Past Residents
Past Resident2024: DOOSAN Art Center
Eugene Hannah Park
Eugene Hannah Park’s curatorial practice delves into the potential of learning by collective minds. She curates and produces tools and platforms to foster the exchange of questions and the translation of worlds.
Eugene Hannah Park has curated exhibitions at de Appel, Amsterdam; TINC, Seoul; and Tai Kwun, Hong Kong, among others.
Events & Exhibitions
2024 Spring Open Studios
April 12–April 13, 2024
other indias, Pickling for Posterity, session during the exhibition 'Hope is a discipline', archival photo.
Jamal Liance with Özgür Atlagan, Simnikiwe Buhlungu, Sungeun Lee, and Daniel Aguilar Ruvalcaba , 2023, jamming session at the Curatorial Program exhibition 'Hope is a discipline'.
Eunji Cho, Octopus Yoga, 2022, performance, 'Arecibo' exhibition.
업체eobchae, The Ones Who Left On Luges, 2022, screening, 'Arecibo' exhibition.
AFSAR×DAVRA, In Forest, 2023, Proxy Conference, single-channel video.
Residents from South Korea
Past Resident2024: Beca Arte, CCU - Corporación Cultural La Araucana
Carolina Muñoz
Carolina Muñoz’s work is known for her distinct style and her creative, intellectual approach to painting. In her extensive body of work, she blends imagery from 1990s animation, high culture, and pop culture. Carolina combines characters with realistic features intervened by the glitch phenomenon which are inserted in surreal universes that delve into the realm of “art about art.” She often sets her scenes in exhibition spaces like museums or galleries, where she explores themes of contemplation, absurdity, and grotesqueness.
Carolina Muñoz has exhibited work at MAVI Museum of Visual Arts, Chile; Fundació Guasch Coranty, Spain; and Art Central, Hong Kong, among others.
Events & Exhibitions
2024 Spring Open Studios
April 12–April 13, 2024
Carolina Muñoz, Where is mom going?, 2023, oil on canvas, 44 × 28 in. (111.76 × 71.12 cm).
Carolina Muñoz, Dreamer, 2024, oil on canvas, 51 × 353/8 in. (129.54 × 89.92 cm).
Carolina Muñoz, We change meanings, 2023, oil on canvas, 415/16 × 50 in. (104.9 × 127 cm).
Carolina Muñoz, Expressions Center, 2023, oil on canvas, 415/16 × 50 in. (104.9 × 127 cm).
Carolina Muñoz, Expressions Center, 2023, oil on paper, 83/16 × 11 in. (20.83 × 27.94 cm).
Past Resident2024: Inlaks Shivdasani Foundation
zeropowercut/Piyush Kashyap
zeropowercut/Piyush Kashyap makes art to locate how caste is coded in the real. Their practice-based-research is driven to articulate how the caste-ideological-grading of workers, as various levels of Sudra (‘insignificant, menial and unknowledgeable’) counters reality as unintelligible, by notionally dissociating the bridge of Knowledge and Work. Kashyap runs a research-and-development lab called zeropowercut to create collective productions of Dalit-Bahujan discourse from their small studio in the old city of Patna-Saheb, Bihar.
zeropowercut/Piyush Kashyap has exhibited work at The Foundation for Indian Contemporary Art; The New Medium III; and Serendipity Arts Residency 2023, all in India, among others.
![a ‘sadabahar’ [the name translates to ‘always prosperous’] plant grow in the limited resources of a brick wall crack](https://iscp-nyc.org/wp-content/uploads/2024/04/sada1-scaled.jpeg)
zeropowercut/Piyush Kashyap, always everywhere, yet absent, 2022, bricks, sand, cement, soil, and live Sadabahar plant, 18 × 18 in. (45.72 × 45.72 cm).
![a ‘sadabahar’ [the name translates to ‘always prosperous’] plant grow in the limited resources of a brick wall crack](https://iscp-nyc.org/wp-content/uploads/2024/04/sada_baby-scaled.jpeg)
zeropowercut/Piyush Kashyap, always everywhere, yet absent, 2022, bricks, sand, cement, soil, and live Sadabahar plant, 18 × 18 in. (45.72 × 45.72 cm).
zeropowercut/Piyush Kashyap, anumanlok [English Name: guess-wor(l)d] w/ —out-of-line—, 2023, interactive voice response system, data phone and Bhojpuri/Hindi.
zeropowercut/Piyush Kashyap, jangayek.txt w/ —out-of-line— and Raju Ranjan, 2023, online song performance and discussion, leather and plastic dafli (Drum) and text.
zeropowercut/Piyush Kashyap, imitation, 2022, video-projection and broken-bucket speaker.
