Past Residents
Past Resident2014: Foundation for a Civil Society
Staš Kleindienst
Staš Kleindienst’s work addresses issues of origin, representation, and naturalization of authority. Within this context he is shaping a social fiction, drawn through dystopian image of a social reality that stems from the present-day ideological, economic, and political co-ordinates.
Staš Kleindienst (born 1979, Slovenia) lives and works in Ljubljana, Slovenia. Kleindienst has an MA in Fine Art from the Academy of Fine Art and Design in Ljubljana. His exhibitions include U3-7th Triennial of Contemporary Slovenian Art, Museum of Contemporary Art Metelkova (MSUM), Ljubljana; Spaceship Yugoslavia- The Suspension of Time, nGbK, Berlin; Not So Distant Memory, Delaware Center for Contemporary Art; and Buy Your Own Art Experience, AC Institute, New York. In 2014 he won the OHO Group Award, the national visual arts award for young visual artists.
Staš Kleindienst, Third decade, 2014, Alkyd on canvas, 47 × 52 in. (119.38 × 132.08 cm). Courtesy of the artist.
Past Resident2014: Danish Arts Foundation
Rolf Nowotny
Rolf Nowotny’s work negotiates the materiality of the world and the language anchored to it by attempting to bridge the gap between concrete and psychic landscapes. Drawing inspiration from sources as diverse as evolution, material memory, architecture, the Victorian grotesque and the general uncanny, Nowotny explores the possibility that abstract thought reaches formulation through concrete, spatial experience.
Rolf Nowotny lives and works in Copenhagen, Denmark. He graduated from the Royal Danish Academy of Fine Arts in Copenhagen. Recent exhibitions include Hard Words and How Can I Sleep, Christian Andersen, Denmark; Former i tillblivelse, Lunds Konsthall, Sweden and Flat Bed, Joe Sheftel Gallery, U.S. Until recently he ran the exhibition space Fauna with his wife Olga Nowotny.
Rolf Nowotny, Terraforming, 2013, Bisque fired ceramic and tea, Dimensions variable.
Residents from Denmark
Past Resident2014: Anonymous
Gianfranco Foschino
Operating between photography, documentary film and video art, Gianfranco Foschino’s work is currently focused on video installations, which evoke “tableaux vivants”, emulating a sort of live photograph. Shooting long sequences from fixed viewpoints he produces scenes with minimal movements, presented on flat screens, and framed as light boxes. Distanced from urban life, he portrays bucolic scenes that seem to occur in parallel time dimensions. The political value of Foschino’s work lies in exploring the singular anachronism of these spaces, and trying to recognize anonymous stories and lost lifestyles.
Gianfranco Foschino was born in 1983 in Santiago de Chile. He graduated in Cinema Studies from UNIACC University (Santiago). In 2010, he had his first exhibition Almost Romantic curated by Christopher Eamon at I-20 Gallery, New York. In 2011, his work was featured at the Latin American pavilion of 54th La Biennale di Venezia. In 2014, he participated as guest artist of the Chilean pavilion MONOLITH CONTROVERSIES at the 14th International Architecture Exhibition, awarded with the Silver Lion prize. He currently lives and works in Santiago de Chile.
Gianfranco Foschino, Almost Romantic, 2010, Video Installation. Courtesy of the artist and I-20 Gallery, New York.
Gianfranco Foschino, HOME, 2011, Video installation. Courtesy of the artist and Latin American Pavilion, 54th La Biennale di Venezia.
Gianfranco Foschino, FLUXUS, 2011, Video sculpture. Courtesy of the artist and National Museum of Fine Arts, Santiago.
Gianfranco Foschino, Im Oberlchtraum, 2012, Video installation. Courtesy of the artist and Galerie Michael Sturm, Stuttgart.
Gianfranco Foschino, A New Landscape, 2013, Video installation. Courtesy of the artist and Galería Leyendecker, Santa Cruz de Tenerife.
