Past Residents
Past Resident2019: Galeria Le Guern2019: Galeria Le Guern
Alicja Gaskon
Alicja Gaskon uses lines and maps to tell stories about conflict, borders, migration and identity. She uses mapping as a narrative process to investigate social and political spaces and networks. Her practice is research-based and ranges from painting and installation to video and performance. The works incorporate military maps, satellite images, and statistical data that are later translated into a reduced language based on the collected information.
Alicja Gaskon has exhibited work at Galeria Labirynt, Lublin; Lengyel Intézet, Budapest; and Korean Cultural Center New York, among others.
Alicja Gaskon, The Dividing Line, 2015, installation view at balzer projects, Basel, Switzerland.
Alicja Gaskon, Demarcation Line, 2018, screenprint on paper, 11 × 18 in. (27.94 × 45.72 cm).
Alicja Gaskon, Universal Divides, 2017, video still, 6:21 min.
Alicja Gaskon, The Combat Helmet, 2017, mixed media.
Alicja Gaskon, The Berlin Wall, 2017, enamel on canvas, 72 × 60 × 2 in. (182.88 × 152.4 × 5.08 cm).
Residents from United States
Past Resident2019: Ministry of Culture, Taiwan
Yi-Hsuan Lin
Yi-Hsuan Lin creates monumental installations of paintings as well as drawings on papers and canvas through meticulously constructed compositions that explore ideas of space and mobility.
Yi-Hsuan Lin is an artist from Taiwan based in São Paulo since 2009. He has exhibited work at Taipei Fine Arts Museum; Instituto Figueiredo Ferraz, Sao Paulo; and Morán Morán, Los Angeles, among others.
Yi-Hsuan Lin, Sky, 2018, oil, oil-based paint, spray paint, and crayon on paper, 255/8 × 305/16 in. (65.02 × 76.96 cm).
Yi-Hsuan Lin, Sailor License, 2018, oil on canvas, 353/8 × 33 in. (89.92 × 83.82 cm).
Yi-Hsuan Lin, Gangster, 2018, oil, oil-based paint, spray paint, and crayon on paper, 155/16 × 215/8 in. (38.86 × 54.86 cm).
Yi-Hsuan Lin, Tattoo, 2018, oil, oil-based paint, spray paint, and crayon on paper, 22 × 30 in. (55.88 × 76.2 cm).
Yi-Hsuan Lin, Truth, 2017, oil, oil-based paint, spray paint, and crayon on paper, 28 × 291/2 in. (71.12 × 74.93 cm).
Past Resident2019: Inlaks Shivdasani Foundation
Srajana Kaikini
Srajana Kaikini is a writer, researcher and curator. Her doctoral research, Arrangement of Objects. An Ontology of Contemporary Curatorial Practice, engages with an ontological study of contemporary curatorial practice through the philosophy of relations. She was at de Appel Art Centre’s Curatorial Programme in 2012-13, is the recipient of 2013 FICA Research Fellowship and was Curator at KK Hebbar Gallery and Arts Centre (2015-2019).
Srajana Kaikini’s recent projects include Backstage of Biology, 2019, at Archives at the National Centre for Biological Sciences, Bangalore, and Vectors of Kinship, 2016, at the 11th Shanghai Biennale.
Srajana Kaikini, Window Poems, 2017, video projection and text creative intervention at Delfina Foundation, 6 min.
Srajana Kaikini, Mukhaputa, 2017, exhibition view of Manipal International Literature and Arts Platform.
Srajana Kaikini, Vectors of Kinship, 2016, curatorial object at Infra – Curatorial Platform, 11th Shanghai Biennale.
Srajana Kaikini, Backstage of Biology, 2019, curatorial complex at Archives at the National Centre for Biological Sciences, Bangalore.
Srajana Kaikini, Suddenly this Overview, Reading the Literal, 2014, curatorial research.
