ISCP Talk
January 26, 2023, 6–7pm

Artists at Work: Johanna Mirabel with Stephanie Johnson-Cunningham

For this Artists at Work talk, ISCP artist-in-residence Johanna Mirabel will speak about her paintings and the complex, intersectional themes they depict with museum professional Stephanie Johnson-Cunningham. Mirabel is the recipient of the 2022 Ritzau Art Prize at ISCP which provides global visibility, professional development, and career-enhancing residencies in New York City to promising visual artists from the African continent and of African descent. 

In her paintings, Mirabel explores pictorial representation, shifting between abstraction, expressionism, and realism. She stages contradictions and juxtapositions using lush vegetation, partially present and disparate objects to evoke the inherent complexity of life between different cultures. Inspired by French writer Édouard Glissant’s theory of creolization, Mirabel creates pictorial forms that appear to be in motion, with characters that are embedded, nested, and ready to merge with their environments. The artist invites us to inhabit her work, to mentally explore her images as if they were parallel realities. 

Johanna Mirabel is a French artist of Guyanese and Caribbean origin who graduated from the École des Beaux-Arts in Paris. Mirabel has exhibited work at Thierry Goldberg Gallery, New York, United States; L’Espace des femmes in Paris, France; L’Orfèvrerie, Saint-Denis, France; Août Gallery, Beirut, Lebanon; and Luce Gallery in Turin, Italy; among other venues. She is the recipient of the 2021 Prize Hatvany & Fondation de France, as the member and president of the collective La Marge, and the 2019 Prize for Excellence/Grand International Prize, Takifuji Art Award, Tokyo, Japan.

Stephanie Johnson-Cunningham is the Executive Director of Museum Hue. Stephanie is committed to changing museums to bring about greater attention and constant awareness of racial issues through arts and culture. She stresses that the best pedagogical strategies include the cultural capital of communities to deepen knowledge and understanding of art, history, and culture. Stephanie holds a Bachelor’s degree in Art and Art History from Brooklyn College and a Masters degree in Cultural Heritage and Preservation Studies (CHAPS) from Rutgers University. She also received the Americans for the Arts 2019 American Express Emerging Leader Award for her work.

This program is supported, in part, by Tauck Ritzau Innovative Philanthropy; New York City Department of Cultural Affairs, in partnership with the City Council; New York City Council District 34; New York State Council on the Arts and the New York State Legislature; The Milton and Sally Avery Arts Foundation; and William Talbott Hillman Foundation.

By visiting ISCP, you agree to abide by the following health and safety policies. Please make sure to plan ahead for your visit.

  • Groups of four or more are required to schedule an appointment in advance. Please write to info@iscp-nyc.org.
  • All visitors are encouraged to maintain social distancing while at ISCP.
  • Masks or face coverings are strongly recommended but not mandatory.
  • Hand sanitizer will be available for visitors.
  • If you have fever, chills, cough, muscle pains, headache, loss of taste or smell, or think you may have been exposed to COVID-19 prior to your visit, please contact us to reschedule.
  • An inherent risk of exposure to COVID-19 and other infectious conditions exists in any public space where people are present. Those visiting the International Studio & Curatorial Program voluntarily assume all risks related to exposure to COVID-19, other infectious conditions, and other hazards that may be present in a public space.

 

6–7pm

Participating Residents

ISCP Talk
January 24, 2023, 6-7pm

Care Package: A Performance Series by Kyoung eun Kang

In conjunction with the exhibition Kyoung eun Kang: Every Morning, Every Evening, on view at ISCP through February 2, 2023, the artist will perform a new iteration of her Care Package series. Following the performance, Kang will talk with fellow artist and long time mentor Carol Saft about the exhibition and her collaborative multidisciplinary practice.

The Care Package performance series has developed over the last 15 years. The artist will start with a care package sent by her mother in South Korea, and proceed to unpack it while incorporating sound, objects, and movement. These performances invite the audience to consider notions of home, time, care and distance, evoked by the long separation between daughter and mother.

Kyoung eun Kang is a New York-based artist born in South Korea. She received a BFA and MFA in painting from Hong-ik University in Seoul, South Korea and an MFA from Parsons, The New School for Design, New York, NY. Kang works in a wide range of media, including live performance, video, painting, photography, installation, text, and sound pieces. Her work explores geographical and cultural identities, as well as universal human themes such as affection and attachment to raise questions about how we foster and maintain relationships in an ever-changing world.

Carol Saft is an artist, filmmaker, and activist. She was born in Newark, New Jersey, and received a MFA from SUNY Purchase. Her paintings have been shown at Canada Gallery, NYC; Marquee Projects, Bellport, NY; and Mt. Airy Contemporary, Philadelphia. Her video work has been shown at the Smithsonian Institute, Washington DC; Aurora Picture Show, Houston; United Nations World Conference; Islip Art Museum, NY; Guild Hall Museum, East Hampton, NY; Parrish Art Museum, Water Mill, NY; Pierogi Gallery, Brooklyn; Diverse Works, Houston; and CableVision’s 28sec project. Saft’s work is in the permanent collections of the Guild Hall Museum, Heckscher Museum, Parrish Art Museum, and Water Mill Center, all in New York State.

This program is supported by Alice and Lawrence Weiner; Danna and Ed Ruscha; Hartfield Foundation; Horace W. Goldsmith Foundation; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; New York City Council District 33; New York City Council District 34; New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and William Talbott Hillman Foundation. 

By visiting ISCP, you agree to abide by the following health and safety policies. Please make sure to plan ahead for your visit.

  • Groups of four or more are required to schedule an appointment in advance. Please write to info@iscp-nyc.org
  • All visitors are encouraged to maintain social distancing while at ISCP.
  • Masks or face coverings are strongly recommended but not mandatory.
  • Hand sanitizer will be available for visitors.
  • If you have fever, chills, cough, muscle pains, headache, loss of taste or smell, or think you may have been exposed to COVID-19 prior to your visit, please contact us to reschedule.
  • An inherent risk of exposure to COVID-19 and other infectious conditions exists in any public space where people are present. Those visiting the International Studio & Curatorial Program voluntarily assume all risks related to exposure to COVID-19, other infectious conditions, and other hazards that may be present in a public space.

 

 

 

 

 

 

 

6-7pm

Participating Residents

Exhibition
December 13, 2022–February 2, 2023

Kyoung eun Kang: Every Morning, Every Evening

The International Studio & Curatorial Program presents Every Morning, Every Evening, an exhibition of work by Ground Floor artist Kyoung Eun Kang. The presentation focuses on one body of the artist’s work exploring the intimate bonds between her and her mother across many miles and one generation. Installed in ISCP’s project space, Every Morning, Every Evening includes a video installation and photographs encompassing various ways the artist has interacted with her mother over the past several years.

The focal point of the installation is Happy Birthday, a work made from a single-channel video embedded in the surface of a low Korean dining table, a gyoja-sang. The video shows clips shot over the last decade of the artist’s mother performing birthday rituals for various family members.

Evolving her own sustained collaborative practice, Kyoung eun Kang draws our attention to very specific experiences that are unique and personal to her alone, but speak volumes about the life-affirming behaviors of nurturing and maternity.

This project was selected by 2022 curator-in-residence by Kjersti Solbakken. She is curator of the Lofoten International Art Festival (LIAF) in Norway in 2024.

Kyoung eun Kang is a New York-based artist born in South Korea. She received a BFA and MFA in painting from Hong-ik University in Seoul, South Korea and an MFA from Parsons, The New School for Design, New York, NY. Kang works in a wide range of media, including live performance, video, painting, photography, installation, text, and sound pieces. Her work explores geographical and cultural identities, as well as universal human themes such as affection and attachment to raise questions about how we foster and maintain relationships in an ever-changing world.

Her work has been exhibited both internationally and across the US in numerous galleries and museums, including A.I.R Gallery, Collar Works, NURTUREart, BRIC Project Room, Soho 20 Project Room, and Here Arts Center, all NY; The Korean Cultural Center, Washington, DC; Lawrence Wilson Art Gallery, Australia; Museum of Imperial City, China, and the National Museum of Modern Art, Korea. She is a recipient of residencies and fellowships at Skowhegan School of Painting and Sculpture, Marble House Project, Elizabeth Murray Artist Residency, I-Park Foundation, ChaNorth, Bric Media Arts, NARS Foundation, Bemis Center for Contemporary Arts, LES studio program, and New York Foundation for the Arts. Kang is currently a Ground Floor Resident at ISCP.

Kyoung eun Kang: Every Morning, Every Evening is supported by Alice and Lawrence Weiner; Danna and Ed Ruscha; Hartfield Foundation; Horace W. Goldsmith Foundation; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; New York City Council District 33; New York City Council District 34; New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and William Talbott Hillman Foundation. 

By visiting ISCP, you agree to abide by the following health and safety policies. Please make sure to plan ahead for your visit.

  • Groups of four or more are required to schedule an appointment in advance. Please write to info@iscp-nyc.org.
  • All visitors are encouraged to maintain social distancing while at ISCP.
  • Masks or face coverings are strongly recommended but not mandatory.
  • Hand sanitizer will be available for visitors.
  • If you have fever, chills, cough, muscle pains, headache, loss of taste or smell, or think you may have been exposed to COVID-19 prior to your visit, please contact us to reschedule.
  • An inherent risk of exposure to COVID-19 and other infectious conditions exists in any public space where people are present. Those visiting the International Studio & Curatorial Program voluntarily assume all risks related to exposure to COVID-19, other infectious conditions, and other hazards that may be present in a public space.

 

 

Open Hours: By appointment Monday–Friday, 10:30am–5:30pm
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Participating Residents