Past Residents
Past Resident2013: Foundation for a Civil Society2008: Foundation for a Civil Society
Irgin Sena
Irgin Sena works with consideration of time as a space and as a zone. The voids, the gaps in between, the seemingly unimportant, or the things that fail are what he pays attention to. While thinking about time, Sena also considers the effectiveness of the delay. He is interested in the duration of transitions and moments of in(activity). The idea of creating a score, a track and a timeline for the work, as one would do in music, has occupied him for some time. Irgin’s process has much to do with how we select what to see from what we merely look at.
Irgin Sena was born in Albania and lives and works in New York. He has a MFA from Hunter College. Inn 2007 the he received the ARRDHJE Award for Contemporary Art and in 2012 he was awarded the Marian Netter Award. Irgin has participated at Qui Vive, International Moscow Biennial for Young Art and New Insight, Chicago. His work has been shown at Futura- Center For contemporary Art, Prague; Art Chicago; Boots Contemporary Art Space, St. Louis; Vanessa Quang Galerie, Paris; House am Lutzowplatz, Berlin; The National Gallery, Tirana and Badischer-Kunstverein, Karlsruhe.
Irgin Sena, There Was a Mirror in the Reanimation Clinic, 2009, Video installation, 4 min. 26 sec. Courtesy of the artist.
Irgin Sena, Father's Cabinet, 2012, Video installation, 4 min. 50 sec. Courtesy of the artist.
Irgin Sena, Untitled, 2010, Video projection and hanging screens, 15 × 54 in. (38.1 × 137.16 cm). Courtesy of the artist.
Irgin Sena, 0-8, 2009, Foam, video, and sound, 96 × 96 × 96 in. (243.84 × 243.84 × 243.84 cm). Courtesy of the artist.
Irgin Sena, Forty 12 Forty, 2012, Video installation, looped, 29 min. Courtesy of the artist.
Past Resident2013: ACC - Asian Cultural Council
Law Man Lok
Law Man’s work deals with how a sign is used within a particular political environment. In recent years, places like Hong Kong have not encourages the flexibility of interpretation and the creativity of sign. To manipulate political signs and study the ways to politicize a sign has become the most important aspect of his work; with little difference between bringing fantasy into reality and reality into fantasy.
Law Man received his BA in 2001 from the Chinese University of Hong Kong and his MFA in 2007 from Goldsmiths College, Univeristy of London. He is a founding member of Political Art Group and Wooferten, two organizations that take an intensely critical approach to art and art-making. Law Man was the anchor of RTHK TV’s programme Cultural Magazine. His work emphasizes the synergy of imagination and criticality.
Events & Exhibitions
Salon: Jan Lesák and Law Man Lok
February 5, 2013
Law Man Lok. Courtesy of the artist.
Law Man Lok. Courtesy of the artist.
Law Man Lok. Courtesy of the artist.
Law Man Lok. Courtesy of the artist.
Residents from Hong Kong
Simon Liu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2012: Ministry of Culture, Taiwan
Chang-Jung Wu
Chang-Jung Wu’s works, created using records of her life, daily imagination, and memories, often reveal her own story. Wu’s work explores a diverse group of issues including the global economy, energy supply, voice making, ecology, and visual sensory imagination giving an imagination with emotional dynamics; she combines spatial projections with other experimental images to express deeply personal ideas.
Chang-Jung Wu (born 1984 Taiwan), received her degree from the Graduate Institute of Plastic Arts, Tainan National University of The Arts, Taiwan in 2012. Her work has been shown recently at the The Taipei Digital Art Center, Manchester Chinese Centre for Contemporary Art, UK; The 58th International Short Film Festival, Oberhausen, the 2011 Venice Biennale, The 7th Busan International Video Festival, Korea, and in the exhibition Ambiguous Being: who is afraid of identity?, Berlin. Chang-Jung was the winner of the 2012 58th International Short Film Festival in Oberhausen and the recommended new artist of Art Taipei 2010.
Chang-Jung Wu, Documentary VIII - Night Night Flower, 2011, Video installation, 3 min. 10 sec.
Chang-Jung Wu, Documentary I - Pig Five Flower, 2010, Video installation, 3 min 10 sec.
Chang-Jung Wu, Documentary XIII - The Kaleidoscopig Farm Cuckoo Clock, 2012, 12 projector synchronization, 3 min 30 sec.
Chang-Jung Wu, Documentary III - Slot Machine, 2010, Single channel video, 2 min 58 sec.
