Pauline Boudry/Renate Lorenz produce installations that choreograph the tension between visibility and opacity. Their films capture performances in front of the camera, often upsetting normative historical narratives and conventions of spectatorship, as figures and actions across time are staged, layered and re-imagined. Their performers are choreographers, artists and musicians, with whom they are having a long-term conversation about the conditions of performance, the violent history of visibility, the pathologization of bodies, as well as companionship, glamour and resistance.