Past Residents

Residents Map

Naomi Campbell

Naomi Andrée Campbell’s interdisciplinary practice explores natural systems of the body, its environment and how this is subjectively translated through our senses, employing a wide variety of techniques and materials ranging from X-rays to ice to paint. Campbell’s malleable worlds inspire and connect in, as much as create gaps through, a layered look at memory, perception, identity and permanence as constructs that guide her practice and philosophy. Campbell subverts expectation, forcing questions to arise rather than providing answers. A background in art and science prompted the adoption of this open-ended approach intrinsic to her work. Continually questioning the world through the changing lens of global conditions has resulted in a range of work discussing long-standing investigations into areas of environmental science.

Naomi Andrée Campbell (born in Montreal, Canada) lives and works in Brooklyn. Campbell’s work is found in permanent public collections including the MTA Arts for Transit, New York and The New York Public Library. She has contributed to American Artist, Artscape and Linea Art Journal and her work has been included in numerous publications including Art Students League of New York on Painting. Campbell has exhibited at Denise Bibro Fine Arts, New York; Asian Contemporary Art Fair, New York; Museum of Fine Arts, Croatia and represented by Yellow Peril Gallery at SCOPE Miami and New York. She is a visiting critic at Vytlacil Residency Program and has been a guest speaker at Lehman College and Pratt Institute, and an instructor at the Art Students League of New York since 2007.

Past Resident
2015: Danish Arts Foundation

Rasmus Høj Mygind

Rasmus Høj Mygind’s practice encompasses a range of media including; painting, digital printmaking and ready-made sculpture/assemblage, often mixed together as parts of larger installations. A recurring interest – perhaps a fetish for objects and aesthetics from the building industry- is evident in his work. Practical gestures from art handling, such as the protection tape put on the glass to protects the work, is used as a part of the composition of a series of framed works. Roof gutters are used as frames for paintings. It’s borderline archaic art as we know it. And yet there is something else going on, post-taste.

Rasmus Høj Mygind’s recent solo shows include Work.pdf, Ringsted Galleriet; PVCntings & Suggestions 4 Bronzes, 3D, Henningsen Gallery, Copenhagen; and Break Time Pro, OTHER Projects. Mygind’s work has been exhibited at IMO, Kunsthal Charlottenborg, Den Frie Center for Contemporary Art, TOVES, Malmø Konsthall, Astrup Fearnley Museum, Galerie West, Randers Kunstmuseum.

Sejin Kim

Sejin Kim works with a variety of media apparatuses, including documentary realism and cinematic language to explore various and perplexing relationships between individuals and contemporary society. Her approach chronicles everyday anxiety and fear, loneliness and alienation, conflict and confusion, and other conditions an individual endures while negotiating their existence and identity in a society that sustains itself by placing limitations on its members.

Sejin Kim received an MFA in Fine Art from the Slade School of Fine Art in London and an MA in Film/TV from Sogang University in Seoul. She has shown her work in solo exhibitions including The Proximity of Longing, Cultural Station284 RTO, Seoul, 2014; Prizma Gallery, Istanbul, 2015; and 24hr City, Brain Factory, Seoul, 2009. Group exhibitions include A View from The Other Side, Media Art from Finland and Korea, Moonshin Museum, Seoul, 2014; Fluid City, Media Theater I-Gong, Seoul, 2014; The Shade of Prosperity, INIVA, London, 2012; Bloomberg New Contemporaries, 2011, ICA, London; and S1 Art Space, Sheffield, 2011. She won Bloomberg New Contemporaries, 2011 and The 4th DAUM Prize, 2006.