Mark Hilton’s practice is driven by a fascination with the passage between the impossible and the inevitable.
Mark Hilton has exhibited widely, including Darren Knight Gallery, Sydney; National Gallery of Victoria, Melbourne; Museum of Contemporary Art, Sydney; Australian Centre of Contemporary Art, Melbourne; Canberra Contemporary Art Spaces, Canberra; Galerie Petronas, Kuala Lumpur; The Ian Potter Museum of Art, Melbourne and Careof, Milano. He has undertaken several residencies, including at Viafarini Galerie, Milano, Gertrude Contemporary, Melbourne and CoLab Projects, Texas. In 2014 the Michael Buxton Collection published Dontworry, examining Hilton’s practice with a key focus on his sculptural work with essays by Dr Chris McAuliffe, Maria Tumarkin and Jarrod Rawlins.
Ground Floor Residents
Liutauras Psibilskis / Liutas Tauras is currently closely re-reading and translating — from English to Emoji — the Critique of Pure Reason by Immanuel Kant, as well as producing an ongoing gorilla poster project in Chinatown, Manhattan. He is also in the process of developing online institutions and modulating art entities that include The House of Culture (thehouseofculture.com) and Kunsthalle New York (kunsthalle.us).
Liutauras Psibilskis / Liutas Tauras (born in Vilnius, Lithuania) lives and works in New York City. He has contributed reviews and features to international art journals including Kunstbulletin, Artforum, Flash Art International, Siksi and Nu. Psibilskis has acted as a Scandinavian Correspondent for Artforum and an Associate Editor of Siksi. His curatorial projects include the Lituanian Pavilion at the 51st Venice Biennale, with Jonas Mekas where he was awarded the Jury’s Special Mention. He developed projects for the Performa Biennial 11 and the Emily Harvey Foundation, New York. Most recently, Psibilskis curated The World According to Fluxus, at the Lituanian National Art Gallery in Vilnius, Lithuania. Liutauras Psibilskis / Liutas Tauras holds an M.A. in Visual Cultures from Goldsmiths College, London, UK. He is on the creative board of Konsthall Tornedalen, Vistaniemi, Sweden.
Ground Floor Residents
How people live and what drives individuals and societies lie at the heart of Elaine Byrne’s art. Working with video, photography and sculpture, Byrne examines the unstable relationship between fact and fiction, probing the depth of secrecy with which narratives are imbued, providing the forms through which imagination can be revealed and alternative scenarios envisaged. Recent video works Pure Codology (2015) and Rakoczy’s March (2015) examine the untranslatable, alluding to the mysterious and layered meanings in James Joyce’s Ulysses. Byrne’s excavations expose the fact that populations are excluded and misunderstood; they propose different renderings and potential meanings which demonstrate the complexity of inter-cultural discussion.
Dublin visual artist, Elaine Byrne exhibits at Kevin Kavanagh Gallery. Working in New York for the last two years she completed the Whitney Independent Study Program, New York (September 2014-May 2015). She won the TINA prize (2015) to produce a solo show in Rome in 2016. She also won 8th Arte Laguna sculpture prize for her sculpture RAUM which was exhibited in Venice Arsanale (2014). Solo shows include Limerick City Gallery, September 2014 (which was ArtForum critic’s pick); UAM, Mexico, November 2014; Oonagh Young Gallery (Dublin 2011). Group shows include EFA (New York June 2015), Douglas Hyde Gallery (Dublin), Budapest & Colorado. Awards include emerging photography prize (RHA 2012), Arts Council Project Award (2014), Culture Ireland funding award. Residencies include ISCP, New York (2014), Aeskeaton (2012), and SOMA, Mexico (2010).