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Elias Wessel
Elias Wessel

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Past Residents
Past Residents
Zara Pfeifer
Zara Pfeifer
Germany, United States

Past Resident
2023: SpallArt Collection, Brigitte Vosse

Artist

Elias Wessel

Elias Wessel employs photography to create images and multidisciplinary projects that reflect contemporary societal discourses. His works contribute to discussions about sociological and political development and the historical dialogue between photography and painting, exploring topics such as digitalization and questions of identity.

Elias Wessel has exhibited work at 1014, New York; Palais Beauharnais, Paris; and Kunstsammlung im Willy-Brandt-Haus, Berlin, among others.

Events & Exhibitions

Artists at Work: Aesthetics of Conflict–Elias Wessel with Matt Saunders
December 11, 2023, 6:30–7:30pm
2023 Fall Open Studios
November 10–November 11, 2023
Installation view of exhibition, including sonic compositions by Natalia Kiës; in situ at the exhibition “Pulsar;” Internationale Photoszene Festival Cologne, 2023
Elias Wessel, Sprung in die Zeit [Leap Into Time], 2014-2023, black and white photographs, audio, interactive module, and installation, dimensions variable.
Installation view of exhibition with paintings facing each other in a circle in the middle of a room. In situ at the exhibition “Elias Wessel—It's Complicated, Is Possibly Art;” 1014 New York, 2022
Elias Wessel, It’s Complicated (Tabloid Edition), 2019-2021, color photographs, audio, and artbook, dimensions variable.
Installation view of bright vertical panels on dark room. In situ at the exhibition “Elias Wessel—It's Complicated, Is Possibly Art;” 1014 New York, 2022
Elias Wessel, Schöne neue Welt [Brave New World] – The Moving Images, 2020-2021, looped video and projection on canvas, 59 3/4 × 106 1/4 in. (59 3/4 × 106 1/4 cm).
Installation view of a room with a big chandelier, and two large paintings above two small tables. Exhibition “Elias Wessel : La somme de mes données;” Palais Beauharnais Paris, 2020
Elias Wessel, Die Summe meiner Daten [The Sum of My Data] – On Series, No. 5 and 8, 2017, photographs, dimensions variable.
Exhibition view including works from “Die Summe meiner Daten” [The Sum of My Data], “It's Complicated,” and “Schöne neue Welt” [Brave New World]; Kunstsammlung im Willy-Brandt-Haus, Berlin, 2023
Elias Wessel, Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society], 2023, photographs.

Residents from United States

Aryel René Jackson

United States
Vision Fund
2025

Hanae Utamura

Japan, United States
Every Page Foundation
Studio #201

Akeema-Zane

United States, Trinidad and Tobago
Vision Fund
2025
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Elias Wessel
Elias Wessel
Joaquin Segura
Joaquin Segura
Austria, Germany

Past Resident
2023: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
2021: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

Artist

Zara Pfeifer

Zara Pfeifer’s work is concerned with the social phenomena of large-scale infrastructure. Her documentation of the modernist housing project Alterlaa (Du, meine konkrete Utopie, 2013-17) and her series on truck drivers (Good Street!, 2018-2022) involves extended periods of immersion in the day-to-day life of her subjects. Besides photography, she reveals her findings in lectures, audio, and video recordings.

Zara Pfeifer has exhibited work at Austrian Cultural Forum, Berlin; MAK Center for Art and Architecture, Los Angeles; and Künstlerhaus, Austria, among others.

Events & Exhibitions

2021 Summer Open House
July 28, 2021, 3–9pm
Zara Pfeifer, "Du, meine konkrete Utopie" (2013–2017)
Zara Pfeifer, Du, meine konkrete Utopie, 2019, photography and textile paper, 393/8 × 1571/2 in. (100 × 400 cm).
Zara Pfeifer, "Good Street!" (2018–2022)
Zara Pfeifer, Good Street!, 2022, framed photograph , 153/4 × 235/8 in. (40 × 60 cm).
Zara Pfeifer, "ICC Berlin" (2021-2022) photo: Liz Perdacher
Zara Pfeifer, ICC Berlin, 2023, photography and vinyl, 1181/8 × 1617/16 in. (300 × 410 cm).
Zara Pfeifer, "El Archivo" (2022) photo: Taiyo Watanabe
Zara Pfeifer, El Archivo, 2023, photography and archival print, dimensions variable.
Zara Pfeifer, Rollrasen, 2023, video on two screens and pasted poster, 783/4 × 1081/4 in. (200 × 275 cm).

Residents from Germany

Lukas Marxt

Germany, Portugal
Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Studio #218

Szu-Ying Hsu (Ida)

Taiwan, Germany
Ministry of Culture, Taiwan
Studio #302

Matthias Garff

Germany
KdFS Kulturstiftung des Freistaates Sachsen
Studio #214
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Zara Pfeifer
Zara Pfeifer
Mexico

Past Resident
2023: ISCP ​Alumni Fund
2008: FONCA - Fondo Nacional para la Cultura y las Artes

Artist

Joaquin Segura

Joaquin Segura’s artistic practice is centered on meditations on the phenomenology of history, power, and truth, engaging with notions such as sociopolitical microclimates, asymmetrical narratives, and ideology. His recent works address the ontological meaning of political extremism, language, and radical thought, with a special emphasis on its materialities. Active since the early 2000s, Segura is widely recognized as one of the leading Mexican artists of his generation.

Joaquin Segura has exhibited work at 14th Havana Biennial, Cuba; National Gallery of Victoria, Australia; and The Modern Art Museum of Fort Worth, Texas, among others.

Events & Exhibitions

Artists at Work: Joaquin Segura in Conversation with Sylvie Fortin
September 5, 2023, 6–8pm
Four rows of blue plastic barrels are surrounded by a chain link fence with barbed wire. They are in a large warehouse-like space with concrete floors.
Joaquin Segura, What kind of spring is this, where there are no flowers and and the air is filled with a miserable smell?, 2022, installation view, chain-link fencing, barbed wire, razor wire, plastic barrels and water, 216 × 87 × 473 in. (548.64 × 220.98 × 1201.42 cm).
From the series "Éminence Grise", 2020 - ongoing. Color field abstraction based on the cover of a 1967 maoist pamphlet, published by the state-run Foreign Languages Press in Beijing.
Joaquin Segura, Imperialism and All Reactionaries Are Paper Tigers, 2022, oil on canvas, 551/2 × 765/16 × 25/16 in. (140.97 × 193.8 × 5.84 cm).
Foreign Languages Press is an editorial imprint with an international reach, established in Beijing in 1952 and controlled by China International Publishing Group, a print organization overseen in turn by the Communist Party of China. It is estimated that more than 30,000 titles have been published in 43 languages since its creation, among which regime propaganda is particularly ubiquitous. This series is conformed by identical copies of a 1968 Maoist pamphlet, intervened with photorealist renderings of makeshift projectiles recovered in urban demonstrations from 2012 to date.
Joaquin Segura, Empirism & Dogma #2, 2020, acrylic and watercolor on recovered pamphlet, 4 × 6 in. (10.16 × 15.24 cm).
Installation composed by the accumulation of the exact amount of specific materials needed to reduce a human body to ashes in an open field setting. The quantities of wood, rubber and combustible used in this work -25 tires, 1675 lb of wood and 71 liters of gasoline or similar flammable liquids- were determined by independent reports of forensic research teams currently working to solve recurring episodes of mass disappearances in various regions of Latin America.
Joaquin Segura, Pyre, 2016, wood, recovered tires, jerrycans and combustible fluid, dimensions variable.
Textile renditions of intervened propaganda material edited by the Soviet Ministry of Propaganda during the Communist era, sourced through different channels: antique dealers, second-hand bookstores and flea markets.
Joaquin Segura, Ideological Clearance (Marx, Lenin, Mao), 2015, handwoven Haute-lisse tapestries, 118 × 98 in. (299.72 × 248.92 cm).

Residents from Mexico

Charlie Perez-Tlatenchi

United States, Mexico
The New York Community Trust’s Edward and Sally Van Lier Fund
Studio #303

Paloma Contreras

Mexico
Guadalupe Phillips
2024

Josué Mejía

Mexico
Fundación JUMEX Arte Contemporáneo
2021
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International Studio & Curatorial Program

1040 Metropolitan Avenue
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