Past Residents
Past Resident2022: Alberta Foundation for the Arts, Canada Council for the Arts
Tyler Los-Jones
Tyler Los-Jones produces objects and images from his home in the Rocky Mountains of Alberta. Interested in the role photography plays in the production and the fulfillment of our expectations for environments, the work he had produced over the past decade aims to complicate inherited assumptions of environments by bringing the unnatural aspects of the western conception of nature to the forefront.
Tyler Los-Jones has exhibited work at Banff Centre for Arts and Creativity, Banff; Confederation Centre Art Gallery, Charlottetown; and Norberg Hall, Calgary, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Tyler Los-Jones, The knots of the net; Arnica / Aster / Castilleja , 2021, folded archival inkjet print, adhesive, 801/4 × 311/2 in. (203.83 × 80.01 cm).
Tyler Los-Jones, The knots of the net; Arnica / Aster / Castilleja , 2021, folded archival inkjet print, adhesive, 801/4 × 311/2 in. (203.83 × 80.01 cm).
Tyler Los-Jones, The knots of the net; Moss Campion, 2021, folded archival inkjet print, adhesive, 173/4 × 173/4 in. (45.08 × 45.08 cm).
Tyler Los-Jones, The knots of the net; Shooting Star, 2021, folded archival inkjet print, adhesive, 241/2 × 251/4 in. (62.23 × 64.13 cm).
Tyler Los-Jones, The knots of the net; Glacier Lilly / Western Anemone / White Geranium, 2021, folded archival inkjet print, adhesive, 361/4 × 371/4 in. (92.07 × 94.61 cm).
Past Resident2022: The Kettering Family Foundation
Sydney G. James
Sydney G. James’ work consists of figurative paintings and drawings on a multitude of surfaces of which are a direct reflection of her. Using paint, graphite, and in some cases actual footprints of viewers and passerby, the current and evolving body of work that she has created consists of images of “strong” black women in vulnerable scenarios that may be figurative or literal. These portraits and murals seek to reposition this narrative of the Black woman’s visibility.
Sydney G. James has exhibited work at Charles H. Wright Museum of African American History, Detroit; University of Michigan Institute for the Humanities, Ann Arbor; and M Contemporary Art, Ferndale, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Sydney G. James, Serving Tee, 2021, mural, latex, and aerosol paint, 480 × 192 in. (1219.2 × 487.68 cm).
Sydney G. James, I Am Efya, 2021, acrylic on canvas, 48 × 60 in. (121.92 × 152.4 cm).
Sydney G. James, The More it Glows, 2021, acrylic on canvas, 60 × 48 in. (152.4 × 121.92 cm).
Sydney G. James, You Shall Not Pass, 2021, acrylic on canvas, 60 × 53 in. (152.4 × 134.62 cm).
Sydney G. James, Girl with the D Earring, 2020, mural, latex, and aerosol paint, 960 × 1296 in. (2438.4 × 3291.84 cm).
Residents from United States
Aryel René Jackson
Studio #305
Hanae Utamura
Studio #201
Past Resident2022: BARRO Arte Contemporáneo
Lolo y Lauti
Lolo y Lauti are a duo of performance artists. Their multidisciplinary practice reimagines the Argentine queer archive, destroyed by military dictatorships and institutional machismo. Coded popular media and local art history are appropriated and restaged in pieces incorporating comedy, video, objects and contemporary opera.
Lolo y Lauti has exhibited work at MAC Panamá, Panama City; BARRO Arte Contemporáneo and Casa Nacional del Bicentenario, both Buenos Aires, among others.
Lolo y Lauti, Me Huevo Loca, 2019, performance. Courtesy of the artist.
Lolo y Lauti, Carmen, 2018-2021, single-channel video and sculpture, 66 × 44 × 11 in. (167.64 × 111.76 × 27.94 cm).
Lolo y Lauti, 100 Bandejas de McDonald's, 2013-2015, 99 McDonald’s trays, 19 × 63 × 25 in. (48.26 × 160.02 × 63.5 cm).
Lolo y Lauti, Perfect Lives, 2016, opera staging at Teatro Colón, Buenos Aires.
Lolo y Lauti, Come Together, 2016, performance.
