Past Residents

Residents Map

Naomi Campbell

Naomi Andrée Campbell’s interdisciplinary practice explores natural systems of the body, its environment and how this is subjectively translated through our senses, employing a wide variety of techniques and materials ranging from X-rays to ice to paint. Campbell’s malleable worlds inspire and connect in, as much as create gaps through, a layered look at memory, perception, identity and permanence as constructs that guide her practice and philosophy. Campbell subverts expectation, forcing questions to arise rather than providing answers. A background in art and science prompted the adoption of this open-ended approach intrinsic to her work. Continually questioning the world through the changing lens of global conditions has resulted in a range of work discussing long-standing investigations into areas of environmental science.

Naomi Andrée Campbell (born in Montreal, Canada) lives and works in Brooklyn. Campbell’s work is found in permanent public collections including the MTA Arts for Transit, New York and The New York Public Library. She has contributed to American Artist, Artscape and Linea Art Journal and her work has been included in numerous publications including Art Students League of New York on Painting. Campbell has exhibited at Denise Bibro Fine Arts, New York; Asian Contemporary Art Fair, New York; Museum of Fine Arts, Croatia and represented by Yellow Peril Gallery at SCOPE Miami and New York. She is a visiting critic at Vytlacil Residency Program and has been a guest speaker at Lehman College and Pratt Institute, and an instructor at the Art Students League of New York since 2007.

Past Resident
2015: Davidoff Art Initiative

Hulda Guzmán

Hulda Guzmán is a figurative painter that focuses on narrative, where space has a leading role, whether the scene takes place in a natural, open space, or indoors, having architecture and interior design be a main point of interest. The characters as well may show in large gatherings, or in more intimate scenarios. This said, ones will tend to have a more social opinion, and others will rather study human relations, on a one to one basis. It is important to Hulda to be able to entice, through a theatrical approach, an experiential interpretation, as to have the viewer really feel the mood, and identify with characters, and draw its own conclusions or questions on the situation.

Hulda Guzmán (born in Dominican Republic) studied fine arts in Altos de Chavón, School of Design, D.R., and completed her degree at Parsons, New York. She later studied muralism at the Facultad de Artes y Diseño of Mexico City. Recent solo shows include Lanza del Norte, Machete Galería de Arte, Mexico City; When not to Stop, Volta, New York; Portraits, Arco, Madrid; In Joy, Lyle O. Reitzel Gallery, Santo Domingo. Group exhibitions include Under Construction, William Road Gallery, London; On Common Ground, Museo de la OEA, Washington, DC.

Sejin Kim

Sejin Kim works with a variety of media apparatuses, including documentary realism and cinematic language to explore various and perplexing relationships between individuals and contemporary society. Her approach chronicles everyday anxiety and fear, loneliness and alienation, conflict and confusion, and other conditions an individual endures while negotiating their existence and identity in a society that sustains itself by placing limitations on its members.

Sejin Kim received an MFA in Fine Art from the Slade School of Fine Art in London and an MA in Film/TV from Sogang University in Seoul. She has shown her work in solo exhibitions including The Proximity of Longing, Cultural Station284 RTO, Seoul, 2014; Prizma Gallery, Istanbul, 2015; and 24hr City, Brain Factory, Seoul, 2009. Group exhibitions include A View from The Other Side, Media Art from Finland and Korea, Moonshin Museum, Seoul, 2014; Fluid City, Media Theater I-Gong, Seoul, 2014; The Shade of Prosperity, INIVA, London, 2012; Bloomberg New Contemporaries, 2011, ICA, London; and S1 Art Space, Sheffield, 2011. She won Bloomberg New Contemporaries, 2011 and The 4th DAUM Prize, 2006.