Current Resident: Oct 1, 2020–Feb 28, 2021
Vision Fund
Studio #210
Artist
Devin N. Morris
Devin N. Morris collapses memory and space to envision delicate new realms of existence. Informed by his upbringing in Baltimore and his personal experiences as a queer man of color, his work often portrays semi-fictive characters who exchange acts of kindness and care within surreal domestic settings. Extending his practice of collage into physical assemblage and sculpture, Morris creates site-specific environments that refract the domestic interior and subvert traditional values and social boundaries.
Devin N. Morris has exhibited work at Baltimore Museum of Art; Bass Museum, Miami; and P.P.O.W. Gallery, New York, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Devin N. Morris, Water not under the moonlight, water at moon’s eve. Saw it from behind and now the cold front is unveiled, guiltily picked and exposed, 2020, acrylic, painters tape, wall paper, plaster, wood veneer, wood moldings, house paint, oil pastel, pastel, collage, ink, door, vinyl, wool, daily vitamin, acidophilus, velvet, wood shutter, and footboard on panel, 98 × 70 in. (248.92 × 177.8 cm).
Devin N. Morris, Moving away from up there. Broken easily as brown skin does walking through brown stone. From Somewhere and Me at the base of stairs treading rows perfectly soiled for blossoming lunacy, 2020, entryway doors, chair, lampshade, and light, 129 × 95 × 27 in. (327.66 × 241.3 × 68.58 cm).
Devin N. Morris, Homeostatic, 2018, archival inkjet print, 36 × 24 in. (91.44 × 60.96 cm).
Devin N. Morris, Spot Clean with Daily Lavender Pill, 2018, acrylic, tempera, oil pastel, candle wax, inkjet print on silk, and charcoal on wood panel, 36 × 24 in. (91.44 × 60.96 cm).
Devin N. Morris, Birds Through A Window Chirp Frying Flying Chicken Grease Glittered Air, 2020, wood veneer, oil pastel, leather, cotton, acrylic, silk, charcoal, and suede on paper, 14 × 17 in. (35.56 × 43.18 cm).
Residents from United States
Current Resident: Jan 1, 2021–Jun 30, 2021
Beca Arte, CCU - Corporación Cultural La Araucana
Studio #211
Artist
Nicolás Grum
Nicolás Grum focuses his investigation on power relationships and its most diverse manifestations in different contexts. In the last years, he has been working specifically on museums from the western world, and collections acquired through colonial networks, providing a critique over museums representation and museological practice. He understands his work as a process that articulates through manipulation or re-interpretation of historical facts, in order to create an alternative narrative of what is imposed as “the official truth”.
Nicolás Grum has exhibited work at Beijing 798 Biennale; transmediale, Berlin; and Instituto Itaú Cultura, Sau Paulo, among others.
grum.clPast Residencies
Events & Exhibitions
Salon: Nicolas Grum (Chile) and Jiandyin (Thailand)
September 7, 2010
Nicolás Grum, Leading with the exotic, 2019, collage, 6 × 8 in. (15.24 × 20.32 cm).
Nicolás Grum, Puerta del Sol (from the serie La Ruina de la Ruina), 2015, mix media sculpture, 1711/16 × 105/8 × 1113/16 in. (44.96 × 26.92 × 29.97 cm).
Nicolás Grum, Ollantaitambo (from the serie La Ruina de la Ruina), 2015, mix media sculpture, 2811/16 × 85/8 × 135/16 in. (72.9 × 21.84 × 33.78 cm).
Nicolás Grum, Investigation Room (From the serie A personal voyage through the British Museum), 2020, ink on paper, 12 × 9 in. (30.48 × 22.86 cm).
Nicolás Grum, Label (From the serie A personal voyage through the British Museum), 2020, ink on paper, 12 × 9 in. (30.48 × 22.86 cm).
Current Resident: Nov 1, 2020–Jan 31, 2021
Federal Ministry for Arts, Culture, the Civil Service and Sport of Austria
Studio #212
Artist
Anaïs Horn
Anaïs Horn lives and works in Paris and Vienna. In her practice she often interweaves literature/text and photography/video, exploring moments of intimacy with a special interest in topics such as liminality and coming-of-age. She observes people and their spaces, gently crossing borders, opening up the private and making intimacy a sensual experience. In the process, she investigates time, memories, transience, the body and its traces, the cautious intrusion of privacy, and the aesthetics of reality and fugacity. The artist book is an important medium for her work: her photo books Fading (DCV, Berlin), Je suis malheureuse et heureuse (Meta/Books, Amsterdam) and How do you feel about “Lou”? (in collaboration with Eilert Asmervik, Meta/Books) are published in 2020.
Anaïs Horn has exhibited work at MAK – Museum of Applied Arts, Vienna; Cité Internationale des Arts, Paris; and Neue Galerie Institution, Graz, among others.
instagram.comEvents & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Anaïs Horn, IN BETWEEN, 2019, photography, video, and installation.
Anaïs Horn, Triptyque Parisien, 2017, photography, text, and installation.
Anaïs Horn, Je suis malheureuse et heureuse, 2017–20, photography.
Anaïs Horn, Fading, 2013–19, photography, photocopy, and book spread.
Anaïs Horn, The sun had not yet risen, 2020, video.
