Past Residents
Past Resident2022: Artis
Xavier Acarín Wieland
Xavier Acarn Wieland is a curator who works at the intersection of performativity, material culture, and ecology.
Xavier Acarín Wieland has presented exhibitions at Caixaforum, Barcelona; Mies van der Rohe Foundation, Barcelona; and Abrons Arts Center, New York, among others.
Xavier Acarín Wieland, The Next Mutation, 2021-2022, exhibition view at La Caixa Foundation
Xavier Acarín Wieland, Love the Daily Work, 2018, exhibition view
William Lamson, Luba Drozd and Roarke Menzies, A Continuous Stream of Occurrence, 2019, exhibition view
Sarah Anderson, Deville Cohen, Nick Doyle, Kolbeinn Hugi + Taraka Larson, Juan Kasari, and Gabriel Pericàs, Conspiracies are Things, 2017, exhibition view
Itziar Barrio, Anton Ginzburg, Gordon Hall, Paul John, Sara Magenheimer and Alan Ruiz, PUBLIC FORMATS, 2017, exhibition view
Past Resident2022: Wallace Arts Trust2020: Wallace Arts Trust
Imogen Taylor
Imogen Taylor paints geometrical abstracts that explore the forms and LGBTQIA+ legacies of European Modernism. Taylor’s paintings, while inspired by Cubism’s abstract forms and colored juxtapositions, are devoid of the source material’s masculine self-seriousness.In their work, Taylor contrasts imposing parallel lines with soft curves and uses thickly applied color.
Imogen Taylor has exhibited work at Whangārei Art Museum, Hocken Collections, Dunedin; Michael Lett, Auckland; and The Dowse Art Museum, Wellington, among others.
Imogen Taylor, Wet With Dew, 2022, acrylic on hessian, 59 × 78 in. (149.86 × 198.12 cm)
Imogen Taylor, Thirst Trap, 2022, acrylic on hessian, 31 × 39 in. (78.74 × 99.06 cm)
Imogen Taylor, Moths, 2022, acrylic on hessian, 59 × 78 in. (149.86 × 198.12 cm)
Imogen Taylor, Thetis, 2022, acrylic on hessian, 31 × 39 in. (78.74 × 99.06 cm)
Imogen Taylor, Cabin Fever, 2022, acrylic on hessian, 59 × 78 in. (149.86 × 198.12 cm)
Past Resident2022: Artis
Adam Liam Rose
Through his multidisciplinary practice, Adam Liam Rose investigates the visual language and architecture of “safety.” His work delves into the intersection of theater and life, where aesthetics and cheap tricks are used to numb, soothe, or distract audiences from a real or perceived disaster.
Adam Liam Rose has exhibited work at The Bronx Museum of the Arts; Ortega y Gasset Projects; and The Jewish Museum, all New York, among others.
Adam Liam Rose, Silver Bullet Test Site, 2017, installation, wood, bolts, house-paint, ceramic, miniature light, PVC, insulation foam, dirt/trash and HD video, 120 × 96 × 96 in. (304.8 × 243.84 × 243.84 cm)
Adam Liam Rose, Silver Bullet Test Site, 2017, installation, wood, bolts, house paint, ceramic, miniature light, PVC, insulation foam, dirt/trash and HD video, 120 × 96 × 96 in. (304.8 × 243.84 × 243.84 cm)
Adam Liam Rose, Stages of Fallout, 2019-2022, works on paper (graphite, gouache, colored pencil) , dimensions variable . Installation at 'BRONX CALLING: The Fifth AIM Biennial,' The Bronx Museum of the Arts, 2021-22.
Adam Liam Rose, Stages of Fallout (invasion) , 2020, graphite on paper, 71/2 × 11 in. (19.05 × 27.94 cm)
Adam Liam Rose, Stages of Fallout (never lonely), 2021, graphite on paper, 9 × 12 in. (22.86 × 30.48 cm)
