Past Residents
Past Resident2010: ACC - Asian Cultural Council
Jiandyin (Jiradej & Pornpilai Meemalai)
Jiandyin are interdisciplinary collaborative artists from Thailand. Pornpilai Meemalai received her MA from School of Applied Art, Royal College of Art, London, UK. Jiradej Meemalai received his MFA (Sculpture) from Faculty of Decorative Arts, Silpakorn University, Bangkok, Thailand. Pornpilai is a 2008 recipient of Silp Bhirasri Creativity Grant of Silpakorn University, Thailand. Jiradej was awarded several competitions including 46th National Art Competition, 2000 and the Kasikorn Bank Group Contemporary Art Competitions, 2000. He was artist in residence at Art Omi International Art Center, 2008. They received a fellowship grant award from the Asian Cultural Council, New York and they were artists-in-residence at Headlands Center for the Arts. Jiandyin have participated in The Penang Island Sculpture Project, Penang Island, Malaysia and Art Live World, Chair and the Maiden Gallery, New York and will have a solo exhibition at Kokoro Studio, San Francisco, California.
Through their married life they discovered artistic value while searching for resolution for their disputes. Their works are models for looking at the tension in human relationships. They also project an awareness of ‘living together as an adaptation’ in the rapidly globalizing world that we live in. In 2010, they began a participation project called Dialogue. It is an ongoing collaborative drawing of Thai / Thai American couples who live in United States.
Events & Exhibitions
Salon: Nicolas Grum (Chile) and Jiandyin (Thailand)
September 7, 2010
Jiandyin (Jiradej & Pornpilai Meemalai), Sinking sculpture, 2007. Courtesy of the artist.
Jiandyin (Jiradej & Pornpilai Meemalai), On Adaptation, 2010. Courtesy of the artist.
Jiandyin (Jiradej & Pornpilai Meemalai), Holding a Balance, 2009. Courtesy of the artist.
Jiandyin (Jiradej & Pornpilai Meemalai), Self Portrait, 2007. Courtesy of the artist.
Residents from Thailand
Bundith Phunsombatlert
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Joseph Robert Foundation, Danna and Ed Ruscha, Horace W. Goldsmith Foundation
2013
Nicolás Grum
Nicolás Grum focuses his investigation on power relationships and its most diverse manifestations in different contexts. In the last years, he has been working specifically on museums from the western world, and collections acquired through colonial networks, providing a critique over museums representation and museological practice. He understands his work as a process that articulates through manipulation or re-interpretation of historical facts, in order to create an alternative narrative of what is imposed as “the official truth”.
Nicolás Grum has exhibited work at Beijing 798 Biennale; transmediale, Berlin; and Instituto Itaú Cultura, Sau Paulo, among others.
Events & Exhibitions
Salon: Nicolas Grum (Chile) and Jiandyin (Thailand)
September 7, 2010
Nicolás Grum, Leading with the exotic, 2019, collage, 6 × 8 in. (15.24 × 20.32 cm).
Nicolás Grum, Puerta del Sol (from the serie La Ruina de la Ruina), 2015, mix media sculpture, 1711/16 × 105/8 × 1113/16 in. (44.96 × 26.92 × 29.97 cm).
Nicolás Grum, Ollantaitambo (from the serie La Ruina de la Ruina), 2015, mix media sculpture, 2811/16 × 85/8 × 135/16 in. (72.9 × 21.84 × 33.78 cm).
Nicolás Grum, Investigation Room (From the serie A personal voyage through the British Museum), 2020, ink on paper, 12 × 9 in. (30.48 × 22.86 cm).
Nicolás Grum, Label (From the serie A personal voyage through the British Museum), 2020, ink on paper, 12 × 9 in. (30.48 × 22.86 cm).
Past Resident2010: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Krüger & Pardeller
The objects of Krüger & Pardeller are perceived as constructive sculptures, architectural fragments or design objects. Due to tangible experience and deliberate ambiguity, viewers are encouraged to discover their own classifications and define the criteria for such distinctions consciously. Forms of presentation are questioned and the abstract, modular form is adopted as an interactive tool. Kruger & Pardeller are also curators and editors of Twilight Zone: Art Hits Design, and Undisciplined: The Phenomenon of Space in Art, Architecture and Design, Vienna/New York, 2008/2009.
Krüger & Pardeller. Courtesy of the artists.
Krüger & Pardeller. Courtesy of the artists.
