Past Residents
Past Resident2022: Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Joseph Robert Foundation, Danna and Ed Ruscha, Horace W. Goldsmith Foundation2018: Creative Australia
Svetlana Bailey
Through installation, drawing and in-camera collage, Svetlana Bailey uses fruit to explore the flesh and gender of human embodiment throughout her work. She uses details and enlarging techniques to create new spatial and form/function relationships between fruit and the body.
Svetlana Bailey has exhibited work at Elizabeth Houston Gallery, New York; Blue Sky Gallery, Portland; and Artereal Gallery, Sydney; among others.
Svetlana Bailey, Without Kisses and Hugs, 2020, digital print on silk, 75.
Svetlana Bailey, Hugs, 2020, pigment print, 40 × 65 in. (101.6 × 165.1 cm).
Svetlana Bailey, Passion Berry and After Birth, 2020, pigment print, 40 x 43 in. each.
Svetlana Bailey, In Memory of Big Mike, 2019, pigment print, 50 × 40 in. (127 × 101.6 cm).
Svetlana Bailey, Woman with Fruit, 2019, pigment print, 39 × 31 in. (99.06 × 78.74 cm).
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sujin Lim
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Simon Liu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2019: Bradley University, Big Picture Peoria2018: Bradley University
Heather Brammeier
Heather Brammeier is a sculptor, painter, and installation artist whose work continues the function of childhood play into adulthood. Through innovative use of materials and deceptively simple design, Brammeier creates visual puzzles that invite movement in and around the artwork. The artwork tests physical and perceptual boundaries, mirroring emotional and psychological limits. Vertiginous stacking, attention to surfaces, and the use of light and shadow elicit contemplation of safety and threat, love and loss, and the complexity of emotional experience.
Heather Brammeier has exhibited work at Pen + Brush, New York; South Bend Museum of Art, Indiana; and Swansea College of Art, Wales, among others.
Heather Brammeier, I Changed, and then I Changed Again, 2019, reclaimed wood flooring, willow tree, and chain, dimensions variable.
Heather Brammeier, Nothing to Fix, 2018, reclaimed wood flooring, willow branches, sycamore branches, found objects from beach and garden, studio remnants, and chain, dimensions variable.
Heather Brammeier, Next Steps (Life Carries On), 2017, painted wood, painted insulation foam, garden hose, reclaimed metal hoop, and rope, dimensions variable.
Heather Brammeier, Lose the Feeling, 2017, reclaimed wood flooring, and carpet, dimensions variable.
Heather Brammeier, Brighten the Corners, 2017, painted wood, garden hose, PEX tubing, and reclaimed ladders on abandoned house.
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217
Past Resident2018: Nissan Art Award – Arts Initiative Tokyo
Hikaru Fujii
Hikaru Fujii creates video installations that respond to contemporary social problems. He makes use of extensive research and fieldwork investigating existing systems and structures, based on the idea that art is produced out of the intimate relationship between society and history. Rather than presenting his research into past events just as it is, he has continued to use his work to attempt reinterpretations of the issues from contemporary perspectives.
Hikaru Fujii has exhibited work at National Museum of Modern Art, Tokyo; National Museum of Modern and Contemporary Art, Seoul; and Onassis Cultural Centre, Athens, among others.
Hikaru Fujii, The Primary Fact, 2018, installation.
Hikaru Fujii, The Primary Fact, 2018, installation.
Hikaru Fujii, The Educational System of an Empire, 2016, installation.
Hikaru Fujii, Record of the Bombing, 2016, installation.
Hikaru Fujii, Playing Japanese, 2017, installation.
