Past Residents
Past Resident2011: Jan Evangelista Purkyně University in Ústí nad Labem
Veronika Zajačiková
Veronika Zajačiková’s curatorial practice refers to the possibility of an international dialogue through art. Her research is based in virtual reality and the true world, diverting people from an online reception of art to one related to our human nature. Zajačiková believes that without this expansion of experience people are degraded and impoverished in their humanity.
Zajačiková (born 1981 in Prague, Czech Republic) received a BA degree at Faculty of Arts – Theory and History of Art, Philosophical faculty, Palacký University Olomouc, Czech Republic. From September 2010 Zajačiková is an MA student in Curatorial Studies, Faculty of Art and Design, Jan Evangelista Purkyně University, Ústí nad Labem, Czech Republic. She is currently preparing an exhibition at Emil Filla Gallery, Ústí nad Labem, Czech Republic. In 2010 she curated two solo shows of students from Academy of Fine Arts in Prague: Po druhé (For the Second Time), Klubovna 2.patro, Prague, CZ.
Veronika Zajačiková.
Residents from Czech Republic
Past Resident2011: Arsprima, Arci Associazione
Arianna Carossa
Arianna Carossa’s art practice centers around the material object as an expression of linearity and consistency in humanity. She produces an aesthetics (harmony) of unexpected events, where the object as a symbol of the linearity of time and facts is broken and reassembled in an apparently linear way. She is interested in the interruption of regularity coming from an unexpected event, like death. Her intervention in art develops from the object as created by man, to the object, as Hegel says, as
pure description of perfection, spirit and nature.
Arianna Carossa lives between Genova, Milan and Rome, Italy. Carossa graduated from Accademia Ligustica di Belle Arti in Genova, where she received a BFA in painting. Her work has been exhibited in Mi sei mancata fino a ieri Changing Role Move Art Gallery, Naples, Italy; Sound of my soul, Fondazione per l’Arte Contemporanea Castello di Rivara, Torino, Italy; Ente comunale di consumo, Ciac Centro Internazionale per le Arti Contemporanee Genazzano, Rome; L’Oggetto Ritrovato, ex Arsenale Ansaldo, Milan; Whales, Strychnin Gallery, London, UK; Ketos 2.0, Spallanzani Museum, Reggio Emilia, Italy; Ketos 2.0, Aquarium of Milan, Milan; Dialogues, Menage Ermitage, St. Petersbourg, Russia (Dostoyevsky Foundation); Festival della creatività, Spazio ex Murate, Florence, Italy; Slaves, Palladium Theatre, Rome; and Violazione di domicilio, Centro Internazionale d’Arte Contemporanea, Rome.
Events & Exhibitions
Salon: Arianna Carossa and David Maroto
June 28, 2011
Arianna Carossa, 5 minus 1: Portrait Of Family Group, 2010, Wood, Variable Dimensions.
Arianna Carossa, It Won’t Be Back, 2010, Photo, wood, and brass, 31 × 15 × 6 in. (78.74 × 38.1 × 15.24 cm).
Arianna Carossa, You Have Been Missing To Me Until Yesterday, 2011, Palm tree, 186 × 60 in. (472.44 × 152.4 cm).
Arianna Carossa, The Distance Of The White, 2010, Photo, wood, and brass, 31 × 15 × 72 in. (78.74 × 38.1 × 182.88 cm).
Arianna Carossa, Aghestapo Project: My Youth Is Orange, 2011, Photograph, 40 × 27 in. (101.6 × 68.58 cm).
Residents from Italy
Raffaela Naldi Rossano
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York, Directorate-General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation, Directorate-General for Contemporary Creativity of the Italian Ministry of Culture
2024
Past Resident2011: CBK-Centrum Beeldende Kunst
David Jablonowski
David Jablonowski questions the potential of communication in contemporary visual culture. Through sculpture and film, he explores the way language is established and developed and then reproduced technically in relation to political and historical discourse. Jablonowski’s interest in display systems and information transfer has as much to do with the hardware that is used in the staging of knowledge as it has with the knowledge itself. Therepetitive and unsustainable promise of a valid direction of communication is expressed in works which question the understanding of sign systems; making us aware of the transience of visual language.
David Jablonowski (born 1982 in Bochum, Germany) moved to Amsterdam, The Netherlands, in 2007 where he graduated from the Gerrit Rietveld Academy and participated in De Ateliers studio program until 2009. Recent solo shows include Imposition, Schaufenster of the Kunstverein Duesseldorf, Germany; Material Kontingenz at SMBA (Stedelijk Museum Bureau Amsterdam), Amsterdam, The Netherlands; Perfection Simple Way at Gallery Luettgenmeijer and 1.33:1, Hard Copy Display Sequences, Multi Channel Projection at Bloombergspace London, UK. Group exhibitions include Monumentalism, Stedelijk Museum Amsterdam, The dutch identity?, De Paviljoens, Almere, The Netherlands; After Architects, Kunsthalle Basel, Basel, Switzerland; Woodman, Woodman, Spare That Tree, Gallery Luettgenmeijer, Berlin, Germany.
David Jablonowski, Tchogha Zanbil And Multiple, 2010, Mixed media, Dimensions variable.
David Jablonowski, Disposition And Still, 2.39:1, 2010, Mixed media, Dimensions variable.
David Jablonowski, Multiple, Gestetner, 1, 78:1, 2010, Mixed media, 72 × 72 × 36 in. (182.88 × 182.88 × 91.44 cm).
David Jablonowski, Perfection, Simple Way, 2010, Mixed media, Dimensions variable.
David Jablonowski, Installation View COMMA 30 At Bloomberg SPACE By Bloomberg LP, London, UK, 2010, Multi channel projection and mixed media, Dimensions variable.
