Imogen Taylor’s practice seeks to illuminate the modernist painting movement’s embedded relationship with LGBTQ+ histories. Her reclamations of modernist tropes emerge on parallelogram shaped canvases to create a sense of disorientation for the viewer through queer phenomenology. Taylor believes that parallel to the physical act of painting, queerness functions as a medium activated by her body.
Residents from New Zealand
Erica Yu-Wen Huang
Erica Yu-Wen Huang is an independent curator. She is interested in exploring the dynamic between people and the environment, as well as environmental sustainability. Huang often engages in cross disciplinary and community collaboration to reveal hidden stories and narratives.