Past Residents
Conny Karlsson Lundgren
Conny Karlsson Lundgren works with film, text, image, and archival documents–as both carrier of information and a mechanism of control–to explores themes around social, political, and individual identities. The artist employs interdisciplinary methods to present alternative realities and social agreements reimagined through experiences, contrapositions, desires, and secret codes.
Conny Karlsson Lundgren has exhibited work at Moderna Museet Malmö; Gothenburg Konsthall; and Extra City Kunsthal, Antwerp, among others. His work is in collections of Moderna Museet Stockholm, and Gothenburg Art Museum.
Conny Karlsson Lundgren, The Teenage Runner (Ali), 2018/2019, performance and installation, 20 min.
Conny Karlsson Lundgren, We Feel a Desire for Caresses by Men (The Gothenburg Affair), 2021, performance and installation, 40:00 min.
Conny Karlsson Lundgren, Our Trip to France (Mont des Tantes), 2021, 2-channel HD video and installation, 27:35 min.
Conny Karlsson Lundgren, (Dissident) Dance Actions, 2017, HD-video and installation, 17:10 min.
Conny Karlsson Lundgren, Residues (Kanazawa), 2000/2018, performance documentation, installation with slides, diary notes and two slide projectors.
Residents from Sweden
Past Resident2020: AES+F
Polina Kanis
Polina Kanis’s works interrogate the suspended moment and expose the dialectical relationship between action and non-action, dissolving the boundary between human and non-human. The artist aims to create shifts in accepted temporalities to decentralize the ‘normal’ human temporal perspective. She considers re-describing and re-sensing our surroundings as crucial for developing an alternative outlook on the planetary.
Polina Kanis has exhibited work at VISIO, Florence; Russian Federations’ pavilion of the 2020 Venice Architecture Biennale; and The Rijksakademie van beeldende kunsten, Amsterdam, among others.
Polina Kanis, Adaptive Degradation, 2018, video, sound, and metal.
Polina Kanis, Toothless Resistance 2, 2020, video and sound installation, 31 min.
Polina Kanis, Don't Turn Around, 2019, video installation, 31 min and 33 sec.
Polina Kanis, The Procedure, 2017, three-channel installation, 24:39 min.
Polina Kanis, Toothless Resistance 2, 2020, video, 16 min.
Residents from Russia
Past Resident2020: Vision Fund
Kameelah Janan Rasheed
Kameelah Janan Rasheed is a learner grappling with the poetics, politics, and pleasures of the unfinished: ecologies of Black living, Black textual production, Black utterances, and Black spiritualities. She creates ecosystems of iterative and provisional projects. These projects include sprawling, “architecturally-scaled” xerox-based collages; large-scale public installations; publications; prints; digital archives; lecture-performances; library interventions; poems/poetic gestures; and other forms yet to be determined.
Kameelah Janan Rasheed has exhibited work at Brooklyn Museum; New Museum of Art, New York; and Institute of Contemporary Art – University of Pennsylvania, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Kameelah Janan Rasheed, A Casual Mathematics, 2019, archival inkjet prints, xeroxes, acetate, vinyl, paint, and drywall, dimensions variable.
Kameelah Janan Rasheed, A Casual Mathematics, 2019, archival inkjet prints, xeroxes, acetate, vinyl, paint, and drywall, dimensions variable.
Kameelah Janan Rasheed, No New Theories, 2019, artist book published by Printed Matter, 61/8 × 39/16 in. (15.5 × 9 cm).
Kameelah Janan Rasheed, Every Sentence is a Sponge, 2020, archival inkjet prints, xeroxes, acetate, paint, nail, and ink.
