Current Resident: May 1, 2022–Jul 31, 2022
Doosan Art Center
Studio #211
Curator
Junghyun Kim
Junghyun Kim is a curator specialized in Korean contemporary art. She has interests in the relationship between the museum and the audience’s body. Through exhibitions, on/offline performances, community-engaged art and symposiums, Kim explores themes on ways to restore human senses in the digital environment.
Junghyun Kim has exhibited at Seoul Museum of Art, Buk-Seoul Museum of Art, and Songeun Art Cube, all South Korea, among others.
Junghyun Kim, Every Haetae, 2021, mixed media, installation view at Seoul Museum of Art, dimensions variable
Junghyun Kim, Serpentine Twerk, 2021, mixed media on canvas, installation view at Seoul Museum of Art, 102 × 76 in. (259.08 × 193.04 cm)
Junghyun Kim and Taste House, Delivery Service 2020, 2020, performance
Junghyun Kim, Your Garden, 2020, archive installation, dimensions variable
Junghyun Kim, Creating Stories, 2019, book
Current Resident: Apr 1, 2022–Jun 30, 2022
The Kettering Family Foundation
Studio #212
Artist
Sydney G. James
Sydney G. James’ work consists of figurative paintings and drawings on a multitude of surfaces of which are a direct reflection of her. Using paint, graphite, and in some cases actual footprints of viewers and passerby, the current and evolving body of work that she has created consists of images of “strong” black women in vulnerable scenarios that may be figurative or literal. These portraits and murals seek to reposition this narrative of the Black woman’s visibility.
Sydney G. James has exhibited work at Charles H. Wright Museum of African American History, Detroit; University of Michigan Institute for the Humanities, Ann Arbor; and M Contemporary Art, Ferndale, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Sydney G. James, Serving Tee, 2021, mural, latex, and aerosol paint, 192 × 480 in. (487.68 × 1219.2 cm)
Sydney G. James, I Am Efya, 2021, acrylic on canvas, 60 × 48 in. (152.4 × 121.92 cm)
Sydney G. James, The More it Glows, 2021, acrylic on canvas, 48 × 60 in. (121.92 × 152.4 cm)
Sydney G. James, You Shall Not Pass, 2021, acrylic on canvas, 53 × 60 in. (134.62 × 152.4 cm)
Sydney G. James, Girl with the D Earring, 2020, mural, latex, and aerosol paint, 1296 × 960 in. (3291.84 × 2438.4 cm)
Current Resident: Apr 1, 2022–Jun 30, 2022
FLAD-The Luso-American Development Foundation
Studio #213
Artist
AnaMary Bilbao
AnaMary Bilbao articulates documentation from photography, drawing, sound, and moving images. Through the combination of these elements and references, she seeks to start fictional narratives that put into question the idea of a single truth. As the artist states, “there is no truth beforehand, only connections, interruptions, and incompleteness – a piece can never end in itself.”
AnaMary Bilbao has exhibited at ARCOmadrid, Madrid; and Museum of Art, Architecture and Technology, and Leal Rios Foundation, both Lisbon, among others.
anamarybilbao.comEvents & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
AnaMary Bilbao, Blast effects, 2021, 35 inkjet prints on cotton paper
AnaMary Bilbao, J’avale la vague qui me noie le soleil de midi Date: , 2021, inkjet prints, slide projections, and video
AnaMary Bilbao, Como interromper a eternidade? (Intervalos para a dúvida) [How to cease eternity? (Gaps for doubt)], 2019, 6 inkjet prints on cotton paper 320gr 16mm film, and sound, 2:53 min, loop
AnaMary Bilbao, Todas as formas sublimes são transitórias [All sublime forms are transitory], 2018, inkjet print on Japanese paper, 433/8 × 59 in. (110.24 × 149.86 cm) each
AnaMary Bilbao, Renascimento por transformação II (Rebirth through transformation), 2018, Inkjet print on Japanese paper, 65 × 433/8 in. (165.1 × 110.24 cm)
