Past Residents
Past Resident2023: The New York Community Trust’s Edward and Sally Van Lier Fund
Clae Lu
Clae Lu is a queer, second generation Han Chinese American artist from Queens, NY. They identify as an artist, designer, cultural worker, and Chinese zither (古筝) musician. Lu believes in the power of the arts and grassroots activism to foster dialogue, reflection, and action.
Clae Lu has exhibited work at the Metropolitan Museum of Art; Elsewhere; and Wook + Lattuada Gallery, all in New York City, among others.
Clae Lu, MetFest Butterfly Lovers, 2021, performance.
Clae Lu, Protect Asian Lives Rally, 2021, performance.
Clae Lu, Rat_Royal_T at Bubble_T, 2020, performance.
Clae Lu, Introspective Mother, 2013, charcoal on canvas.
Clae Lu, Noodling Around, 2018, digital drawing.
Residents from United States
Past Resident2022: Artis
Xavier Acarín Wieland
Xavier Acarn Wieland is a curator who works at the intersection of performativity, material culture, and ecology.
Xavier Acarín Wieland has presented exhibitions at Caixaforum, Barcelona; Mies van der Rohe Foundation, Barcelona; and Abrons Arts Center, New York, among others.
Xavier Acarín Wieland, The Next Mutation, 2021-2022, exhibition view at La Caixa Foundation.
Xavier Acarín Wieland, Love the Daily Work, 2018, exhibition view .
William Lamson, Luba Drozd and Roarke Menzies, A Continuous Stream of Occurrence, 2019, exhibition view .
Sarah Anderson, Deville Cohen, Nick Doyle, Kolbeinn Hugi + Taraka Larson, Juan Kasari, and Gabriel Pericàs, Conspiracies are Things, 2017, exhibition view.
Itziar Barrio, Anton Ginzburg, Gordon Hall, Paul John, Sara Magenheimer and Alan Ruiz, PUBLIC FORMATS, 2017, exhibition view.
Residents from United States
Past Resident2022: Luso-American Development Foundation (FLAD)
Henrique Pavão
Artist Henrique Pavão focuses on issues of entropy, loss, anachronism, storytelling, and temporality. Pavão reflects an interest in the use of conceptual movement archaeology, which is linked, according to the artist, to a sophisticated, poetical, and cinematic use of processes. His work traverses various media (sculpture, film/video, photography, and sound), with a focus on each medium’s unique processes and mechanisms as markers of its temporality and history.
Henrique Pavão has exhibited work at Frame Section, Frieze, New York; MAAT – Museum of Art Architecture and Technology, Lisbon; and Culturgest, Porto, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Henrique Pavão, Sea of Tranquility, installation view, 2021, 16mm film, bronze, iron, steel and wood, dimensions variable.
Henrique Pavão, The Lost Longing for Existence, 2019, installation, dimensions variable. Photo by Bruno Lopes.
Henrique Pavão, antes e depois de antes, 2017, video installation, dimensions variable.
Henrique Pavão, Absence Reminders, 2017, installation, 713/16 × 36 × 105/8 in. (19.81 × 91.44 × 26.92 cm). Photo by Henrique Pavão.
Henrique Pavão, Red Flower #3, 2021, sculpture, terracotta, ashes, glass and rammed earth, 711/8 × 2555/8 × 711/8 in. (180.59 × 649.22 × 180.59 cm). Photo by Bruno Lopes.
