Past Residents
Past Resident2024: KdFS Kulturstiftung des Freistaates Sachsen
Anaïs Goupy
Anaïs Goupy is a French artist and researcher exploring the human-machine relationship through a transdisciplinary practice. Her work is deeply influenced by social network trends found on the web, examining themes of female representation across history, pop culture, and the internet, exploring both emancipation and aesthetics.
Anaïs Goupy has exhibited work at ASPN Gallery, Germany; Kunstverein Bielefeld, Germany; and Spazio Bidet, Italy, among others.
Anaïs Goupy, Kylie, 2022, acryl and inkjet on canvas, 70 × 75 in. (177.8 × 190.5 cm)
Anaïs Goupy, Showy Shell, 2024, acryl and inkjet on canvas, 59 × 79 in. (149.86 × 200.66 cm)
Anaïs Goupy, Gorgone, 2022, multimedia installation, dimensions variable
Anaïs Goupy, Venus, 2024, acryl and inkjet on canvas, 142 × 63 in. (360.68 × 160.02 cm)
Anaïs Goupy, Seerosen, 2024, AI generated video, loop
Residents from Germany
Past Resident2024: Leon Polk Smith Foundation
Brenda Mallory
Texture and rhythmic repetition are central to Brenda Mallory’s abstract compositions and installations. By ‘sewing’ together soft fabric forms—primarily reclaimed materials—with industrial hardware, she explores themes of dominion, disruption, repair, and the interconnections within long-established natural and human systems.
Brenda Mallory has exhibited work at Gorman Museum of Native Art, UC Davis, California; Heard Museum, Arizona; and Portland Art Museum, Portland, among others.
Brenda Mallory, Adaptive Connections, 2024, waxed cloth, nuts, bolts, and felt, 120 × 240 × 6 in. (304.8 × 609.6 × 15.24 cm). Photo by Mario Gallucci
Brenda Mallory, Old Homeplace, 2024, rice paper, cloth, encaustic and hog rings on panels, 135 × 180 × 2 in. (342.9 × 457.2 × 5.08 cm). Photo by Mario Gallucci
Brenda Mallory, Consensual Attachments, 2022, waxed cloth and hog rings, 60 × 37 × 21/2 in. (152.4 × 93.98 × 6.35 cm). Photo by Mario Gallucci
Brenda Mallory, Precession, 2022, ceramic, wool felt, and linen thread on wood panel, 48 × 46 × 1 in. (121.92 × 116.84 × 2.54 cm). Photo by Eric Mellencamp
Brenda Mallory, Reformed Packings #24, 2022, honeycomb packing sheet, paint, and encaustic, 32 × 32 × 21/2 in. (81.28 × 81.28 × 6.35 cm). Photo by Mario Gallucci
