Past Residents
Past Resident2023: Danish Arts Foundation
Julian Juhlin
Julian Juhlin creates theatrical visual art using staging techniques he learned while working as a stage designer, establishing a distinct iconography in the artist’s practice. In his works, Juhlin stages figures and objects derived from his own experience, placing them in visual scenes frozen in time in an attempt to maintain and preserve specific stages of life.
Julian Juhlin has exhibited work at Copenhagen Contemporary, Denmark; Prague Quadrennial, Czech Republic; and Royal Danish Theatre, Denmark, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Julian Juhlin, The Boy Who Will Never Leave Home, 2012-ongoing, installation, performance and video
Julian Juhlin, Halfdans Hokus Pokus, 2019, set design, 315 × 748 × 236 in. (800.1 × 1899.92 × 599.44 cm)
Julian Juhlin, Virgin Tour - Czech Republic, 2019, performance and installation, 196 × 196 × 149 in. (497.84 × 497.84 × 378.46 cm)
Julian Juhlin, Virgin Tour - Tokyo, 2022, performance and installation, 78 × 149 × 66 in. (198.12 × 378.46 × 167.64 cm)
Julian Juhlin, Virgin Tour - New York, 2022, film, 8 min.
Past Resident2022: Canada Council for the Arts2018: Canada Council for the Arts
Laurie Kang
Through sculpture, photography, and site-responsive installation, Laurie Kang explores the body as an ongoing process. The artist considers her work to be regurgitative, combining theory, poetry, and biography. Kang’s broad approach to photography examines the complex nature of identity, the body, and its connections to larger social structures. Her work delves into topics such as affect, embodiment, non-linearity, and non-singularity.
Laurie Kang has exhibited work at the New Museum, New York; SculptureCenter, New York; and Oakville Galleries, Ontario, among others.
Laurie Kang, Worm, 2019, flex-C track, sand, cast aluminum lotus root, cast aluminum perilla leaf and powermesh. Courtesy of Oakville Galleries. Photo by Laura Findlay
Laurie Kang, Bloom, 2019, polymer clay, nylon, paint cans, reflective sheeting and cordyceps fungus. Courtesy of Oakville Galleries. Photo by Laura Findlay
Laurie Kang, Great Shuttle, 2021, flex track, steel studs, airline cable, hardware, unfixed and continually sensitive film, photograms, spherical magnets, silicone, thread; cast aluminum anchovies, lotus root, perilla leaf, and cabbage leaf
Laurie Kang, Root, 2021, cast aluminum
Laurie Kang, Scaffold, 2022, construction bags, cast aluminum lotus root and pigmented silicone, 41/2 × 46 × 111 in. (11.43 × 116.84 × 281.94 cm). Courtesy of Catriona Jeffries
Residents from Canada
Anaïs Horn
Anaïs Horn’s work intertwines literature, text, photography, video, drawing and painting to explore intimate moments. With a focus on liminality and coming-of-age, Horn observes people and their spaces. In her artistic process, she investigates time, memories, the body and its traces, the cautious intrusion of privacy, the aesthetics of reality, and fugacity. Her images take shape by exploring surfaces and objects, and they frequently unfold into spatial installations.
Anaïs Horn has exhibited work at Camera Austria, Graz; Paris Photo, Curiosa Section, Paris; and MAK-Museum of Applied Arts, Vienna, among others.
Anaïs Horn, Longing Ghosts in Deep Blue Paranoia, 2022, photography, drawing and installation, dimensions variable
Anaïs Horn, Les Fenêtres, 2022, photography and painting, dimensions variable
Anaïs Horn, Die Hand voller Stunden, so kamst du zu mir, 2021, photography and installation, dimensions variable
Anaïs Horn, You would wear it as pajamas and even to go out with it before breakfast, 2021, yukata object and several photo prints on crêpe de Chine, dimensions variable
Anaïs Horn, How do you feel about "Lou"?, 2020, photography and installation
