Past Residents

Residents Map

Past Resident
2019: ISCP ​Alumni Fund
2016: SAHA Association

belit sağ

belit sağ’s ongoing artistic and moving image practice largely focuses on the role of visual representations in the experience and perception of political conflicts and violence in Turkey, Germany, and the Netherlands. Recent works include a video piece that centers around the concepts and practices of conserving, conversing, absences and re-enactment.

belit sağ’swork has been exhibited in international art spaces including PEER UK and LUX, London; EYE Film Museum, Amsterdam; and documenta 14, Kassel, among others. 

Past Resident
2016: LIG Art Space

Seung Un Chung

Sueng Un Chung’s sculptural work is deeply rooted in the concept of space. Chung understands space itself as an essential medium and a basis to build new stories through artworks. In his project GIB KKUM SUP, the artist refers to the essential characteristics of sculpture as a physical object through the use of linguistic signifiers. In his project Skyline, he focuses on the ‘line’ that divides space to suggest different interpretations. Chung approaches his sculptural works as ‘drawings within space.’

Seung Un Chung (born in 1963) lives and works in Seoul, Korea. He acquired B.F.A. in painting at Seoul National University, Korea and a Meisterschüler degree by Prof. J. Kounellis at Kunstakademie Düsseldorf, Germany. He has had seven solo shows including Trough Project No. 4: Horizonte Blaue Berge, Goethe Institute, Seoul, 2014; Skyline, Gallery SoSo, Heyri, Korea, 2012; Skyline, Gallery Space, Seoul, 2009; Horizon, Project Space SARUBIA, Seoul, Korea, 2000. He participated in numerous group shows including Space_Craft – Interface and Potential Space, SOMA Museum of Art, Seoul, 2014; REVERSCAPE, AMOREPACIFIC Beauty Campus Osan, Korea, 2013; and Era of Grand Navigation Korean Art, Busan Metropolitan Museum of Art, 2013.

Past Resident
2016: Canada Council for the Arts

Richard Ibghy and Marilou Lemmens

Richard Ibghy & Marilou Lemmens have developed a collaborative practice that combines a concise approach to the form and construction of the art object with a desire to make ideas visible. Spanning across multiple media, including video, performance and installation, their work explores the material, affective and sensory dimensions of experience that cannot be fully translated into signs or systems. For several years, they have examined the rationale upon which economic actions are described and represented, and how the logic of economy has come to infiltrate the most intimate aspects of life.

Richard Ibghy & Marilou Lemmens’ work has been shown at the 14th Istanbul Biennial SALTWATER: A Theory of Thought Forms, 2015; La Biennale de Montréal, L’avenir (looking forward), 2014; 27th Images Festival, Toronto, 2014; Manif d’art 7: Quebec City Biennial, 2014; La Filature, Scène Nationale, Mulhouse, France, 2013-14; Henie Onstad Kunstsenter, Norway, 2013; Centre for Contemporary Arts, Glasgow, 2012; and the 10th Sharjah Biennial, 2011. Their recent solo exhibitions were held at Leonard & Bina Ellen Gallery, Montreal, 2016; VOX, Montreal, 2014; Trinity Square Video, Toronto, 2014; La Bande Video, Quebec City, 2014; Forrest City Gallery, London, Ontario, 2013; Monte Vista Projects, Los Angeles, 2012; and G Gallery, Toronto, 2012.