Past Residents
Past Resident2022: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria2020
Antoinette Zwirchmayr
Antoinette Zwirchmayr’s work consists of concise juxtapositions that reveal sensitive relationships between human beings, objects and nature. The artist investigates stereotypical ideas of physique and identity through abstract fiction films, autobiographical memory tales, film adaptations of theoretical books, and fragmented picture compositions. Through the fusion of materials, colors, surfaces, and textures, Zwirchmayr attempts to evoke a sensory experiencing realm.
Antoinette Zwirchmayr has exhibited work at McEvoy Foundation for the Arts, San Francisco; Galerie Nationale du Jeu de Paume, Paris; MUMOK, Viena; Berlinale; Toronto International Film Festival; and Austrian Film Museum, among others.
Antoinette Zwirchmayr, Dear Darkness, 2022, 35mm film, 30 min..
Antoinette Zwirchmayr, Jean Luc Nancy, 2020, 16 mm film, 4 min..
Antoinette Zwirchmayr, The Seismic Form, 2020, 16 mm film, 15 min..
Antoinette Zwirchmayr, At the edge of the curtain, 2022, 16 mm lilm, 4 min..
Residents from Austria
Past Resident2020: Vision Fund
Charisse Pearlina Weston
Charisse Pearlina Weston’s creative work emerges from deep material investigations of poetics and the autobiographical. She utilizes glass to conceptually embody both the everyday risk of anti-black violence and the precocity and malleability of blackness in the face of this violence. She deploys language and the autobiographical to examine the delicate intimacies and reticent poetics underlying black life. She reuses and re-articulates materials from past installations to formulate the next to represent meaning’s capacity to shatter.
Charisse Pearlina Weston has exhibited work at the Contemporary Art Museum, Houston; Elizabeth Foundation for the Arts, New York; and Praz-Delavallade Gallery, Los Angeles, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Charisse Pearlina Weston, black point perspective or blueprints for worry (notes one of nine or for while, for when, for where?), 2017, replacement frame glass, cinder blocks, photo and text, dimensions variable.
Charisse Pearlina Weston, black notes for the thing left there (or when darkness risks being the forever nocturnal source of light itself, notes two of nine), 2018, replacement frame glass from collapse, tempered glass panels, transparencies, dark and lovely let's jam! conditioning and shine hair gel, dimensions variable.
Charisse Pearlina Weston, An Appeal, but, in Particular, Very Expressly, To (i sink), 2019, four-channel sound installation of slumped glass sound sculptures, shattered tempered glass from the thing left there, lathe-cut vinyl records, record players, dimensions variable.
Charisse Pearlina Weston, felt in the heart as well as uttered in the mouth, 2019, layered, slumped, and manually folded glass, photographic decals, high-fire enamel, and text etched on glass, 30 × 20 × 4 in. (76.2 × 50.8 × 10.16 cm).
Charisse Pearlina Weston, breach (a notion of freedom), 2019, layered, slumped, and manually folded glass, photographic decals, high-fire enamel, and etched text derived from work by Frederick Douglas and David Walker, 30 × 20 × 4 in. (76.2 × 50.8 × 10.16 cm).
Residents from United States
Aryel René Jackson
Studio #305
Hanae Utamura
Studio #201
Past Resident2024: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, Jerome Foundation, The Milton and Sally Avery Arts Foundation2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, Jerome Foundation2021: Vision Fund
Joiri Minaya
Joiri Minaya’s work is a reassertion of Self, an exercise of unlearning, decolonizing and exorcizing imposed histories, cultures and ideas. She reconciles the experiences of growing up in the Dominican Republic and navigating the United States and the Global North, using gaps, disconnections and misinterpretations as ground for creativity.
Joiri Minaya has exhibited work at Baxter St at the Camera Club of New York; Wave Hill, New York; and Centro León, Santiago, Dominican Republic, among others.
Joiri Minaya, #dominicanwomengooglesearch, 2016, UV print on Sintra board and fabric collage, 72 × 180 × 144 in. (182.88 × 457.2 × 365.76 cm).
Joiri Minaya, Tropticon, 2018, aluminum, polycarbonate and perforated vinyl, 144 × 120 × 120 in. (365.76 × 304.8 × 304.8 cm).
Joiri Minaya, Continuum, 2020, digital collage, 8 × 10 in. (20.32 × 25.4 cm).
Container #7, 2020, photography, 40 × 60 in. (101.6 × 152.4 cm).
Joiri Minaya, The Cloaking of the statue of Christopher Columbus behind the Bayfront Park Amphitheatre, and the statue of Ponce de Leon at the Torch of Friendship on Biscayne Blvd, Miami, Florida, 2019, dye-sublimation print on spandex fabric and wood structure, 144 × 60 × 60 in. (365.76 × 152.4 × 152.4 cm).
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sujin Lim
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Simon Liu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation