Past Residents
Yasmina Haddad
Yasmina Haddad’s artistic practice is based on photography and sometimes extends to different media such as sculpture, sound and set design. Recent works focus on how different cultural expressions are inevitably connected and how this reciprocal impact manifests through esthetics. The subjects shown often derive from the fields of fashion and theatre, and are portrayed in stage-like situations. Somewhat artificial and glossy, isolated from their usual settings, they depict socio-cultural processes and recall the malaise of postmodern sensitivities.
Yasmina Haddad has exhibited work at Beirut Art Center; Liu Haisu Museum, Shanghai; and Kunsthalle Exnergasse, Vienna, among others.
Events & Exhibitions
2019 Fall Open Studios
November 15–November 16, 2019
Yasmina Haddad, We Enter By The Front Door, 2019, C-print, 30 × 20 in. (76.2 × 50.8 cm).
Yasmina Haddad, Studio Settings, 2016 - ongoing, c-prints on textile, 87 × 59 in. (220.98 × 149.86 cm).
Yasmina Haddad, Studio Settings, 2016 - ongoing, c-prints on textile, 87 × 59 in. (220.98 × 149.86 cm).
Yasmina Haddad, Interni, 2013, c-prints and sculpture (wood, acrylic paint, marble, and plexiglass), dimensions variable.
Yasmina Haddad, Interni, 2013, c-print, 30 × 20 in. (76.2 × 50.8 cm).
Residents from Lebanon
Past Resident2019: Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature2017: Farnesina Ministero degli Affari Esteri e della Cooperazione Internazionale - Ministry of Foreign Affairs and International Cooperation
Danilo Correale
Danilo Correale’s work analyzes various aspects of human life such as labor, leisure and sleep through the lenses of time and the body. His recent works focus on speculation about post-labor society, nonaligned subjectivities, idleness and withdrawal.
Danilo Correale (born Naples, 1982) currently lives in New York City. He is the founder of the Decelerationist Reader and a regular contributor to publications in the field of critical theory. His most recent publications include The Game – A three sided football match, FeC, Fabriano, 2014 and No More Sleep No More, Archive Books, Berlin, 2015. Correale’s work has been presented in numerous group exhibitions including the 16th Art Quadriennal, Palazzo delle Esposizioni, Rome, 2016; Pigs, Artium Museum, Vitoria-Gasteiz, Spain, 2016; Ennesima, La Trienniale de Milano, 2016; Kiev Biennial, 2015; The Museum for Modern and Contemporary Art of Bolzano (Museion), 2015; Museum of contemporary Art Donna Regina, Naples, 2014; Steirischer Herbst Festival, Graz, 2013; Fondazione Sandretto Re Rebaudengo, Turin, 2012; Manifesta 8, Murcia, Spain, 2010; Moscow Biennial, 2010; and Istanbul Biennial, 2009. Recent solo shows include Tales of Exhaustion, La Loge, Brussels, 2016; The Missing Hour: Rhythms and Algorithms, Raucci/Santamaria, Naples, 2015; The Warp and the Weft, Peep-Hole, Milan, 2012; Pareto Optimality, Supportico Lopez, Berlin, 2011; and We Are Making History, Entrèe, Bergen, Norway, 2011.
Danilo Correale, Boosted, 2014-2015, Digital print on silk and aluminium frames, 100 × 100 × 250 in. (254 × 254 × 635 cm).
Danilo Correale, Tales OF Exhaustion, 2016, Mixed media. Image courtesy of La Loge and the artist.
Danilo Correale, The Future in Their Hands (the visible hand), 2011-2012, 50.5 x 40 in. each.
Danilo Correale, The 13th Step, 2012, Postcards display, iridescent paint and 150 publications, Dimensions variable.
Ground Floor Residents
Svetlana Bailey
Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, Jacques and Natasha Gelman Foundation, William Talbott Hillman Foundation, Hartfield Foundation
Wieteke Heldens
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, Jacques and Natasha Gelman Foundation, William Talbott Hillman Foundation, Hartfield Foundation
Carlos Franco
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, Jacques and Natasha Gelman Foundation, William Talbott Hillman Foundation, Hartfield Foundation
Past Resident2019: Mondriaan Fund2014: Van Beuningen/Peterich Fund
Allard van Hoorn
Allard van Hoorn investigates relationships to our environment incorporating the disciplines of architecture, design, music and dance. He visually, acoustically and spatially transcodes our usage and perception of cities and nature in order to question preconceptions and experiences of the spaces we live and work in. Through mapping and the subsequent re-ordering of embedded rituals, rules and routines in buildings and public spaces, he allows for reinterpretation of form and function taking into account the inherent impossibility of complete description of our world by manmade systems.
Allard van Hoorn (Leiden, The Netherlands, 1968) has been shown at biennials in cities including Istanbul, Shenzen and Gwangju. His work has also been shown at the de Appel Arts Centre and Stedelijk Museum Amsterdam, Storefront for Art and Architecture, New York City; Pinakothek der Moderne, Zurich; the Moore Space, Miami; MoCA and Zendai MoMA, Shanghai; Art Rotterdam; Van Abbemuseum, Eindhoven; Gasworks, London; CCCB, Barcelona; Museu de Arte Moderna, Salvador; Museo de la Ciudad de México, the German Architectural Centre, Berlin and Contemporary Arts Center, Cincinnati. He currently collaborates as Outpost with OfficeUS, the official participation of the United States at the Venice Architectural Biennial. He tutors at the Architectural Association in London.
Allard van Hoorn, 032_Urban_ Songline Latitude: 41.693521° N - 41.693646° N / Longitude: 44.810989° E - 44.811070° E, 2015, score-based cushions and software, dimensions variable.
Allard van Hoorn, 029_Urban_ Songline Latitude: 41.030423° N - 41.030811° N / Longitude: 28.976201° E - 28.976577° E, 2015, organ pipes and software, dimensions variable.
Allard van Hoorn, 039_Urban_ Songline Latitude: 44.434722° N - 44.440265° N / Longitude: 25.987555° E - 26.120778° E, 2016, Billboard, several musical compositions and 48 paint cans, dimensions variable.
Allard van Hoorn, 020_Urban_ Songline Latitude: 39.102759° N - 39.102907° N / Longitude: -84.511896° W - -84.512164° W, 2014, 9 - 22 ft. weather balloons and dancers, dimensions variable.
Allard van Hoorn, 004_Urban_ Songline Latitude: 52.358054° N - 52.358134° N Longitude: 4.879876° E - 4.879939° E, 2011, echolocation devices, audience volunteers, software, and laptop, dimensions variable.
