Past Residents
Past Resident2020: Wallace Arts Trust
Imogen Taylor
Imogen Taylor’s practice seeks to illuminate the modernist painting movement’s embedded relationship with LGBTQ+ histories. Her reclamations of modernist tropes emerge on parallelogram shaped canvases to create a sense of disorientation for the viewer through queer phenomenology. Taylor believes that parallel to the physical act of painting, queerness functions as a medium activated by her body.
Imogen Taylor has exhibited work Hocken Collections, Dunedin; Michael Lett, Auckland; and The Dowse Art Museum, Wellington, among others.
Imogen Taylor, Another Word For Abyss, 2019, acrylic on hessian, 47 × 94 in. (119.38 × 238.76 cm).
Imogen Taylor, Shit Guitarist, 2018, acrylic on hessian, 29 × 25 in. (73.66 × 63.5 cm).
Imogen Taylor, Ripe, 2019, acrylic on hessian, 47 × 47 in. (119.38 × 119.38 cm).
Imogen Taylor, Self Help, 2019, acrylic on hessian.
Imogen Taylor, Hooded Violet, 2019, acrylic on hessian, 18 × 17 in. (45.72 × 43.18 cm).
Residents from New Zealand
Past Resident2020: University of the Arts Helsinki
Anna Estarriola
Anna Estarriola is interested in the exchanges and interactions between visual and media arts with other disciplines, including performing arts and technology. The themes of her work revolve around perception of reality, individual and communal behavior, and communication. She uses cross-disciplinary narrative structures that explore and question the union of content, medium and context. Over the last years, she has created media installation works combining sculptures and moving image with dramaturgy, mechanics and electronics.
Anna Estarriola has exhibited work at Galerie Anhava, Helsinki; Pori Art Museum, Finland; and Museum of Contemporary Art Kiasma, Helsinki, among others.
Anna Estarriola, Emerging Toughts, 2015, sound installation.
Anna Estarriola, The system, 2017, media installation.
Anna Estarriola, Resonance, 2019, sound installation.
Anna Estarriola, Guided, 2019, sound installation.
Anna Estarriola, Transition / Assisted Breathing, 2019, media installation.
Past Resident2020: The Italian Academy for Advanced Studies, Columbia University
Agostino Iacurci
Agostino Iacurci works with a wide range of media, including painting, wall-painting, sculpture, drawing, and installation. He creates immersive spaces to transform the perception of given environments. Starting from specific topics like the use of colors in the ancient and classical world, he questions issues of traditions and identity, investigating the process of idealization underlying historical myths and their impact on the collective imagination.
Agostino Iacurci has exhibited work at Civic Museum of Palazzo Mosca, Pesaro; Society for Fine Arts and Permanent Exhibition, Milan; and Celaya Brothers Gallery, Mexico City, among others.
Agostino Iacurci, Gypsoteca, 2018, paint, plaster, gouaches, paper, and wood.
Agostino Iacurci, Trompe l'oeil, 2017, paint, canvas, wood, cement, and found objects.
Agostino Iacurci, Gouaches on paper, 2017, gouaches on paper, 3 x 4.6 in. each .
Agostino Iacurci, Tracing Vitruvio, 2019, paint, canvas, wood, glass, mirror, and antique books.
Agostino Iacurci, Tracing Vitruvio, 2019, paint, canvas, wood, glass, mirror, and antique books.
