
Resident Type
List Grid
Residents Map
United States

Past Resident
2022: Vision Fund

Artist

Zachary Fabri

Zachary Fabri is an interdisciplinary artist that complicates boundaries around studio research, performance, and socially engaged practice by immersing himself in environments such as Target stores, the Trump Hotel, and the streets of Brooklyn. Employing conceptual strategies and context specificity, he utilizes drawing, photography, video, performance, and sound to create discourse around issues of equality, representation, justice, and the dismantling of systemic oppression.

Zachary Fabri has exhibited work at Sharjah Biennial 2019, United Arab Emirates; Museum of Modern Art and The Studio Museum in Harlem, both New York City, among others.

Events & Exhibitions

Lizania Cruz and Zachary Fabri in Conversation with Alison Kuo
March 29, 2022, 6–7:30pm
Zachary Fabri, Slit-scan, Split-span, Time Displacement Movement Study, or Dodging Bullets from Police, 2020, single channel video, 8:23 min
Zachary Fabri, Black Tape Ebony Frame, 2021, 12 × 15 in. (30.48 × 38.1 cm)
Zachary Fabri, Mourning Stutter, 2021, video, 8:17 min
Zachary Fabri, S-OUR AIR, 2021, silk, 120 × 58 in. (304.8 × 147.32 cm)
Zachary Fabri, Visible spectrum of light through the room, 2021, 8-strand braided fishing line, 2640 in. (6705.6 cm)

Residents from United States

Nikita Shokhov

DOK Leipzig film festival, Extended Reality: DOK Neuland. THX 4 Nothing, AR show at Museum of Fine Arts Leipzig, Germany
United States
ipureland
Studio #202

Alicia Grullón

Grullón’s self-portrait series, “From March to June: At Home with Essential Workers” is a continuation of her process using visual and embodied performative practices to create alternatives in archiving history. These self-portraits were created in her home in New York City during the Covid-19 quarantine. In this body of work, she simultaneously documents her time at home and current affairs affecting the nation.The titles refer to dates the images were taken and news articles from that time regarding the treatment of essential workers and incarcerated people during the pandemic.
United States
Vision Fund
Studio #216

Miatta Kawinzi

Four black-and-white photographic prints on fabric are hung from the ceiling; they show a Black figure in various poses of reaching.
United States
Vision Fund
Studio #201
Taiwan

Past Resident
2022: Ministry of Culture, Taiwan

Artist

Yi Kuo

Yi Kuo is an interdisciplinary developer and media artist. His works are often a combination of different media, including virtual reality, multiplayer gaming, audio-visual performances, installations, and theater space. He builds system structures to connect layers of spaces and forms of bodies, and seeks dialectic perspective between mythological and technological narratives. Kuo is the co-Founder/Director of the new media art group NAXS Corp.

Yi Kuo has exhibited work at Ars Electronica Center, Linz; transmediale, Berlin; and Unsound Festival, Warsaw, among others.

Yi Kuo, AFTERLIFE網路來生：EV20F1, 2020, online performance presented at Unsound Festival, Kraków, dimensions variable
Our body is inevitably dissolving into a new reality, mediated by screens, networks and algorithms. Memories, consciousness, and the
Yi Kuo, Render Ghost, 2015-2018, VR installation, dimensions variable
Yi Kuo, Ghost Island, 2018-2020, VR Installation and live visual with Meuko! Meuko!
A cyber geohistory study. Submerged into the abyss of the Internet, stratums of data-sendiments, analyze the layers of internet space in Geohistory methods, attempting to find the evidence of an emerging consciousness, deep under the ocean of collective desire.
Yi Kuo, XATA躰, 2019, VR and live audio-visual installation
is a cross-media project initiated in 2018. With neural-network generated images of eyes as its symbolic core, claims itself to be a mythological computing device, navigating through the endless matrix of imaginations, emotions and history, in searching for a point-of-view of non-existence, in our life experiences between information and body, geopolitics and religions, technology and nature. Inheriting from the concepts and tech-stacks developed in the virtual-immersive-theater work , and online/offline audiovisual performance , The aims to continue this pursue, develop it's theoretical basis, by implanting a set of fictional/non-fictional researching methods, and expand its format a site-specific ritual experience/theater between physical and virtual space. Roots in personal experiences of the complex religions/politics scenario in East Asia, suggests a floating perspective, to reinvestigate the mythological nature of our technoscience society, optionally the evolutionary affinity between traditional religions and our posthuman future.
Yi Kuo, NONEYE, 2019-ongoing, online experience

Residents from Taiwan

Hung-Yen Chang

Taiwan
Ministry of Culture, Taiwan
2023

Yen-Yi Lee

Taiwan
Ministry of Culture, Taiwan
2023

Ying Chiun Lee

This piece of work portrays my experience of living through the pandemic as a foreigner in the US. The video consists of two scenes; The first scene is a view through the bottom of the glass tank. Catching the moment of molten glass dropped into the water and broke within several macro-explosions. The second part of the scene is an uranium glass object with gold leaf scattered on the top. Then two amorphous blobs of hot glass come into the frame. They dance around the object seductively. The audio is composed of a mixture of electronic sounds, news broadcasts regarding Covid, and cicada sounds from rural Taiwan.
Taiwan
Ministry of Culture, Taiwan
2022
Southern Cameroons/Ambazonia

Past Resident
2022: Johnson Picture Framing & Galleries
2021: Johnson Picture Framing & Galleries
2020: Tauck Ritzau Innovative Philanthropy

Artist

Adjani Okpu-Egbe

Adjani Okpu-Egbe is a multidisciplinary artist who uses mixed media, including found objects, to make works that shed light on socio-political and economic issues affecting Africa, its diaspora and reflecting on global social justice. The artist explores autobiographical content, various themes; including family, love, loss, humour, mythology, and day to day life experiences to create metaphors throughout his practice.

Adjani Okpu-Egbe has exhibited work at Kunstverein Braunschweig Museum, Braunschweig; SAVVY Contemporary, Berlin; Tel Aviv Museum of Art, Israel; and Kunstpalast Museum, Düsseldorf, among others. In 2019, Adjani was the recipient of the inaugural Ritzau Art Prize via ISCP, 1-54 Contemporary African Art Fair, and the Tauck Ritzau Innovative Philantropy.

Events & Exhibitions

‘Bursting Bubbles’ Film Premiere: Director Maliyamungu Gift Muhande Interviews Adjani Okpu-Egbe
February 25, 2022, 4–5pm
On Delegitimization and Solidarity: Sisiku AyukTabe, the Martin Luther King Jr. of Ambazonia, the Nera 10, and the Myth of Violent Africa
September 17, 2021–February 25, 2022
2021 Summer Open House
July 28, 2021, 3–9pm
2020 Fall Open Studios
November 17–November 18, 2020
Adjani Okpu-Egbe, Fabricated Anthropology, 2018, mixed media on four door panels (quadriptych)
Adjani Okpu-Egbe, Young Choreographers, 2019, mixed media on found wooden board
Adjani Okpu-Egbe, Bearing Witness to Dystopia: Multigenerational Genocide, Fascism and Rumours of Civil War, 2020, wooden door panels, bookshelves, books, and variable objects
Adjani Okpu-Egbe, The Foundation and Etymological Reinforcement of Erasure, 2020, variable
Adjani Okpu-Egbe, Takumbeng’s Creed, Ambazonian Fortress, 2018, mixed on door panels (diptych)