Current Resident: Mar 1, 2022–Jun 30, 2022
Danish Arts Foundation
Studio #207
Artist
Vibe Overgaard
Vibe Overgaard is a visual artist working broadly with installation, sculpture, performance, video, archive material and critical writing. Her practice is research-based and focused on a historical perspective on the economy. Often engaged in research on industry and production-relations of a specific location, her work links local circumstances to greater global-political questions and critique.
Vibe Overgaard has exhibited work at Hotel Maria Kapel, Hoorn, The Netherlands; Odenplan metro station, Stockholm; Floating Projects, Hong Kong, among others.
vibeovergaard.comEvents & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Vibe Overgaard, Autonomy in Constructed Space, 2021, single-channel video, 35 min
Vibe Overgaard, Autonomy in Constructed Space, 2021, single-channel video, 35 min
Vibe Overgaard, Ex Nature, 2020, Video installation, 10 min
Vibe Overgaard, Manuscript on Accumulation, 2019, Performance and ceramic sculpture
Vibe Overgaard, Manuscript on Accumulation, 2018, Wood, ceramics, analogue photo-print
Residents from Denmark
Current Resident: Jul 1, 2022–Aug 31, 2022
ISCP Alumni Fund
Studio #208
Artist
Remy Jungerman
Remy Jungerman’s work explores the intersection of pattern and symbol in Surinamese Maroon culture, the larger African Diaspora, and twentieth-century modernism. Jungerman challenges the established art historical canon by bringing seemingly disparate visual languages into conversation. Art and culture critic Greg Tate writes; “Jungerman’s work leaps boldly and deftly into the epistemological gap between culturally confident Maroon self-knowledge and the Dutch learning curve around all things Jungerman, Afropean, and Eurocentric.”
Remy Jungerman has exhibited work at the Stedelijk Museum Amsterdam; Gemeente Museum, The Hague; Havana Biennial, Cuba; Prospect.3: Notes for Now, New Orleans; Brooklyn Museum, New York; and Goodman Gallery, London, amongst others. Jungerman is the recipient of the Fritschy Culture Award, The Netherlands. His work has been featured in numerous publications and has been acquired by various institutions and private collectors worldwide.
Past Residencies
2018Mondriaan Fund
Remy Jungerman, VISITING DEITIES, 2018, cotton textile, kaolin (pimba), painted wood, meranti table legs (58), dry river clay, nails, yarn, mirror and river water samples (Cottica SR, Hudson US, Amstel NL, 389 × 134 × 102 in. (988.06 × 340.36 × 259.08 cm)
Remy Jungerman, detail VISITING DEITIES, 2018, cotton textile, kaolin (pimba), painted wood, meranti table legs (58), dry river clay, nails, yarn, mirror and river water samples (Cottica SR, Hudson US, Amstel NL, 389 × 134 × 102 in. (988.06 × 340.36 × 259.08 cm)
Remy Jungerman, INITIANDS, 2015, cotton textile, kaolin (pimba), 7811/16 × 7811/16 × 10 in. (199.9 × 199.9 × 25.4 cm)
Remy Jungerman, FODU composition 9 from 24, 2015, cotton textile, kaolin (pimba), 7811/16 × 10 in. (199.9 × 25.4 cm)
Remy Jungerman, Pimba AGIDA SUSA, 2021, cotton textile, kaolin (pimba) on wood panel, 755/8 × 955/16 × 2 in. (192.02 × 242.06 × 5.08 cm)
Residents from The Netherlands
Current Resident: May 1, 2022–Aug 31, 2022
Fire Station - Qatar Museums
Studio #209
Artist
Saida Alkhulaifi
Saida Alkhulaifi’s work explores the theme of time within the context of recent memory, emotions and objects’ connection to human behavior. She examines the notion of time through layering and added text, investigating different surfaces and mediums, experimental photography, and where all of these exist in time and space.
Saida Alkhulaifi has exhibited work at GlogauAIR, Berlin; Fire Station – Qatar Museums; and at Qatar-USA 2021 Year of Culture, among others.
Saida Alkhulaifi, Freej ii, 2021, 35mm photo digital scan
Saida Alkhulaifi, Burka, 2021, 35mm photo print, fabric, and thread
Saida Alkhulaifi, Your Eyes Are a Palm Tree Forest, 2021, fabric, thread, and paint
Saida Alkhulaifi, She Bloomed on Water, 2021, 35mm photo and thread
