Rodrigo Ímaz imbues his graphic work with strategies that are site-specific in order to investigate the blurry limits between time and space. Through poetical analogies of nature and anthropogenic events his work emphasizes the inadequacies of instrumental reason and criticizes contemporary societies through an exploration of the violent relationship between life and the cycles of nature. In Ímaz’s work, organic forms arise threatening arrogant human pride and the course of progress, while his visual poetry ennobles human creations.
Residents from Mexico
Gaël Peltier’s research deals with a set of notions related to the construction of the image, and specifically to the intrinsic temporality of the ‘image-movement.’ His works belong to the field of ‘expanded cinema,’ in which simultaneous practices compose a body of work that materializes through objects, photographs, films and performances. They show a confused dimension, an assented suspension of credulity, which is not unrelated to the experience of fiction. Peltier performed during the last Istanbul Biennial and has exhibited recently in CAPC, CNAC Villa Arson, France; Museo d’Arte di Nuoro, Italy.
Residents from France
Borea’s work is characterized by the continuous displacement and use of diverse media and materials. The openness toward these media define Borea’s approach, where the object’s time and history are of fundamental importance within the plastic discourse. His work explores the relationship between different cultures and histories. The role of distance in cultural, economic and social events constitute an important part in the process and execution of his works. Borea has exhibited individually and collectively in several venues in Europe, Latin America and the U.S.
Alberto Borea was part of There Is No Flag Large Enough, a collaborative project with Stefano Cagol and Maryam Najd.