Past Residents

Residents Map

Joseph Buckley

Joseph Buckley’s work is informed by grief and postcolonialism, manifesting in a range of forms including sculpture, video, and writing. Using a myriad of techniques, these themes are alternately reified or obfuscated–mobilized to rhyme or repel each other. Central to his work is the use of “non-materials” (ideas, processes, people), manipulated in manners that mimic the archetypal languages and processes of sculpture. This lends itself to an ongoing critique and consideration of the mechanics of objectification, and the obverse of objectification: dehumanization. Buckley imports tropes and frameworks from science fiction and fantasy and appropriates aspects of these genres and canons in order to produce work that speaks, in a speculative vernacular, to real world conditions.

Joseph Buckley (born 1990 in Ellesmere Port, England) studied at Leeds College of Art and Goldsmiths, University of London, graduating in 2010 and 2013 respectively. In 2013 he moved to the United States where he graduated from Yale School of Art in 2015. Recent solo presentations of work include Pervert’s Lament as part of Time Item: Sculpture Thesis 2015, Green Gallery, Yale School of Art; and One Sixth Of A Series Of Elegies: V, ??, & XVII: Retcon! Retcon! Retcon!, &Model Gallery, Leeds, England. Recent group exhibitions include Wet Eyes, Meyohas, New York; Most Loathed, 3401 Lee Street, Los Angeles; and A Small Group Show of American and British Artists, Space Space Gallery, Tokyo.

Calori & Maillard

Calori & Maillard is an artist duo working in sculpture and performance. Their collaboration combines backgrounds in design and film into a practice where the real and the surreal merges, often with the infiltration of the absurd into a real situation. Their practice tends to reduce, define, erase and mix the thin line between art and life, staging situations that induce a rethinking of already-given structures. Power systems and conventional behaviors are triggered and stretched through improvisation and unexpected elements which find the escaping point in the irony of the counteraction. The sense of instability and the loss of horizon is often researched, questioning the expected and suggesting alternatives to usual modes of conduct.

Calori & Maillard (Letizia Calori and Violette Maillard) have been working as together since 2009. Their collaboration combines backgrounds in architecture (Calori) and film studies (Maillard). In 2011, they obtained a MA in visual arts at the Università Iuav di Venezia. In 2012, they moved to Frankfurt where they deepened their research at the Städelschule, Staatliche Hochschule für Bildende Künste and obtained a Meisterschüle in sculpture with Tobias Rehberger. They participated in several international shows, both in experimental spaces and institutions, such as MMK, Museum für Moderne Kunst, Frankfurt; Fundación Botín, Santander; Mousonturm and Deutsche Filmmuseum, Frankfurt; Spreez, Munich; Österreichische Skulpturenpark, Graz; Museum of Contemporary Art, Lissone; MAXXI National Museum of the 21st Century Arts, Rome; Moderna Museet, Stockholm; and Fondazione Bevilacqua La Masa, Venice.

Past Resident
2016: Mondriaan Fund

Maartje Korstanje

Maartje Korstanje creates sculptures that are often based on crises and beauty in nature, and the influence of man on this subject. Korstanje’s work is never too literal or figurative. This provides layered images that appeal to the imagination and provoke multiple interpretations. Characteristic of Korstanje’s sculptures – often made of cardboard and glue – are fascinating and crude shapes. They seem familiar at first glance, but at a closer look turn out to be something indefinable. She reveals unpredictable and sometimes dark shapes, which normally are concealed.

Maartje Korstanje studied at the Academy of Art and Design, St. Joost, Breda and the Sandberg Institute, Amsterdam. She participated in residency programs at Kunsthuis SYB, 2007; Instituto Buena Bista, Curacao Center for Contemporary Art, 2008; European Ceramic Workcentre, 2013; CARF India, 2015 and was a winner of the Prix de Rome in 2007 among other awards. Korstanje’s work has been presented in the following institutions Gemeentemuseum Den Haag; De Pont Museum, Tilburg; and the Hudson Valley Center of Contemporary Art, New York. She has presented solo shows at Upstream Gallery Amsterdam; De Vleeshal, Middelburg; Museum Jan Cunen; Oss and a two-person show at the Groninger Museum. Korstanje is represented by Upstream Gallery, Amsterdam.