Adolfo Bimer’s practice, through paintings and their displacements, focuses on a material and metaphorical innerness of the human body. His recent work is based on research about direct interactions from both the traditional and industrial world, not only of painting but from the medical and the construction fields as well. Bimer’s body of work questions health and disease; the body’s movement, fluids, organs and textures. He looks at the development of medical technology imaging systems such as x-rays, microscopy and anatomical drawing, as ways to understand a body that we otherwise would not be able to see.