Past Residents
Past Resident2020: Celebrate the Studio
Dáreece Walker
Dáreece Walker creates figurative paintings, drawings, and sculpture that address issues about race, identity and religion. He utilizes cardboard to create his pieces as a metaphor for the black American experience; as he considers cardboard a protest art material. For Walker, cardboard symbolizes some of the negative stereotypes associated with being a person of color.
Dáreece Walker has exhibited work at Long Gallery Harlem, New York; Colorado Springs Fine Arts Center at Colorado College; and Kunsthal KAdE, Amersfoort, The Netherlands, among others.
Events & Exhibitions
Artists at Work: Dáreece Walker and Anton Kats
February 25, 2020, 6:30–8pm
Dáreece Walker, Criminalized 4, 2016, charcoal on cardboard, 39 × 22 in. (99.06 × 55.88 cm).
Dáreece Walker, Criminalized 5, 2016, charcoal on cardboard, 22 × 47 in. (55.88 × 119.38 cm).
Dáreece Walker, Made in the USA, 2015, charcoal on cardboard, 30 × 72 in. (76.2 × 182.88 cm).
Dáreece Walker, Black Fathers Matter 1, 2019, charcoal and chalk pastel on cardboard, 44 × 32 in. (111.76 × 81.28 cm).
Dáreece Walker, Black Fathers Matter 2, 2019, charcoal and chalk pastel on cardboard, 32 × 44 in. (81.28 × 111.76 cm).
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217
Past Resident2020: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Yasmina Haddad
Yasmina Haddad’s artistic practice is based on photography and sometimes extends to different media such as sculpture, sound and set design. Recent works focus on how different cultural expressions are inevitably connected and how this reciprocal impact manifests through esthetics. The subjects shown often derive from the fields of fashion and theatre, and are portrayed in stage-like situations. Somewhat artificial and glossy, isolated from their usual settings, they depict socio-cultural processes and recall the malaise of postmodern sensitivities.
Yasmina Haddad has exhibited work at Beirut Art Center; Liu Haisu Museum, Shanghai; and Kunsthalle Exnergasse, Vienna, among others.
Events & Exhibitions
2019 Fall Open Studios
November 15–November 16, 2019
Yasmina Haddad, We Enter By The Front Door, 2019, C-print, 30 × 20 in. (76.2 × 50.8 cm).
Yasmina Haddad, Studio Settings, 2016 - ongoing, c-prints on textile, 87 × 59 in. (220.98 × 149.86 cm).
Yasmina Haddad, Studio Settings, 2016 - ongoing, c-prints on textile, 87 × 59 in. (220.98 × 149.86 cm).
Yasmina Haddad, Interni, 2013, c-prints and sculpture (wood, acrylic paint, marble, and plexiglass), dimensions variable.
Yasmina Haddad, Interni, 2013, c-print, 30 × 20 in. (76.2 × 50.8 cm).
Past Resident2020: The Artists’ Salaries, The Icelandic Centre for Research, The Icelandic Visual Artists Copyright Association, MUGGUR2020: Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Habby Osk
Habby Osk’s interests lies in basic physics: balance, movement, gravity, time and force. These concepts play an important role across her art practice as she creates works which test the limits of balance and stability and explore gravity’s influence over time using sculpture, photography and installation as her primary medium. Osk places objects in precarious situations to probe how far they can go without tipping over, to capture the moment of stillness before the looming collapse and the transformation over time.
Habby Osk has exhibited work at Gerðarsafn – Kópavogur Art Museum, Iceland; Akureyri Art Museum, Iceland; and Tina Kim Gallery, New York, among others.
Habby Osk, Lean, 2018, wood, cement, and rope, 118 × 1961/2 × 10 in. (299.72 × 499.11 × 25.4 cm).
Habby Osk, Anchor IIII, 2019, wood, cement, and rope, 65 × 12 × 10 in. (165.1 × 30.48 × 25.4 cm).
Habby Osk, Fracture, 2018, C-print from photography series, image 3 of 6, 8 × 10 in. (20.32 × 25.4 cm).
Habby Osk, Suspend, 2018, wood, cement, and rope, 114 × 83 × 10 in. (289.56 × 210.82 × 25.4 cm).
Habby Osk, Stability, 2015, site-specific installation with wood and plastic, 636 × 120 × 36 in. (1615.44 × 304.8 × 91.44 cm).
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sujin Lim
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Simon Liu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation