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Vojtěch Novák
Vojtěch Novák

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Past Residents
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Gil Yefman
Gil Yefman
Czech Republic

Past Resident
2021: International Visegrad Fund, Centre for Contemporary Art FUTURA

Artist

Vojtěch Novák

Vojtěch Novák describes his methodology as ‘always responding’. “Like a flipped coin seeking its third side,” he positions himself between the interpermeating roles of author and viewer. To this end, Novák’s artistic practice consists in layering narratives to form gesamtkunstwerk–total artworks spanning performative colloquies, happenings, curating and theater directing. The latter includes his stage design, his play on environment, and how he stages works of art.

Vojtěch Novák has exhibited work at Manifesta 11, Zürich; documenta 14, Kassel; and OFF-Biennale Budapest, among others.

Events & Exhibitions

2021 Summer Open House
July 28, 2021, 3–9pm
Vojtěch Novák, Forget Fear - Folly Folks, 2019, terrazzo made of shungite, metal, copy of a book with garnets, waxed tv screen, single-channel video, 29:06 min.
Vojtěch Novák, Forget Fear - Folly Folks, 2019, terrazzo made of shungite, metal, copy of a book with garnets, waxed tv screen, single-channel video, 29:06 min.
Vojtěch Novák, Samizdat Contrefaçon, 2018, installation view at DOX Centre for Contemporary Art; Museum of Decorative Arts in Prague; and Castlefield Gallery, Manchester, 95 × 66 in. (241.3 × 167.64 cm).
Vojtěch Novák, Flies of Fiume, 2020, installation view at Berlínskej Model, Prague 2020, dimensions variable.
Vojtěch Novák, SILK ROAD HYBRIDIZATION, 2016, video, 58 min.

Residents from Czech Republic

Adrián Kriška

Slovakia, Czech Republic
International Visegrad Fund
2024

Nikola Ivanov

Czech Republic
International Visegrad Fund
2024

Ezra Šimek

Czech Republic
International Visegrad Fund
2023
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Vojtěch Novák
Vojtěch Novák
Anthony Iacono
Anthony Iacono
Israel

Past Resident
2021: Artis

Artist

Gil Yefman

A trans-disciplinary conceptual artist, Gil Yefman deconstructs and transforms canonized myths from varied beliefs and traditions. By undermining structured definitions and portrayal of the other, Yefman explores and cherishes the intrinsic potential of the extraordinary. Yefman’s collaborative projects fuse memory, trauma and body, with trans-generational multilayered relations where soft materials dissolve hard subject matters. Yefman uses archival materials as points of departure from which the knitting process resembles writing–texts and contexts become textures suggesting alternative interpretations to dogmatic translations.

Gil Yefman has exhibited work at Tel Aviv Museum of Art, Israel; Espace Culturel Louis Vuitton, France; and Aomori Contemporary Art Centre, Japan, among others.

Events & Exhibitions

Homecoming Outdoor Screening
August 20, 2021, 8–9:30pm
2021 Summer Open House
July 28, 2021, 3–9pm
This crochet gender monstrosity critically reflects on the etymological evolution of the biblical pre medical term used to describe a transgender - TUMTUM, and it's use in young Hebrew in order to describe stupidity.
Gil Yefman, TUMTUM, 2013, knitting, Faraday cage, Sound, additional performance. courtesy of Ronald Feldman Fine Arts, New York. photo by Casey Dorobek.
This Tactile Jacquard fabric incorporates images of a duplicated mass grave and entangles the tension between ethics and aesthetics.
Gil Yefman, Human Tapestry, 2015, Jacquard weaving, 138 × 110 × 59 in. (350.52 × 279.4 × 149.86 cm).
This collaborative based project suggests a feminine reading in the Valley of Dry Bones by Ezekiel. By turning poison into medicine and transforming used shopping and trash plastic bags into threads from which knitted bones were made, and soil and plants were put - mother nature gives alternative to the father figure of god.
Gil Yefman, The Valley of Wet Bones, 2015, knitting plastic bags, soil, plants, dimensions variable.
This knitted Hedgerow was created in collaboration with Kuchinate collective - a collective of African Women asylum seekers in Israel who knit for their living, along with 265 volunteers. It reflects on an archival document from 1944 in which the commander of Auschwitz ordered his troops to create a hedgerow which will cover the gas chambers of the camp.
Gil Yefman, Hedgerow, 2018, knitting, wool, felt, wire, embroidery thread, and gas pipe, 276 × 99 × 39 in. (701.04 × 251.46 × 99.06 cm).
This human sized crocheted and felted doll, brings about an historical traumatic scenario from the Nazi brothels which were operated during WW2 within labour and death camps.
Gil Yefman, Field Slave, 2018, crochet knitting, dry and wet felting, additional performance, 79 × 39 × 39 in. (200.66 × 99.06 × 99.06 cm).

Residents from Israel

Yotam Menda Levy

Israel
Artis
Studio #306

Matan Golan

Israel
Artis
Studio #222

Ruthi Helbitz Cohen

Israel
2024
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International Studio & Curatorial Program

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Gil Yefman
Gil Yefman
United States

Past Resident
2022: Toby Devan Lewis

Artist

Anthony Iacono

Anthony Iacono works primarily in collage from cut-out sections of painted papers. Influenced by the aesthetics of film posters and voyeuristic erotic thrillers, the seemingly mundane scenarios he creates are offset by a suggestive, gradated palette that are wrought with coded language and suspense.

Anthony Iacono has exhibited work at The Approach Gallery, London; P.P.O.W Gallery, New York; and Marinaro, New York, among others.

Events & Exhibitions

2022 Spring Open Studios
April 22–April 23, 2022
2021 Fall Open Studios
November 13, 2021
Anthony Iacono, painted paper collage, 18 × 24 in. (45.72 × 60.96 cm).
Anthony Iacono, Red Delicious, 2020, painted paper collage, 20 × 37 in. (50.8 × 93.98 cm).
Anthony Iacono, Red Hat on York Street, 2021, painted paper collage, 41/2 × 6 in. (11.43 × 15.24 cm).
Anthony Iacono, Rose (study), painted paper collage, 18 × 24 in. (45.72 × 60.96 cm).
Anthony Iacono, Phone, 2018, painted paper collage, 30 × 40 in. (76.2 × 101.6 cm).

Residents from United States

Aryel René Jackson

United States
Vision Fund
2025

Hanae Utamura

Japan, United States
Every Page Foundation
Studio #201

Akeema-Zane

United States, Trinidad and Tobago
Vision Fund
2025
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International Studio & Curatorial Program

1040 Metropolitan Avenue
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