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Staš Kleindienst
Staš Kleindienst

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Past Residents
Past Residents
Claudia Chaseling
Claudia Chaseling
Slovenia

Past Resident
2014: Foundation for a Civil Society

Artist

Staš Kleindienst

Staš Kleindienst’s work addresses issues of origin, representation, and naturalization of authority. Within this context he is shaping a social fiction, drawn through dystopian image of a social reality that stems from the present-day ideological, economic, and political co-ordinates.
Staš Kleindienst (born 1979, Slovenia) lives and works in Ljubljana, Slovenia. Kleindienst has an MA in Fine Art from the Academy of Fine Art and Design in Ljubljana. His exhibitions include U3-7th Triennial of Contemporary Slovenian Art, Museum of Contemporary Art Metelkova (MSUM), Ljubljana; Spaceship Yugoslavia- The Suspension of Time, nGbK, Berlin; Not So Distant Memory, Delaware Center for Contemporary Art; and Buy Your Own Art Experience, AC Institute, New York. In 2014 he won the OHO Group Award, the national visual arts award for young visual artists.
Staš Kleindienst, Third decade, 2014, Alkyd on canvas, 47 × 52 in. (119.38 × 132.08 cm). Courtesy of the artist.

Residents from Slovenia

Veli & Amos

Slovenia
Foundation for a Civil Society
2013

Veli & Amos

Slovenia
Foundation for a Civil Society
2013

Tomaz Furlan

Slovenia
Foundation for a Civil Society
2012
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Staš Kleindienst
Staš Kleindienst
Gianfranco Foschino
Gianfranco Foschino
Australia

Past Resident
2014: Creative Australia

Artist

Claudia Chaseling

Claudia Chaseling’s work comprises wall-size paintings and installations. Chaseling creates upside down landscapes with reversed or distorted perspectives. The imagery of her spatial paintings consists of estranged landscapes, mutated creatures and plants whose deformation is caused by radiation. Her expansive wall/floor paintings interrupt the geometric order and balance of the exhibition space through the use of scale. The experience of the works alternates between the two and three-dimensional. Chaseling addresses the antagonistic relationship between structure and chaos, creating new compositions from a state of disorder. The result is an amorphous system of complex fragments reminiscent of light reflections and objects in form of capsule-like creatures. She creates an atmosphere of alienation searching for the undiscovered Zeitgeist.

Claudia Chaseling was born in Munich, Germany and lives in Berlin and Canberra, Australia. She received Masters degrees in Visual Art from both the Berlin University of the Arts and the Australian National University in Canberra. Recent exhibitions include solo presentations at the Staatliche Kunsthalle Baden-Baden, Germany; Galerie Kornfeld, Berlin; Collection Krohne, Duisburg and Volta 10, Basel, Switzerland. Major grants and scholarships received include the DAAD; the Samstag Scholarship; the Studio Award of the Karl Hofer Society and the Australia Council for the Arts. She has participated in residencies at Burlington City Arts, the Texas A&M University and Yaddo.

Events & Exhibitions

Salon: Claudia Chaseling and Yuri Yim
December 9, 2014
Omen, 2014, Egg tempera and aluminum on wall, floor and ceiling, 2755/8 × 1571/2 × 1181/8 in. (700.02 × 400.05 × 299.97 cm).

Residents from Australia

Tom Polo

Australia
Creative Australia
2024

Caroline Garcia

Australia
The Dr. K. David G. Edwards & Margery Edwards Charitable Giving Fund, Creative Australia
2020

Liz Nowell

Australia
Creative Australia, The Dr. K. David G. Edwards & Margery Edwards Charitable Giving Fund
2023
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Claudia Chaseling
Claudia Chaseling
Chile

Past Resident
2014: Anonymous

Artist

Gianfranco Foschino

Operating between photography, documentary film and video art, Gianfranco Foschino’s work is currently focused on video installations, which evoke “tableaux vivants”, emulating a sort of live photograph. Shooting long sequences from fixed viewpoints he produces scenes with minimal movements, presented on flat screens, and framed as light boxes. Distanced from urban life, he portrays bucolic scenes that seem to occur in parallel time dimensions. The political value of Foschino’s work lies in exploring the singular anachronism of these spaces, and trying to recognize anonymous stories and lost lifestyles.

Gianfranco Foschino was born in 1983 in Santiago de Chile. He graduated in Cinema Studies from UNIACC University (Santiago). In 2010, he had his first exhibition Almost Romantic curated by Christopher Eamon at I-20 Gallery, New York. In 2011, his work was featured at the Latin American pavilion of 54th La Biennale di Venezia. In 2014, he participated as guest artist of the Chilean pavilion MONOLITH CONTROVERSIES at the 14th International Architecture Exhibition, awarded with the Silver Lion prize. He currently lives and works in Santiago de Chile.

Gianfranco Foschino, Almost Romantic, 2010, Video Installation. Courtesy of the artist and I-20 Gallery, New York.
Gianfranco Foschino, HOME, 2011, Video installation. Courtesy of the artist and Latin American Pavilion, 54th La Biennale di Venezia.
Gianfranco Foschino, FLUXUS, 2011, Video sculpture. Courtesy of the artist and National Museum of Fine Arts, Santiago.
Gianfranco Foschino, Im Oberlchtraum, 2012, Video installation. Courtesy of the artist and Galerie Michael Sturm, Stuttgart.
Gianfranco Foschino, A New Landscape, 2013, Video installation. Courtesy of the artist and Galería Leyendecker, Santa Cruz de Tenerife.

Residents from Chile

Carolina Muñoz

Chile
Beca Arte, CCU - Corporación Cultural La Araucana
2024

Maria Gabler

Chile
Beca Arte, CCU - Corporación Cultural La Araucana
2022

Nicolás Grum

Chile
Beca Arte, CCU - Corporación Cultural La Araucana
2010
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International Studio & Curatorial Program

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