Past Residents

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Ghost of a Dream

Ghost of a Dream makes work about people’s hopes and dreams out of the ephemera people create trying to attain these aspirations. Whether it is a Hollywood film that transports the viewer into a dream reality, or a lottery ticket that gives the possibility of a future full of rich decadence; they use these remnants to both recreate people’s dreams, and portray the dreamer.

Ghost of a Dream has exhibited work at MassArt Art Museum, Boston; New-York Historical Society, New York; and Smack Mellon, Brooklyn, among others.

Franz Jyrch

In Franz Jyrch’s installations and sculptural settings, canvases and stretcher frames play a significant role. The basic approach to her work, which is characterized by coincidence and calculation alike, consists of arranging and deconstructing very diverse materials taken from artistic contexts and everyday life as well. Thereby, she creates complex sculptures and installations which can fill entire rooms. It leaves us with the impression that painting has emancipated itself from its central coordinates, with its ‘assistants’ conquering new spaces beyond the narrow square of the frame. Instead, the exhibit space now provides the actual framework for a much more complex pictorial narrative, one that integrates many things that are outside of the art context. (Text by Ralf F. Hartmann)

Franz Jyrch graduated from the Academy of Visual Arts Leipzig in 2012. She received the Marion Ermer Award and completed her postgraduate studies in 2014. Solo shows include BONHEUR, Vincenz Sala, Paris; PARAVENT, Galerie EIGEN+ART Leipzig; KNICKE AND ORDER, Gallery of the Academy of Visual Arts Leipzig; and La Pittura, Vincenz Sala, Berlin. Recent group shows include Plain Walls, White Teeth, Galerie Genscher, Hamburg; Yearzero, Kollektiv Unkonventionelle Kunst, Zurich; Mulhouse 015, Biennale d‘Art Contemporain, Mulhouse; WERKSCHAU, Spinnerei Galleries, Leipzig; A Room of One’s Own, Kunstverein Tiergarten, Berlin; and Sammlungsalphabet, Museum of Contemporary Art Leipzig.

Liutauras Psibilskis

Liutauras Psibilskis / Liutas Tauras is currently closely re-reading and translating — from English to Emoji — the Critique of Pure Reason by Immanuel Kant, as well as producing an ongoing gorilla poster project in Chinatown, Manhattan. He is also in the process of developing online institutions and modulating art entities that include The House of Culture (thehouseofculture.com) and Kunsthalle New York (kunsthalle.us).

Liutauras Psibilskis / Liutas Tauras (born in Vilnius, Lithuania) lives and works in New York City. He has contributed reviews and features to international art journals including Kunstbulletin, Artforum, Flash Art International, Siksi and Nu. Psibilskis has acted as a Scandinavian Correspondent for Artforum and an Associate Editor of Siksi. His curatorial projects include the Lituanian Pavilion at the 51st Venice Biennale, with Jonas Mekas where he was awarded the Jury’s Special Mention. He developed projects for the Performa Biennial 11 and the Emily Harvey Foundation, New York. Most recently, Psibilskis curated The World According to Fluxus, at the Lituanian National Art Gallery in Vilnius, Lithuania. Liutauras Psibilskis / Liutas Tauras holds an M.A. in Visual Cultures from Goldsmiths College, London, UK. He is on the creative board of Konsthall Tornedalen, Vistaniemi, Sweden.