Past Residents

List Grid

Past Resident
2022: Artis

Artist

Yael Frank

Yael Frank is a multi-disciplinary artist working mainly in sculpture and video. Her satiric projects conceptually hack cultural and textual systems, arguing for emotional connections between historical memory and esoteric consumerist goods. Frank employs comedic strategies to expose multiple points of view on the precarious state of ethical concepts. Her work aims to test the seriousness of political ethos by orchestrating situations that are physically beyond language.

Yael Frank has exhibited work at The Herzliya Museum of Contemporary Art, Israel; The Tel Aviv Museum of Art, Israel; and FuturDome, Milano, among others.

$\Permanent installation of a fake coconut tree bending down from the roof along the facade of Artport Residency Building$

Yael Frank, IN A NUTSHELL, 2020, fake coconut tree, metal, styrofoam, epoxy and industrial paint, 240 × 60 in. (609.6 × 152.4 cm)

Installation shot from the solo exhibition GRID at the Herzliya Museum of Contemporary Art

Yael Frank, GRID, 2021, video, sound, PVC, wood, metal, paint and ceramics, dimensions variable

A still shot from the video A Problem, where three dental set jaws give a speech about a problem

Yael Frank, A Problem, 2018, video, 4:30 min

11 large scale pink thumbs sunk into the floor in a composition influenced by Raft of the Medusa by Theodore Jericho

Yael Frank, A Monument for Monuments, 2015, styrofoam, paint, plaster and wood, 240 × 94 × 63 in. (609.6 × 238.76 × 160.02 cm)

Yael Frank, YES (no), 2019, architectural intervention, drywall and paint, dimensions variable

Residents from United States

Cullen Washington Jr.

United States

Helen Frankenthaler Foundation Residency

Studio #304

Nikita Shokhov

United States

ipureland

2023

Alicia Grullón

Grullón’s self-portrait series, “From March to June: At Home with Essential Workers” is a continuation of her process using visual and embodied performative practices to create alternatives in archiving history. These self-portraits were created in her home in New York City during the Covid-19 quarantine. In this body of work, she simultaneously documents her time at home and current affairs affecting the nation.The titles refer to dates the images were taken and news articles from that time regarding the treatment of essential workers and incarcerated people during the pandemic.

United States

Vision Fund

2023

The Netherlands

Past Resident
2022: ISCP Alumni Fund, Dutch Culture USA program by the Consulate General of the Netherlands in New York
2018: Mondriaan Fund

Artist

Remy Jungerman

Remy Jungerman’s work explores the intersection of pattern and symbol in Surinamese Maroon culture, the larger African Diaspora, and twentieth-century modernism. Jungerman challenges the established art historical canon by bringing seemingly disparate visual languages into conversation. Art and culture critic Greg Tate writes “Jungerman’s work leaps boldly and deftly into the epistemological gap between culturally confident Maroon self-knowledge and the Dutch learning curve around all things Jungerman, Afropean, and Eurocentric.”

Remy Jungerman has exhibited work at the Stedelijk Museum Amsterdam; Gemeente Museum, The Hague; Havana Biennial, Cuba; Prospect.3: Notes for Now, New Orleans; Brooklyn Museum, New York; and Goodman Gallery, London, amongst others. Jungerman is the recipient of the Fritschy Culture Award, The Netherlands. His work has been featured in numerous publications and has been acquired by various institutions and private collectors worldwide.

Events & Exhibitions

Fall Open Studios 2018

November 9–November 10, 2018

2018 Summer Open House

July 31, 2018, 6–9pm

Brooklyn Commons: Haim Steinbach and Remy Jungerman

May 8, 2018, 6:30–8pm

Spring Open Studios 2018

April 27–April 28, 2018

Remy Jungerman, VISITING DEITIES, 2018, cotton textile, kaolin (pimba), painted wood, meranti table legs (58), dry river clay, nails, yarn, mirror and river water samples (Cottica, Hudson, and Amstel), 389 × 134 × 102 in. (988.06 × 340.36 × 259.08 cm)

Remy Jungerman, VISITING DEITIES, detail, 2018, Cctton textile, kaolin (pimba), painted wood, meranti table legs (58), dry river clay, nails, yarn, mirror and river water samples (Cottica, Hudson, and Amstel), 389 × 134 × 102 in. (988.06 × 340.36 × 259.08 cm)

Remy Jungerman, INITIANDS, 2015, cotton textile and kaolin (pimba), 78¹¹/₁₆ × 78¹¹/₁₆ × 10 in. (199.9 × 199.9 × 25.4 cm)

Remy Jungerman, FODU composition 9 from 24, 2015, cotton textile and kaolin (pimba), 78¹¹/₁₆ × 10 in. (199.9 × 25.4 cm)

Remy Jungerman, Pimba AGIDA SUSA, 2021, cotton textile and kaolin (pimba) on wood panel, 75⁵/₈ × 95⁵/₁₆ × 2 in. (192.02 × 242.06 × 5.08 cm)

Residents from The Netherlands

Ginta Tinte Vasermane

Latvia, The Netherlands

Amsterdams Fonds voor de Kunst, Stichting Stokroos

2022

Nika Schmitt

rotating satelite dishes changing the self-generated feedback frequencies within the interior space. Four speakers and four different microphones picking up and playing live the changing sounds from different angles of the space.

Luxembourg, The Netherlands

Edward Steichen Award Luxembourg

Studio #217

Coralie Vogelaar

This interactive installation examines our urge to exert control over our body, the uncontrollable nature of the conditions that influence how we feel, and the data systems that analyze our state of wellbeing. Visitors are invited to take a seat and place a sensor on their earlobe. Their heart rate variability (HRV), the period between heartbeats, will immediately become audible as the sound of ticking metal friction on ceramics, and squeaking polysterene. Changes in HRV directly impact on the sound composition by Sjoerd Leijten and vice versa. The sensors register all the irregularities of the heartbeat, which fluctuates in response to physical and emotional factors. Because of the complexities involved in identifying the cause of individual fluctuations, science often dismisses small variations as irrelevant, and only average readings are used for examinations. Coralie Vogelaar explores the “noise” that is ususally filtered out in this hybrid cross of technological research and fine art - the installation exudes the atmosphere of a test environment, with its aluminium tubing, visible cables, and the inbuilt and pre-programmed conditional rules. Vogelaar demonstrates that our mood states are more complex than would be suggested by an averaged out measurement. She embraces this complexity by combining data-sampling systems with the physical experience of sound, rather than imposing any scientific framework or delimitation

The Netherlands

Mondriaan Fund

Studio #219

Greece

Past Resident
2022: ARTWORKS

Artist

Dimitra Kondylatou

Dimitra Kondylatou is a video producer, editor, writer, and host interested by the boundaries of art and how it interacts with tourism and daily life. Kondylatou explores gestures, practices, and correspondences through the lens of hospitality and exchange contexts and spaces. Her work merges ideas and crosses boundaries with other disciplines such as anthropology.

Dimitra Kondylatou has exhibited work at the 27th Athens International Film Festival; State of Concept, Athens; and W139, Amsterdam, among others.