ISCP Talk
March 14, 2023, 6–7pm

Artists at Work: Aideen Barry and Kokou Ferdinand Makouvia

For this Artists at Work, current ISCP residents Aideen Barry and Kokou Ferdinand Makouvia will give presentations on their respective artistic practices and engage each other and the audience in a conversation. They will be joined by Director of Programs Alison Kuo. 

Additionally, each artist will offer a prompt to the audience meant to provoke an open discussion. Makouvia will focus on the “beingness of the object,” inquiring how people relate to the essential material nature of art works. Barry, who often collaborates with other visual artists and musicians, will ask “What if we are the last of the artists?”

Aideen Barry is a multidisciplinary artist from Ireland whose modes of expression include performance, moving image, and sculptural manifestations. Using visual tricks to intensify the suspension of reality, Barry explores subjects such as domestic labor, examinations of class, otherness, environmental change, and human vulnerability. She has exhibited work at the Irish Museum of Modern Art, Dublin; Katzen Center at American University Museum, Washington D.C.; and Centro de Arte Contemporáneo de Málaga, Spain, among others.

Kokou Ferdinand Makouvia is a sculptor and performance artist from Togo, living and working in France. In his practice, Makouvia explores the relationship between matter and human beings, emphasizing the energy that underlies material expression. He has exhibited work at Galerie Sator, Paris; De Ateliers, Amsterdam; and Musée de la Céramique, Normandy, among others.

This program is supported, in part, by Temple Bar Gallery + Studios, Dublin; La Fondation pour l’Art Contemporain Claudine et Jean-Marc Salomon; Hartfield Foundation; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; New York City Council District 34; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; and William Talbott Hillman Foundation.

By visiting ISCP, you agree to abide by the following health and safety policies. Please make sure to plan ahead for your visit.

  • All visitors are encouraged to maintain social distancing while at ISCP.
  • Masks or face coverings are strongly recommended but not mandatory.
  • Hand sanitizer will be available for visitors.
  • If you have fever, chills, cough, muscle pains, headache, loss of taste or smell, or think you may have been exposed to COVID-19 prior to your visit, please contact us to reschedule.
  • An inherent risk of exposure to COVID-19 and other infectious conditions exists in any public space where people are present. Those visiting the International Studio & Curatorial Program voluntarily assume all risks related to exposure to COVID-19, other infectious conditions, and other hazards that may be present in a public space.

 

 

 

 

 

6–7pm

Exhibition
February 28–June 9, 2023

Clae Lu: Playroom

The International Studio & Curatorial Program presents Playroom, a solo exhibition of work by Clae Lu, recipient of The New York Community Trust’s Edward and Sally Van Lier Fund residency at ISCP, curated by Kathy Cho. Playroom presents a variety of experimental works that range from painting, to a meditative installation, to sonic compositions on the 古筝 (gu zheng), also known as the Chinese zither. All of these creative practices are meant to create space for and support the artist’s chosen families, their closely connected community.

In recent years Lu has collaborated with fellow artists in experimental music and dance performances. During their residency at ISCP, however, Lu has refocused on their individual practices, returning to mediums and themes that bring pleasure, joy, and comfort. Central to the exhibition is an installation inviting audiences to rest, reflect, and meditate to a sonic playlist created together with musician and sound artist Ben Florencio. The installation serves as an idealized architectural facsimile of the various spaces where Lu seeks out and nurtures communal kinship. A constellation of wall hanging works documents Lu’s everyday life: paintings of a family style meal and of their main instrument, the 古筝 (gu zheng). Dating as far back as 400 BCE, this traditional Chinese string instrument is usually plucked. Lu’s experimental approach to playing it is an intentional act of queering, a reclamation of how the 古筝 (gu zheng) can be understood and explored. Throughout the exhibition, Lu asks, “What does it mean to celebrate the mundane?” and “How does my community come together to create new traditions?” 

An additional public program will be announced at a later date before the exhibition closes in June.

Clae Lu (they/them) is a queer, second generation Han Chinese American from Queens, NY. They identify as an artist, designer, cultural worker, and 古筝 (gu zheng) musician working on  land that is unceded territory of the Lenni Lenape. Lu believes in the power of arts and grassroots activism to create spaces for conversation, reflection, and action. Lu has performed at the Metropolitan Museum of Art; MoMA PS1; Elsewhere; Brooklyn Museum; Movement Research; Symphony Space; and Abrons Art Center. They have shown work at The W.O.W. Project, Wook + Lattuada Gallery, and the Honolulu Museum of Art. Their residency at ISCP is sponsored by The New York Community Trust’s Edward and Sally Van Lier Fund.

Kathy Cho (they/she) is a New York-based curator who produces exhibitions, events, images, and writing to collectively archive loose narratives of lived experiences. Ongoing research areas include the visual and dialogic lexicon of (Asian) diaspora artists, and the physical and digital architectures of affect. They received an MFA in Curating from Goldsmiths, University of London, and were a 2020-21 Curatorial Fellow at The Kitchen.

Clae Lu: Playroom is supported by The New York Community Trust’s Edward and Sally Van Lier Fund. Additional support is provided by Hartfield Foundation; Milton and Sally Avery Arts Foundation; New York City Council District 33; New York City Council District 34; New York State Council on the Arts and the New York State Legislature; and William Talbott Hillman Foundation.

By visiting ISCP, you agree to abide by the following health and safety policies. Please make sure to plan ahead for your visit.

  • Groups of four or more are required to schedule an appointment in advance. Please write to info@iscp-nyc.org
  • All visitors are encouraged to maintain social distancing while at ISCP.
  • Masks or face coverings are strongly recommended but not mandatory.
  • Hand sanitizer will be available for visitors.
  • If you have fever, chills, cough, muscle pains, headache, loss of taste or smell, or think you may have been exposed to COVID-19 prior to your visit, please contact us to reschedule.
  • An inherent risk of exposure to COVID-19 and other infectious conditions exists in any public space where people are present. Those visiting the International Studio & Curatorial Program voluntarily assume all risks related to exposure to COVID-19, other infectious conditions, and other hazards that may be present in a public space.

 

 

Open Hours: Monday–Friday, 10:30am–5:30pm
Download Press Release (PDF)

Participating Residents

ISCP Talk
February 21, 2023, 6–7pm

Curators at Work: Anamaría Garzón Mantilla

For this live event, ISCP curator-in-residence Anamaría Garzón Mantilla will speak about her curatorial practice, discussing a selection of her exhibitions, publications, and presenting institutions. She will focus on collaborative curatorial projects including Estado Fósil, a multimedia investigation of oil exploitation in Ecuador, and the platform Arte + Activismos, which fosters dialogues between artists and activists. 

A Q&A with the audience will follow.

Anamaría Garzón Mantilla is an art historian and professor at the Universidad San Francisco de Quito, Ecuador. She is the director of post(s), an academic journal dedicated to art, culture and new media. She holds an MA in Contemporary Art from Sotheby’s Institute of Art, New York and is currently a PhD student in the Art History and Theory program at the University of Essex.

Her work focuses on the transitional period between modern art and contemporary art in Latin America. She has presented research projects at academic conferences and has curated several exhibitions of contemporary Ecuadorian artists. From 2017 to 2020, Garzón was Creative Director of Khôra, a non-profit experimental space located in Quito. 

This program is supported by the Jane Farver Memorial Fund; Hartfield Foundation; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; New York City Council District 34; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; and William Talbott Hillman Foundation.

By visiting ISCP, you agree to abide by the following health and safety policies. Please make sure to plan ahead for your visit.

  • Groups of four or more are required to schedule an appointment in advance. Please write to info@iscp-nyc.org
  • All visitors are encouraged to maintain social distancing while at ISCP.
  • Masks or face coverings are strongly recommended but not mandatory.
  • Hand sanitizer will be available for visitors.
  • If you have fever, chills, cough, muscle pains, headache, loss of taste or smell, or think you may have been exposed to COVID-19 prior to your visit, please contact us to reschedule.
  • An inherent risk of exposure to COVID-19 and other infectious conditions exists in any public space where people are present. Those visiting the International Studio & Curatorial Program voluntarily assume all risks related to exposure to COVID-19, other infectious conditions, and other hazards that may be present in a public space.
6–7pm

Participating Residents