Past Residents
Yuki Higashino
Yuki Higashino explores a variety of topics through his work, including the influence of digital technology on our visual culture, immigrant identity, and the conflict between language and picture. Higashino combines several aesthetic standards, such as those of photography, calligraphy, and film, to create his own distinctive pictorial lexicon.
Yuki Higashino has exhibited work at Mumok, Vienna; Last Tango, Zurich; Contemporary Art Factory, Kyoto; Galerie Kunstbuero, Vienna; and The Brno House of Arts, among others.
Yuki Higashino, Notebook 5, 2020, acrylic paint on plexiglass, 111/4 × 151/8 in. (28.57 × 38.42 cm)
Yuki Higashino, After Josef Sudek 1, 2020, acrylic on acetate, 101/4 × 57/8 in. (26.03 × 14.92 cm)
Yuki Higashino, Notebook 6, 2021, acrylic on plexiglass, 111/4 × 151/8 in. (28.57 × 38.42 cm)
Yuki Higashino, Sundborn, Summer 1, 2021, acrylic on plexiglass, 235/16 × 131/4 in. (59.26 × 33.65 cm)
Yuki Higashino, The Poundbury Horror, 2020, HD video with sound, 18 min.
Past Resident2022: Beca Arte, CCU - Corporación Cultural La Araucana
Maria Gabler
María Gabler creates site-specific installations that criticize the places into which they intervene, based on the observation of constructive and architectural characteristics of each individual location, as well as their historical and cultural context. Through her works she interrupts the inner codes and structures that determine the way we relate with spaces. The materials and techniques used by her are generally linked to the field of construction: lumber, OSB, iron, and expanded polystyrene, among others.
María Gabler has exhibited at Galería Gabriela Mistral; Museo de Arte Contemporáneo; and Sala de Arte CCU, all Santiago, Chile, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Maria Gabler, La Galería, 2017, OSB, lumber, steel framing, and glass, 512 × 512 × 1571/2 in. (1300.48 × 1300.48 × 400.05 cm)
Maria Gabler, La Ventana, 2022, Lumber and asphalt roofing felt, 51113/16 × 236 × 1573/8 in. (1299.97 × 599.44 × 399.8 cm)
Maria Gabler, Anfibia, 2021, Wood, polyethylene, water, sand and rocks, 39311/16 × 39311/16 in. (1000 × 1000 cm)
Maria Gabler, Ad Portas, 2019, Polished and vitrified floor, 78 × 59 in. (198.12 × 149.86 cm)
Maria Gabler, La Galería, 2017, OSB, lumber, steel framing, and glass, 512 × 512 × 1571/2 in. (1300.48 × 1300.48 × 400.05 cm)
Past Resident2022: Ministry of Culture, Taiwan
Alice Nien-Pu Ko
Alice, Nien-Pu Ko is a curator and writer. Her curated and co-curated works include Tony Oursler: Black Box (2021), SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2019), Tomb of the Soul, Temple, Machine and Self (2018), Flags, Transnational–Migrants and Outlaw Territories (2016), Reverse Niche–Dialogue and Rebuilding at the City’s Edge (2013).
Alice, Nien-Pu Ko has presented exhibitions at Kaohsiung Museum of Fine Arts, Kaohsiung; Tokyo Wonder Site, Tokyo; and Bi-City Biennale of Urbanism/Architecture, Hong Kong, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Tony Oursler, Lock 2, 4, 6, 2021, retrospective at Kaohsiung Museum of Fine Arts., Lock 2, 4, 6, 2021, video installation, dimensions variable
Tony Oursler, Obscura, 2021, video installation, dimensions variable
Apichatpong Weerasethakul and Chai Siris, Sunshower, 2019, Installation view at Kaohsiung Museum of Fine Arts, dimensions variable
Jing-Shan Lang, Chun-Ming Ho, Su-Chen Hsu, Chao-Tang Chang, Chun-Te Hsieh, Yu-Fu Yang Jun-Yin Chiu, Cheng-Po Chen, Hsia-Yu Chen, Chieh-Jen Chen, Yin-Ju Chen, Fu-Sheng Ku, Tomb of the Soul, Temple, Machine and Self, 2018
Hikaru Fujii, Kum So-Ni, Kao Jun-Honn, Au Sow-Yee, Flags, Transnational – Migrants and Outlaw Territories, 2016, installation view at Tokyo Wonder Site., dimensions variable
