Past Residents

Residents Map

Past Resident
2013: Canada Council for the Arts

Karen Elaine Spencer

Karen Elaine Spencer’s work questions use values and investigates how we, as transient beings, occupy the world in which we live. The notion of progress is challenged through the repetition of an action that leads nowhere. Metro-riding, rambling, dreaming, and loitering are among the activities Spencer folds into her practice. A project is sustained over time, often a year, and materials of our day-to-day existence are favored. Through a détournement of materials or intentions, Spencer intervenes into specific places, where she marks and is marked by spatial and social geographies. A current project, “hey! mike” the blog, is part of a multifaceted conversation with Mike Bloomberg, the 108th mayor of New York City. Here she questions a system whereby one person can be held up as a philanthropist without a basic acknowledgement of a deep lack of justice between all humans because “no one gets rich alone.”

Karen Elaine Spencer lives and works in Montreal, Québec, Canada. Since 2008, she has been active in a postcard and web-based project entitled Transient Traces, where she steals the words of others to then send these words to politicians and public figures. Her practice oscillates between work in the street, exhibitions in galleries, and disseminations via the web. In 2011, she curated the program Gosser le Furtif at Galerie Skol, Montreal. Her text for the performance group TRAFIC was published in the catalog “Lost and found/Les Bureau des Objets Trouvés,” and she was an artist in residence at The John Snow House in Calgary, Alberta. Her work has been exhibited across Canada and Europe. She is the recipient of the 2012 Powerhouse Prize.

Moussa Kone

Moussa Kone engages with dichotomies and simultaneously with their synthesis on both a formal level and in terms of the content. Notions of hierarchical relationships between discourse and the visual, outmoded ascriptions of artistic disciplines or role patterns, have made way for a softening of binary structures where no one side is favored over the other. This applies when Kone engages in his full-time pursuit, drawing. Hard contrasts dominate the fine detailed execution of the drawings. Painstakingly executed, systematically applied rows of penned cross-hatching structure his images in black and-white surfaces and complete the composition as a homogenous unity. Objects or installation stem from this formal vocabulary and the drawn setting continues into the real space.

Moussa Kone (born 1978) lives and works in Vienna, Austria. He studied Fine Arts at the University of Applied Arts, Vienna. His work has been shown at Georg Kargl Fine Arts, Vienna; Charim Gallery, Vienna; Charim Ungar Contemporary, Berlin; Art Cologne New Positions Programme; Art Futures Section, Art Hong Kong; Townhouse, Zurich; Essl Collection, Klosterneuburg, Kunstraum Innsbruck; Galerie Traklhaus, Salzburg; Künstlerhaus Dortmund; and Red Gate Gallery Studios, Beijing. He co-founded the artist association Kunstwerft and realized art projects in Austria and Germany. Recent publications include Manual, Kerber Artbooks, Berlin, 2011; Diabelli, Harpune Verlag, Vienna, 2011 and Nocturnes, Literaturedition Niederösterreich, Vienna, 2012. Kone is represented by Charim Gallery, Vienna.

Past Resident
2012: Danish Arts Foundation

Nanna Debois Buhl

Nanna Debois Buhl works conceptually with film, photography, drawing, text and sound. Combining text and images in various ways, her work is a continuous investigation of the relationship between aesthetics and ideologies. In previous projects, this relationship has been examined through a particular site, from a 19th century Danish amusement park to an abandoned Caribbean sugar mill, in order to investigate how histories and ideologies are inscribed in architecture and urban space. In recent projects, Buhl examines how signs are created and how meaning can change over time and between contexts. In Street Haunting, found photographs are presented alongside diverse readings from five psychics, while Dearest. I Will Be There on Sunday features 63 vintage postcards all depicting the same motif.

Nanna Debois Buhl (born 1975, Denmark) received her MFA from The Royal Danish Academy of Fine Arts in 2006 and participated in The Whitney Independent Study Program, New York in 2008-09. She has exhibited internationally, with recent shows including: Art in General, NY; The Studio Museum in Harlem, NY; Bureau, NY; Lunds Konsthall, Lund, Sweden; Ar/Ge Kunst, Bolzano, Italy; Kunsthallen Brandts, Odense, Denmark; and Herning Museum of Contemporary Art, Herning, Denmark. Her work is in the collections of the Museum for Contemporary Art and The National Museum of Photography in Denmark. In 2010, Revolver Publishing published her artist’s book A Journey in Two Directions and the collaborative book City Grammar (with Liz Linden). Her work has recently been reviewed in Art in America, Art Forum, and The New York Times.