Current Resident: Jan 1, 2020–Dec 31, 2020
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Civan Özkanoğlu
Civan Özkanoğlu’s interdisciplinary work traces the everyday. He is interested in seemingly mundane stories and daily absurdities and how they converge in public space, mass media, the art world, and in the realm of politics and collective memory. His practice has increasingly moved from photography to other visual, sculptural and performative interventions that tend to the conceptual tensions within artistic production and the exhibition forms it enables.
Civan Özkanoğlu has exhibited work at SALT, Istanbul; National Academy Museum & School, New York; and Istanbul Modern, among others.
civanozkanoglu.com
Civan Özkanoğlu, As We All Know, 2016, performance.
Civan Özkanoğlu, In Person, 2014, photography.
Civan Özkanoğlu, Deleuze This Deleuze That, 2015, neon installation.
Civan Özkanoğlu, Ilan Olunur, 2018, text installation.
Civan Özkanoğlu, Non Guilty, 2012, photography.
Ground Floor Residents
Bundith Phunsombatlert
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Habby Osk
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Svetlana Bailey
Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Current Resident: Jan 1, 2019–Dec 31, 2020
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Alison Nguyen
Alison Nguyen’s work explores the ways in which images are produced, disseminated, and consumed within the current media landscape, exposing the socio-political conditions from which they arise. Creating strategies for dissent, she re-articulates mainstream visual language in video, installation, and new media works.
Alison Nguyen received her B.A. from Brown University. She has presented work at Ann Arbor Film Festival; CROSSROADS presented by San Francisco Cinematheque and San Francisco Museum of Modern Art; Channels Festival International Biennial of Video Art, Melbourne; Microscope Gallery, New York and AC Gallery, Beijing, and OK Corral, Copenhagen, among others. Nguyen has participated in residencies and/or been awarded fellowships from The Institute of Electronic Arts, Squeaky Wheel Film and Media Art Center, and BRIC. She has been awarded grants from The Foundation for Contemporary Art, NYSCA and The New York Community Trust. In 2018, Nguyen was featured in Filmmaker Magazine’s 25 New Faces of Independent Film.
alisonnguyen.com
Alison Nguyen, Dessert-Disaster, 2017-18, HD double-channel video installation, color, and sound, 3:54 min., loop.
Alison Nguyen, Dessert-Disaster, 2017-18, HD double-channel video installation, color, and sound, 3:54 min., loop.
Alison Nguyen , Andra8: my favorite software is being here, 2020, HD single-channel video, 10 min, loop.
Alison Nguyen, every dog has its day, single channel installation documentation, HD video, 54 x 96 x 15 in. MDF projection screen, 8’x10’ carpet, stereo sound, 6 minutes 39 second loop, 2019.
Alison Nguyen, you can't plan a perfect day sometimes it just happens, 2017, HD single-channel video on wood and muslin screen, 8:24 min, loop, 66 x 120 x 15 in.
Ground Floor Residents
Bundith Phunsombatlert
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Habby Osk
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Svetlana Bailey
Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Current Resident: Jan 1, 2020–Dec 31, 2020
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Moko Fukuyama
Moko Fukuyama’s work is driven by storytelling and narratives. Through film and sculpture, she questions how place can shape lived experiences and the intimate lives of her subjects. She creates open and sympathetic spaces to explore the socioeconomic realities and psychology of everyday life. Her approach is quasi-documentary; she draws from people’s real stories and adapts them into fictional cinematic and sculptural scenarios.
Moko Fukuyama has exhibited at The Shed, RECESS and SOHO20 Gallery, all New York, among other spaces.
Moko Fukuyama, A Kind of Pain, 2019, walnut log, resin, automotive paint, stainless steel, HD single-channel video, and sound, Sculpture: 16’’ x 12’; video projection: 15’ x 25’.
Moko Fukuyama, Untitled (Diorama), 2018, TV, blu-ray player, wood, inkjet adhesive vinyl, watercolor on paper, pine veneer plywood, rubber, car wash brush felt, resin, c-stand, and spring clamps, dimensions variable.
Moko Fukuyama, La Bohème, 2018, silk screen and paint on mirror, wood, paint, Mirror pieces: 36” x 36” each mirror / Wood frame piece: 94” x 300”.
Moko Fukuyama, You Never Know What Idea You Might Have, 2017.
Moko Fukuyama, All Depends on the Source of Light, 2016, HD single-channel video, sound, wood, projection fabric, and sugar glass, dimensions variable.
Ground Floor Residents
Bundith Phunsombatlert
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Habby Osk
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Svetlana Bailey
Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation