Past Residents
Yuki Higashino
Yuki Higashino investigates how art could respond to the ever-shifting visual culture, historical contexts and social, political, and economic realities. Through his painting, photography, writing and film, he explores the possibilities of the synthesis between conceptual rigor and pictorial precision.
Yuki Higashino has exhibited work at Contemporary Art Factory, Kyoto; Galerie Kunstbuero, Vienna; and The Brno House of Arts, among others.
Yuki Higashino, Noise 1, 2019, acrylic paint on plexiglass, 153/16 × 113/16 in. (38.61 × 28.45 cm).
Yuki Higashino, The Dying Style: Bouquet 1, 2018, acrylic paint on plexiglass, 231/8 × 155/16 in. (58.67 × 38.86 cm).
Yuki Higashino, Grey Monochrome 2, 2018, acrylic paint on plexiglass, 153/16 × 113/16 in. (38.61 × 28.45 cm).
Yuki Higashino, Cat 2, 2018, acrylic paint on plexiglass, 153/16 × 113/16 in. (38.61 × 28.45 cm).
Yuki Higashino, The Poundbury Horror, 2016, HD video with sound, 21 min.
Nicolás Grum
In his practice, Nicolás Grum explores ideas around hierarchy, domination and structures of power through video works, performance and sculpture. In his art, he challenges social systems and institutions to create alternate historical narrative, and confront “truths” established by authoritative bodies or figures to deconstruct our understanding of today’s society. Grum perceives art as a collaborative practice; he works with different communities and other artists.
Nicolás Grum has exhibited work at Beijing 798 Biennale; transmediale, Berlin; and LOOP Barcelona, among others.
Events & Exhibitions
Salon: Nicolas Grum (Chile) and Jiandyin (Thailand)
September 7, 2010
Nicolás Grum, Orden y Patria, 2018, sculpture, 86 × 177 × 20 in. (218.44 × 449.58 × 50.8 cm).
Nicolás Grum, Los Dominados, 2017, video, 35:15 min.
Nicolás Grum, Éramos extranjeros y veníamos del sur, 2017, lecture performance, 20 min.
Nicolás Grum, La ruina de la ruina, 2015, sculpture, 1511/16 × 913/16 × 1311/16 in. (39.88 × 24.89 × 34.8 cm).
Nicolás Grum, The Postcard, 2015, video, 10:08 min.
Past Resident2020: Danish Arts Foundation
Lisa Rosenmeier
Lisa Rosenmeier works with perception and memory. She uses different photographic metodes and integrates several actions, places and timepoints into the same image. Rosenmeier is currently working on a project titled Beacon of Light which takes New York’s Statue of Liberty as its starting point.
The extended Now at Kunsten, Aalborg, Denmark; House of Love, Rogaland Kunstmuseum; Stavanger, Norway and Suit-Case At Ny Carlsberg Glyptoteket, Copenhagen, Denmark, among others.
Lisa Rosenmeier, Mirage - a sketz for New York and Creative Time, 2003.
Lisa Rosenmeier, Time Passing, 2018, digital print on brushed aluminum, 473/16 × 7013/16 in. (119.89 × 179.83 cm).
Lisa Rosenmeier, Room with a View, 2018, digital print on brushed aluminum, 7013/16 × 473/16 in. (179.83 × 119.89 cm).
Lisa Rosenmeier, The Extended Now, 2004.
