Past Residents
Past Resident2017: SAHA Association
Cem Dinlenmiş
Cem Dinlenmiş is a cartoonist for Istanbul-based magazine Uykusuz. His satirical series Her Şey Olur (Anything Goes) depicts events from weekly news cycles related to politics, ordinary life happenings, and everything in between, which are illustrated in unexpected ways. Turkey’s ruling Justice and Development Party, urban transformation and freedom of press are some of the topics he has tackled since 2006. As of 2017, there are nearly 600 drawings in the Her Şey Olur archive.
Cem Dinlenmiş lives and works in Istanbul. He has participated in various solo and group exhibitions at institutions worldwide, including National Museum of the 21st Century Arts (MAXXI), Rome; x-ist, Istanbul; and Salt Beyoğlu, Istanbul. He is the recipient of the Media Award, Turkish Independent Architects Association, 2017.
Events & Exhibitions
Fall Open Studios 2017
November 10–November 11, 2017
Cem Dinlenmiş, Her Şey Olur Archive, 2015, comics, books, notebooks and magazines, installation view.
Cem Dinlenmiş, Life in Tozkoparan, 2014, acrylic and marker on canvas, 39 × 59 in. (99.06 × 149.86 cm).
Cem Dinlenmiş, Rainbow Stairs, 2014, print on alu-dibond, 161/2 × 271/2 in. (41.91 × 69.85 cm).
Cem Dinlenmiş, Curfew, 2015, offset print, 51/2 × 91/8 in. (13.97 × 23.11 cm).
Cem Dinlenmiş, Narmanli Han, 2015, offset print, 83/16 × 111/2 in. (20.83 × 29.21 cm).
Residents from Turkey
Civan Özkanoğlu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
2020
Past Resident2017: ACC - Asian Cultural Council
Fuyuka Shindo
In Fuyuka Shindo’s practice, she confronts historical and cultural issues from a present-day perspective, often in reference to her native region of Hokkaido, Japan. She conducts research in museums and archives, looking at objects such as traditional costumes and old photographs. Most of Shindo’s finished pieces incorporate elements from both the past and present, be it in the final imagery, materials used or techniques employed.
Fuyuka Shindo has shown work at the Sapporo International Art Festival; Koganecho Bazaar, Yokohama; and Hokkaidō Museum of Northern Peoples, Abashiri.
Fuyuka Shindo, Figurs, 2016, collodion process, 91/2 × 7 in. (24.13 × 17.78 cm).
Fuyuka Shindo, Stone Man, 2016, albumen print, 7 × 6 in. (17.78 × 15.24 cm).
Fuyuka Shindo, Island of Stones, 2016, installation.
Fuyuka Shindo, Who are you?, 2015, inkjet print, 231/2 × 33 in. (59.69 × 83.82 cm).
Fuyuka Shindo, Who are you?, 2015, installation.
Past Resident2018: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Mathias Pöschl
In his research-based practice, Mathias Pöschl seeks to investigate the relation of visual culture and political agenda, generating ensembles of works by juxtaposing representations of historical incidences and realities in a wide range of media and materials. In an effort to hint at new insights into the basic conditions of what it means for a work of art to be called political, Pöschl tries to exploit the cognitive potential of contradictions and misreadings, employing dialectic approaches to arrive at, or suggest, new narratives.
Mathias Pöschl (born 1981, Vienna, Austria) graduated from the Academy of Fine Arts Vienna in 2008. His work has been exhibited in solo and group shows at institutions, galleries and art fairs including Leopold Museum, Vienna; 21er Haus – Museum für zeitgenössische Kunst, Vienna; The Armory Show, New York; Georg Kargl Fine Arts, Vienna; Sotheby’s, Vienna; Galleri Ping-Pong, Malmö; Frieze, London; Nya Perspectives, Västerås; Neuer Kunstverein Wien, Vienna; as well as in various self-organized shows in temporary exhibition spaces around Austria.
Events & Exhibitions
Fall Open Studios 2017
November 10–November 11, 2017
Mathias Pöschl, o.t.(abandoned stage set for a black mass), 2016, installation, dimensions variable.
Mathias Pöschl, o.t.(supreme), 2013, inkjet print and paper, 50 × 35 in. (127 × 88.9 cm).
Mathias Pöschl, o.t.(huey), 2011, graphite, paper, enamel, glass, and mdf, 24 × 16 in. (60.96 × 40.64 cm).
Mathias Pöschl, i'm every woman, 2014, installation, dimensions variable.
Mathias Pöschl, o.t.(the ali in formalism), 2012, black chalk and paper, 20 × 28 in. (50.8 × 71.12 cm).
