Past Residents
Past Resident2024: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Tali Keren
Tali Keren is a multidisciplinary artist and educator born in Jerusalem and based in Brooklyn. Her performances, videos, and installations center on the formation of political ideology, historical mythologies, and the ongoing legacies of settler colonialism. Through poetic interventions into archival sources, legislative documents, and the creation of immersive documentary installations, Keren seeks to unsettle foundational national myths. Her practice is grounded in collaboration, cross-disciplinary dialogue, and experimental pedagogy as a way to forge new forms of collectivity and political imaginaries.
Tali Keren has exhibited at Museum of Contemporary Art Detroit, Detroit; Queens Museum and Eyebeam, both New York City, among others.
Events & Exhibitions
Artists at Work: Tali Keren in conversation with Kari Conte
March 14, 2024, 6:30–7:30pm
2023 Fall Open Studios
November 10–November 11, 2023
2023 Spring Open Studios
April 21–April 22, 2023
2022 Fall Open Studios
November 18–November 19, 2022
2022 Spring Open Studios
April 22–April 23, 2022
Tali Keren, Un-Charting, 2021-ongoing, 180-degree 3D animated film.
Tali Keren, Un-Charting, 2021-ongoing, 180-degree animated film.
Tali Keren, Heat signature, 2019, mixed media.
Tali Keren, The Great Seal, 2018, multi-media interactive installation.
Tali Keren and Alex Strada, Proposal for a 28th Amendment? Is It Possible to Amend and Unequal System? , 2021-on going, multi-media interactive installation.
Ground Floor Residents
Maya Jeffereis
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Keli Safia Maksud
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2022: Beca Arte, CCU - Corporación Cultural La Araucana
Maria Gabler
María Gabler creates site-specific installations that criticize the places into which they intervene, based on the observation of constructive and architectural characteristics of each individual location, as well as their historical and cultural context. Through her works she interrupts the inner codes and structures that determine the way we relate with spaces. The materials and techniques used by her are generally linked to the field of construction: lumber, OSB, iron, and expanded polystyrene, among others.
María Gabler has exhibited at Galería Gabriela Mistral; Museo de Arte Contemporáneo; and Sala de Arte CCU, all Santiago, Chile, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Maria Gabler, La Galería, 2017, OSB, lumber, steel framing, and glass, 512 × 512 × 1571/2 in. (1300.48 × 1300.48 × 400.05 cm).
Maria Gabler, La Ventana, 2022, Lumber and asphalt roofing felt, 236 × 51113/16 × 1573/8 in. (599.44 × 1299.97 × 399.8 cm).
Maria Gabler, Anfibia, 2021, Wood, polyethylene, water, sand and rocks, 39311/16 × 39311/16 in. (1000 × 1000 cm).
Maria Gabler, Ad Portas, 2019, Polished and vitrified floor, 59 × 78 in. (149.86 × 198.12 cm).
Maria Gabler, La Galería, 2017, OSB, lumber, steel framing, and glass, 512 × 512 × 1571/2 in. (1300.48 × 1300.48 × 400.05 cm).
Past Resident2022: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Sarah Ortmeyer
Sarah Ortmeyer’s work draws from her keen interest in–and uncanny understanding of–cultural, human, and political interrelations, whether contemporary or historic, highbrow or lowbrow, and academic or punk. Her work is both intellectually challenging as well as visually stunning and refined in its execution yet emotionally completely raw.
Sarah Ortmeyer has exhibited at Belvedere Museum, Vienna; Monnai de Paris, Paris; and MoMA PS1, New York, among others.
Sarah Ortmeyer, ST PETERSBURG PARADOX, 2013, exhibition view at Swiss Institute, New York.
Sarah Ortmeyer, PALMA, 2017, exhibition view at Belvedere 21, Vienna.
Sarah Ortmeyer, FLYRT, 2018, exhibition view at Kunstverein München, München.
Sarah Ortmeyer, GRANDMASTER, 2019.
Sarah Ortmeyer, GRANDMASTER, 2014, exhibition view at Dvir Gallery, Tel aviv.
