Past Residents

Residents Map

Pauline Boudry / Renate Lorenz

Pauline Boudry/Renate Lorenz produce installations that choreograph the tension between visibility and opacity. Their films capture performances in front of the camera, often upsetting normative historical narratives and conventions of spectatorship, as figures and actions across time are staged, layered and re-imagined. Their performers are choreographers, artists and musicians, with whom they are having a long-term conversation about the conditions of performance, the violent history of visibility, the pathologization of bodies, as well as companionship, glamour and resistance.

Pauline Boudry/Renate Lorenz have exhibited work at PARTICIPANT INC, New York City; Kunsthalle Zürich; and Gwangju Biennale, among others. Pauline Boudry/Renate Lorenz will represent Switzerland at the 2019 Venice Biennale.

Jonas St. Michael

Jonas St. Michael’s photographic practice examines the nature of representation and narrativity through image production. More recently, his practice has shifted to making photographic and video works that are conspicuously constructed with the aim of creating an ostensible reality.

Jonas St. Michael was born in Montreal and holds a Master of Fine Arts degree from Goldsmiths, University of London. He has exhibited works at MOMENTA Biennale de l’image, Montreal; Haus am Lützowplatz, Berlin; and OK Harris Works of Art, New York, among others.

Benedikte Holen

Benedikte Holen’s curatorial work is rooted in the connections between the personal, the political and the academic. She is particularly interested in context-based practices and various types of knowledge production. Holen often engages in collaborations with artists in which the production of new works is essential.

Benedikte Holen is a curator at Jugendstilsenteret and KUBE, Aalesund, Norway, where she has worked with several artists in developing solo and group exhibitions as well as presenting projects in public space, public programs, publications and discursive platforms. She has previously lectured at the University of Bergen, worked for Bergen Art Museum’s educational department and published critiques and essays in KunstForum, among other publications. She has authored and edited several essays and publications. Holen has an MA in Art History from the University of Bergen and a degree in Creative Curating from the Bergen Academy of Art and Design.