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Ieva Epnere
Ieva Epnere

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Past Residents
Past Residents
Espen Gleditsch
Espen Gleditsch
Latvia

Past Resident
2016: Kim? Contemporary Art Centre

Artist

Ieva Epnere

Ieva Epnere works with photography, video, and film. Personal and intimate stories are the starting points for her artistic reflections on identity, tradition, and ritual.

Ieva Epnere lives and works in Riga, Latvia. Recent solo shows include Pyramiden and other stories, Zachęta Project Room, Warsaw, 2015; A No-Man’s Land, An Everyman’s Land, kim? Contemporary Art Centre, Riga, 2015; Waiting Room, Contretype, Brussels, 2015; and Ieva Epnere, Galerie des Hospices, Canet-en-Roussillon, France, 2014. Group exhibitions include Identity. Behind the Curtain of Uncertainty, National Art Museum of Ukraine, 2016; Something eerie, Signal – Center for Contemporary Art, Malmö, Sweden, 2015; Ritualia, Oudenaarde-Ename, Belgium; Le fragole del Baltico, Careof, Milan, 2015; Ornamentalism. The Purvītis Prize, Arsenale, Venice, 2015; and 62nd International Short Film Festival, Oberhausen, Germany, 2015.

Ieva Epnere, Four Edges of Pyramiden, 2015, HD video, 20 min.
Ieva Epnere, Extreme Fugue for One Voice. Laima, 2013, HD video, 5 min.
Ieva Epnere, A No-man's Land, An Everyman's Land, 2015, Photograph, Dimensions variable.
Ieva Epnere, Renunciation, 2014, HD video, 20 min.

Residents from Latvia

Jānis Dzirnieks

Latvia
Kim? Contemporary Art Centre
2024

Ginta Tinte Vasermane

Latvia, The Netherlands
Amsterdams Fonds voor de Kunst, Stichting Stokroos
2022

Līga Spunde

Latvia
Kim? Contemporary Art Centre, Jeffrey Rosen, Misako & Rosen Gallery
2023
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International Studio & Curatorial Program

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Ieva Epnere
Ieva Epnere
Megan Francis Sullivan
Megan Francis Sullivan
Norway

Past Resident
2017: Hasselblad Foundation

Artist

Espen Gleditsch

Espen Gleditsch is an artist whose work juxtaposes photographs, texts and objects. His projects often put in dialogue text and image to enable a variety of perspectives on a common theme. Through this association, viewers’ interpretations of the works vacillate between a rational, cognitive understanding and a visual system of symbols. Gleditsch’s intellectual and artistic process often starts with a narrative that navigates between fact and fiction. His work raises fundamental philosophical questions regarding our ability to survive in a secular society without dreams and fantasies–which allow us to transcend our rational understanding of reality.

Espen Gleditsch (born 1983) lives and works in Oslo, Norway. Gleditsch received his MFA from the Academy of Fine Art of the Oslo National Academy of the Arts in 2015. Gleditsch’s work has been presented in solo shows at Kunstnerforbundet, Oslo, 2016; Noplace, Oslo, 2016; Fotogalleriet [Format], Malmö, 2015; Haugesund kunstforening, Norway 2013; and MELK, Oslo, 2012. Group shows include Kunstnernes Hus; Hamburger Bahnhof – Museum für Gegenwart, Berlin, 2015; Haugar Vestfold Kunstmuseum, 2014, 2010; Austin Centre for Photography, 2014; and Fotogalleriet, Oslo, 2013.

Events & Exhibitions

Fall Open Studios 2016
November 4–November 5, 2016
Espen Gleditsch, A Place by the Sea, 2016, Archival inkjet print on cotton paper, 19 × 24 in. (48.26 × 60.96 cm).
Espen Gleditsch, A Place by the Sea, 2016, Photography and text.
Espen Gleditsch, White Lies, 2015, Photography and hand made wood sculptures.
Espen Gleditsch, Sphere, 2015, Solid birch and spray paint, 10 in. diameter.

Residents from Norway

Apichaya Wanthiang

Norway, Thailand
OCA - Office for Contemporary Art Norway
Studio #220

Katrine Elise Agpalza Pedersen

Philippines, Norway
OCA - Office for Contemporary Art Norway
2024

Sandra Mujinga

Norway
OCA - Office for Contemporary Art Norway
2024
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International Studio & Curatorial Program

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Espen Gleditsch
Espen Gleditsch
Germany

Past Resident
2017: Senate Department for Culture and Europe, Berlin

Artist

Megan Francis Sullivan

Megan Francis Sullivan’s practice gleans cultural artifacts and identities by enacting or interpreting works and objects from specific sources. Her expanding body of work questions the historical baseboard of artistic work as site and time-specific. Projects such as the repainting of Rosa Bonheur’s The Horse Fair, the building of tables inspired from those of the Cooper Union library during its tuition crisis, and a painting series that that inverts Paul Cezanne’s The Bathers, are examples of how the artist interrogates artworks outside of their cultural context.

Megan Francis Sullivan (born 1975, Stamford, Connecticut) currently lives and works in Berlin. Sullivan studied at Cooper Union, New York and Städelschule, Frankfurt. Recent solo exhibitions include Kunsthalle Bern, 2016; Objectif Exhibitions, Antwerp, 2015; Midway Contemporary Art, Minneapolis, 2014; and Mathew Gallery, Berlin, 2014. Group exhibitions include Carlos/Ishikawa, London, 2016; Mathew Gallery, New York, 2015; VI, VII, Oslo, 2014; Freymond-Guth, Zurich, 2013; castillo/corrales, Paris, 2013; and Halle für Kunst, Lüneburg, Germany, 2013.

Events & Exhibitions

Spring Open Studios 2017
April 21–April 22, 2017
Gazelle Lost in Watts
April 21–June 9, 2017
Fall Open Studios 2016
November 4–November 5, 2016
Megan Francis Sullivan, White / Red, White / Blue, 2016, Swiss-made awning material, iron rod, and hardware, 71 × 82 in. (180.34 × 208.28 cm).
Megan Francis Sullivan, Table (for Lutz Bacher), 2015, Found object and glass, 28 × 12 in. (71.12 × 30.48 cm).
Megan Francis Sullivan, The Bathers Series, 2016, Oil on canvas, Dimensions variable. Installation view at Kunsthalle Bern.

Residents from Germany

Lukas Marxt

Germany, Portugal, Austria
Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Studio #218

Szu-Ying Hsu (Ida)

Taiwan, Germany
Ministry of Culture, Taiwan
Studio #302

Matthias Garff

Germany
KdFS Kulturstiftung des Freistaates Sachsen
Studio #214
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International Studio & Curatorial Program

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