Past Residents
Past Resident2017: Danish Arts Foundation
Rasmus Røhling
Rasmus Røhling thinks of his artistic production as a self-passage. His work revolves around the topics of casualness, the Facehugger, iconoclasm, sophistication, and the impotence of ostentation. A reoccurring theme in Røhling’s sculptures and videos is the notion of art as the epistemologically unnameable and how this self-perception as stealth potentially affects artistic agency and methodology. The works often seem overtly concerned with enunciating their own ontology, oscillating between idiosyncrasy and strategy.
Rasmus Røhling is an artist and writer based in Copenhagen. He holds an MFA from California Institute of the Arts (2010) and a BFA from Jutland Art Academy, DK (2007). Røhling has shown work in exhibitions including Macho Man, Tell It To My Heart, Artists Space, New York; Travis, mertro pcs, Los Angeles; A.U.T.O.E.N.U.C.L.E.A.T.I.O.N., Sismógrafo, Porto; New Rocks Upon the Beach, SixtyEight, Copenhagen; Negating Depressing, SixtyEight Art Institute, Copenhagen; Rage and Patience, Human Resources, Los Angeles; Elephants, YEARS, Copenhagen; and Tell It To My Heart, Collected by Julie Ault, Museum of Contemporary Art, Basel.
Rasmus Røhling, Still from Pablo The Asshole, 2015, Video, 17 min.
Rasmus Røhling, Mowgli, 2013, Lightjet print, 20 × 16 in. (50.8 × 40.64 cm).
Rasmus Røhling, The Hobby, 2014, Mixed media, Dimensions variable.
Rasmus Røhling, S.U.P.E.R.P.A.C.I.F.I.C.A.T.I.O.N., 2015, Video, 3 min.
Residents from Denmark
Chiara Fumai
Chiara Fumai’s performative practice belongs to the tradition of female psychics. She freely (mis)interprets and combines the words of different controversial entities into new stories, questioning their symbolic meaning and representation. Her work engages radical feminism, media culture, language and repression. Fumai’s starting point is lecture-performances, which later evolves into installations, videos, collages, sound, embroidery and fictional documentation.
Chiara Fumai lives in Milan. She was the winner of the ninth edition of the Furla Art Award, 2013. Recent solo exhibitions include Der Hexenhammer, Museion, Bolzano, Italy, 2015; With Love from $inister, A Palazzo Gallery, Brescia, 2013; and I Did Not Say or Mean ‘Warning’, Fondazione Querini Stampalia, Venice, 2013. Recent group exhibitions and performances have been presented at David Roberts Art Foundation, London, 2015; CA2M Centro de Arte Dos de Mayo, Madrid, 2015; Whitechapel Gallery, London, 2014; De Appel Arts Center, Amsterdam, 2014; Nottingham Contemporary, 2014; Fiorucci Art Trust, London, 2014; MUSAC Museo de Arte Contemporáneo de Castilla y León, León, 2013; dOCUMENTA (13), Kassel, 2012; Studio Voltaire, London, 2014; Nomas Foundation, Rome, 2011; and MACRO Testaccio, Rome, 2011.
Chiara Fumai, The Book of Evil Spirits, 2015, 1-channel video, 26:24 min.
Chiara Fumai, Chiara Fumai reads Valerie Solanas, 2013, Video installation (detail), Dimensions variable.
Chiara Fumai, Less Light, My Dear, 2016, installation, dimensions variable.
Chiara Fumai, Chiara Fumai reads Valerie Solanas, 2013, Video installation, Dimensions variable.
Residents from Italy
Raffaela Naldi Rossano
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York, Directorate-General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation, Directorate-General for Contemporary Creativity of the Italian Ministry of Culture
2024
Past Resident2017: Mondriaan Fund
Anne de Vries
Anne de Vries is a Dutch artist working on the border of digital photography and other media, such as video and sculpture since 2003. De Vries is interested in how our understanding of reality is influenced by new media. He reconnects paradoxical elements, including different types of materials, to construct his works, often assessing how matter and information are constantly impacting one another.
Anne de Vries has exhibited work at ZKM | Center for Art and Media Karlsruhe; Cell Project Space, London; The 9th Berlin Biennale; Palais de Tokyo, Paris; Parc Saint Léger – Centre d’art contemporain, France; Kunstverein Arnsberg, Germany; Museum De Hallen, Haarlem, The Netherlands; Nest, The Hague; Foam Fotografiemuseum Amsterdam; Manifesta Foundation, The Netherlands; Centre culturel suisse (CCS), Paris; New Wight Biennial, University of California, Los Angeles; Museum Angewandte Kunst, Frankfurt; The Moving Museum, Turkey; Three Shadows Photography Art Center, Beijing; and more. He is currently teaching a master’s level class, “Contemporary Art and Photography,” at L’ECAL/Ecole cantonale d’art de Lausanne, Switzerland.
Anne de Vries, Steps of Recursion - ICG, 2012, Steel frame, uv print, and plastic, 53 × 43 × 29 in. (134.62 × 109.22 × 73.66 cm).
Anne de Vries, Oblivion, 2016, Sand, stones, wood, plastic, aluminum, paint, PVA, styrofoam, miniature advertisement campaign, miniature graffiti, miniature truss system, miniature LED projector, and miniature Hi-Fi system, 98 × 219 in. (248.92 × 556.26 cm).
Anne de Vries, Submission, 2015, Fiberglass, wood construction, equipment, livestreams, and audio conversation, Dimensions variable.
